No matter what she does, she can't convince him of the depth of her love, that he and he alone is the man of her life. He decides to put her to the test. He arranges his own apparent ... See full summary »
The story of Ingmar Bergman's parents. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in ... See full summary »
Max von Sydow
Without forewarning the police storm the hospital where Catti has given birth to her and Mikael's child. In the chaos that comes voices are heard that scream "terrorists" and "illegal stay"... See full summary »
This is story about an elderly man who's wife has just passed away. He is carrying her remains in an antique vase for burial at their cottage in the country. The story relates the trip of ... See full summary »
Ragnar Persson, a 68-year-old widower, is living at his summer cottage with his son, Mikael, and his son's pregnant girlfriend, Catti. Ragnar falls in love with his neighbour, Vendela, who ... See full summary »
No matter what she does, she can't convince him of the depth of her love, that he and he alone is the man of her life. He decides to put her to the test. He arranges his own apparent suicide. With pleasure he observes her shocked reaction. He hires a man to start a love affair with her. The attempt fails. Finally satisfied that he means everything to her, he reappears. Written by
Fredrik Klasson <email@example.com>
Am I just a bimbo to you who can cook and fuck?!
Can you talk a little bit louder, I don't think the whole neighborhood heard.
[screaming very loud]
AM I JUST A BIMBO TO YOU WHO CAN COOK AND FUCK?!
See more »
Opening with very compelling title credits, Richard Hobert's Ögat (The Eye) continues the suspense for the remaining two hours. Ingrid (Lena Endre) is in a seemingly perfect relationship with an outwardly perfect man, Frederik (Samuel Fröler). What Ingrid doesn't know is that Frederik is not quite all there. In fact, his obsessive jealousy stretches so far that he fakes a suicide in order to see Ingrid's reactions to his death (albeit, from afar and through 'spy-cams') and to validate her 'fidelity' to him after his untimely demise. When Ingrid's old friend, Mikael (Göran Stangertz), well known singer-songwriter, discovers the creepy truth about the compulsively infatuated Frederik, he sets out to protect Ingrid and unearth any further dirt on Frederik. The cast is uniformly excellent, with sufficiently tense moments and some great writing and direction from Hobert, this Swedish effort is quite entertaining - Ingrid's revenge at being so unmercifully tricked is a very satisfying moment
4 of 4 people found this review helpful.
Was this review helpful to you?