Patch Adams is determined to become a medical doctor because he enjoys helping people. Unfortunately, the medical and scientific community does not appreciate his methods of healing the sick, while the actual patients, medical professors, and hospital nurses all appreciate the work *he* can do, because they are unable to do it. Written by
Ari Herzog <email@example.com>
Camera and boom equipment are visible (and in motion) in the door window as the gynecologists are approaching the door between the paper mache "legs" that Patch Adams prepared for their arrival. See more »
Hunter Patch Adams:
[standing on the edge of a cliff contemplating suicide. He talks to God... ]
So what now, huh? What do you want from me?
Hunter Patch Adams:
[looks down over cliff, a rock tumbles off]
Yeah, I could do it. We both know you wouldn't stop me. So answer me please. Tell me what you're doing. Okay, let's look at the logic. You create man. Man suffers enormous amounts of pain. Man dies. Maybe you should have had just a few more brainstorming sessions prior to creation. You rested on the seventh day. Maybe you should've ...
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There are a lot of sugary clichés I use - in a nice way - to describe this story about a doctor with a good heart who truly believes in the healing power of laughter. Based on a real-life person (who looks a lot wackier than Robin Williams, who plays him in this movie), the story has its usual rebel fights-the- straight-laced-establishment cliché but is a warm, sentimental film that can't help but make you feel really good when it's all over. It's hardly all sugar, either, as there are not only frustrations but an immensely-shocking tragedy in here.
For a nice "family" movie, the profanity and sexual innuendos are a little much, so I don't think is one for the kids. (They wouldn't like it anyway.) Adults shouldn't mind. The language isn't that bad, anyway.
"Patch's" remedy for not only sickness but to get-the-girl is humor. It takes him awhile but he softens the hard-shell woman he's after (Monica Potter) and even the super stiff-ass roommate (Philip Seymour Hoffman) in the end. This film is tailor-made for Williams and his great sense of humor and ability to ad-lib. He has a lot of funny lines in here.
There is one little kid in here who's smile is one of the best I've ever seen on a human being, and I wish the boy had more scenes. The touches of sentimentality he brings, along with the laughter, is wonderful to see and heart- warming, to say the least. This is an inspiring story with comedy and romance and drama. That's what makes it so effective: a good combination of genres. One minute you're laughing, a few minutes later you have tears in your eyes.
A wonderful story, nicely acted and nicely told.
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