The Iron Giant (1999)

Director:

Brad Bird

Writers:

Ted Hughes (book)
Tim McCanlies (screenplay)

Release Date:

6 August 1999 (USA)

Genre:

Animation | Drama | Family | Sci-Fi

Tagline:

It came from outer space!

Plot:

A boy makes friends with an innocent alien giant robot that a paranoid government agent wants to destroy.

Plot Keywords:

No Opening Credits | Child | Resurrection | Alien Contact | Government Agent

Awards:

19 wins & 14 nominations

US TV Schedule:

Fri. July 11	6:00 AM	HBO
Sun. July 20	6:00 AM	HBO

Cast

Jennifer Aniston	...	Annie Hughes (voice)
Harry Connick Jr.	...	Dean McCoppin (voice)
Vin Diesel	...	The Iron Giant (voice)
James Gammon	...	Marv Loach / Floyd Turbeaux / General Sudokoff (voice)
Cloris Leachman	...	Mrs. Lynley Tensedge (voice)
Christopher McDonald	...	Kent Mansley (voice) (as Christopher MacDonald)
John Mahoney	...	General Rogard (voice)
Eli Marienthal	...	Hogarth Hughes (voice)
M. Emmet Walsh	...	Earl Stutz (voice)
Mary Kay Bergman	...	Additional Voices (voice)
Ollie Johnston	...	Train Engineer #1 (voice)
Jack Angel	...	Additional Voices (voice)
Michael Bird	...	Additional Voices (voice)
Devon Cole Borisoff	...	Additional Voices (voice) (as Devon Borisoff)
Rodger Bumpass	...	Additional Voices (voice)

MPAA:

Rated PG for fantasy action and mild language.

Runtime:

86 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS | SDDS

Certification:

South Korea:All | Germany:6 | Taiwan:GP | USA:PG (certificate #36640) | Iceland:L | Canada:G (British Columbia/Quebec) | Hong Kong:I | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Argentina:Atp | Australia:PG | Chile:TE | Finland:K-8/5 | France:U | Ireland:PG | Netherlands:AL | New Zealand:PG | Norway:7 | Singapore:PG | Spain:T | Sweden:7 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:U

Company:

Warner Bros. Animation

Trivia:

The Special Edition DVD contains 8 deleted scenes:

• An alternate opening featuring a larger ship in the eye of the hurricane, witnessing the Giant's arrival.
• Another scene of Hogarth at school.
• A talk in the truck about the death of Hogarth's dad, between Hogarth and his mother, following the 'Power Station' scene.
• Another part of the duel of wits between Hogarth and Kent involving what happens at breakfast the morning after Kent has his 'special' ice cream sundae.
• A campfire scene with Hogarth, Dean, and the Giant.
• A scene between Annie and Dean in the diner.
• The Giant and Hogarth getting involved with a drag race.
• A nightmare that the Giant has that gives clues to his origin and the bump on his head. These are mostly presented as animatic sequences, with some of them having partially completed animation.

Goofs:

Anachronisms: Dean is called a "Beatnik" during the film which is set in 1957. The term "Beatnik" was coined by Herb Caen of the San Francisco Chronicle on April 2, 1958 as a derogatory term, a reference to the Russian satellite Sputnik, which managed to suggest that the beats were (1) "way out there" and (2) pro-Communist.

Quotes:

Kent Mansley: The army arrives in the morning, Hogarth. Don't get cute.

Movie Connections:

Referenced in DVD (2006)

Soundtrack:

Searchin'

What more animated movie should be: a thoughtful, funny, touching story.

After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: [b]8.5/10.0[/b]

Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.

The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.

This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.

One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.

On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.