This is the story of a nine-year-old boy named Hogarth Hughes who makes friends with an innocent alien giant robot that came from outer space. Meanwhile, a paranoid U.S. Government agent named Kent Mansley arrives in town, determined to destroy the giant at all costs. It's up to Hogarth to protect him by keeping him at Dean McCoppin's place in the junkyard. Written by
Anthony Pereyra <firstname.lastname@example.org>
The last name for Annie and Hogarth, Hughes, is an homage to Ted Hughes, author of the original children's book upon which the movie is based. See more »
The nuclear-powered submarine USS Nautilus (SSN-571) is depicted as a fleet ballistic missile (FBM) submarine. However, the Nautilus was a torpedo-carrying attack submarine. Also, the Polaris FBM program was not operational until autumn 1960. Furthermore, the missile being fired is reminiscent of a UGM-73 Poseidon C3 missile, not fielded until 1972 on the Lafayette and James Madison-class SSBNs. See more »
I thought you might like, you know, a bedtime story. I have some really cool ones. Mad Magazine - very funny. The Spirit - very cool. Boy's Life - eh. Oh, here. This is Superman. He's a lot like you. Crash-landed on Earth, didn't know what he was doing... but he only uses his powers for good, never for evil. Remember that.
[Giant looks at a comic with a robot like himself on the cover]
Oh, that's Atomo, the metal menace. He's not a hero, he's a villain. But you're not like him. You're a good guy...
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The Warner Brothers logo is done in 50's art deco, as the Sputnik signal is heard. See more »
An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.
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