This is the story of a nine-year-old boy named Hogarth Hughes who makes friends with an innocent alien giant robot that came from outer space. Meanwhile, a paranoid U.S. Government agent named Kent Mansley arrives in town, determined to destroy the giant at all costs. It's up to Hogarth to protect him by keeping him at Dean McCoppin's place in the junkyard. Written by
Anthony Pereyra <email@example.com>
Kent drives a 1949 Chevy Fleetmaster, and the car that he borrows is a 1954 Oldsmobile 98. See more »
Dean is called a "Beatnik" during the film which is set in 1957. The term "Beatnik" was coined by Herb Caen of the San Francisco Chronicle on April 2, 1958 as a derogatory term, a reference to the Russian satellite Sputnik, which managed to suggest that the beats were (1) "way out there" and (2) pro-Communist. See more »
Thanks for the scrap, Floyd. I'm sorry I can't pay you more, but it's got... it's got this large "bite" out of it.
That's why I'm selling it. It's got a large bite out of it.
Yeah, right. What could have done this?
I told you what.
Oh, yeah. Strange invaders.
Thanks for believin' me. I really did call the government. They're sending someone over to take care of the whole thing.
Jeez, Earl, you really are crazy. I mean, who in the hell would the government send?
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"The Iron Giant" is the kind of animated film you wish there was more of. It respects the audience's intelligence, it has genuine emotion without resorting to schmaltz, and best of all it balances fantasy (well, science fiction) with believability. I think Warner Brothers animation has out-Disneyed Disney by adding thoughtful writing to clean, understated animation. What a concept!
The story is deceptively simple: Iron Giant falls from the sky at the dawn of the Space Race and befriends a young boy. But within that framework we get a double story, one for the grown ups and one for the kids, but the message is essentially the same one: paranoia and violence begets violence. I appreciate very much, as others who have commented, that no one burst into incongruous song and that there were no cutesy animal sidekicks. I should add that there were no clever yet implausible plot twists, nor were there any stock characters. The bad guy gets a little overheated, true, but he is never the embodiment of all things evil. The townspeople are your average small town Americans, not bumpkins. Mom is, well, mom-ish, caring but neither shrewish nor prone to whimpering outbursts. And our hero is plucky but not annoyingly precocious.
A BIG plus for this film is how well it weds the computer animation to the hand-drawn animation, a feat that the Big Mouse hasn't mastered yet. Even as recently as "Tarzan" it is glaringly apparent what parts are computer graphics and which aren't, and the contrast is very distracting. "The Iron Giant" makes a virtue of streamlined animation that draws your eye to the beauty of its color and motion.
It was a very VERY distinct and unusual pleasure to be treated to a film such as this. Give us more . . . please!
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