Four years after the Rising, the government starts to rehabilitate the Undead back into the society including teenager Kieren Walker, who returns home to his small Lancashire village to face a hostile reception as well as his own demons.
Tim Callahan, aide to New York Senator Lauren Platt, is disappointed that all of the $3 million funding has been pulled from his latest pet project, a safe zone for children and youth. His ... See full summary »
A brief extract of four kids' lives somewhere in France. Quentin, who won a writers contest and now pays more attention to his career as an author than to his friends, beautiful Julie, his ... See full summary »
It's the day before Christmas, the day before John's 21st birthday. He's a prostitute on Santa Monica Blvd in L.A., and he wants to spend that night and the next day at the posh Park Plaza ... See full summary »
A mysterious client of private eye Don Strachey pays him cash to tail a woman who turns out to be an undercover officer; an older lesbian couple are victims of threats and vandalism; an old... See full summary »
A police detective (Ed Corbin) assigned to work a gay bar on an undercover drug operation gets hooked up with a gay student hustler (Dane Ritter). After the student witnesses a murder, the cop provides him an alibi and invites him to stay at his apartment. There a homosexual relationship develops. Written by
John Sacksteder <firstname.lastname@example.org>
This film is by no means perfect: the script is a little loose, some of the performances are uninspired, and some of the characters are a little flat. The cinemetography is barely more than functional. But you don't see a movie like this expecting quick cuts and wacky camera angles, special affects and/or lovingly photographed scenery and people. I'm not a big fan of gritty realism, but this movie was extremely intelligent and sensetive in its handling of potentially ugly people and a potentially vulgar, trashy scenario/storyline: that alone sets it apart from about ninety percent of the "gay" cinema that I have seen. Taylor handles his subjects well, and while this is no groundbreaking work of film, it is consistently and appropriately crafted throughout. Points to the women of the film for turning in excellent performances all around, and to Ed Corbin for the way he deftly handled the moment he asks Oliver if he can just hold him: it was totally believable, and you could see everything this guy had to go through to make such a request. Also, a fantastic, beautiful, haunting soundtrack that I really wish I could find on CD. All in all, a worthy effort, worth checking out.
5 of 7 people found this review helpful.
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