Brady Hawkes, The Gambler, receives a letter from his son indicating he needs help. This sends Brady to the rescue. Along the way Brady meets up with Billy Montana, a young man who thinks ... See full summary »
Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia ... See full summary »
Some games are played for fun, some are played for power, but this game is played for ultimate stakes. In the underground world of ultimate poker, only one person walks out a winner, but win or lose, sometimes winning just isn't enough.
Police Inspector Dayashanker Pandey is a slacker, a man who does not want to put his life under any risk, and is quite comfortable sharing tall tales, and a desk job. Fate has other plans ... See full summary »
The story is set in late 19th century rural corner of South England. The daughter of timber merchant Melbury, Grace, returns to the town after finishing school. Her father now believes she ... See full summary »
Set in Las Vegas, "The Gambler" tells the story of a wealthy Eastern-European family whose misunderstanding of the American ways results in the loss of their dignity and self-respect. The ... See full summary »
Frantisek, the main character is returning to his family. Until now he's been, "successfully" avoiding all relationships. He is an ingenuous and a pure person and thus, is regarded as an ... See full summary »
(at around 32 mins) In the story-within-a-story supposedly being written by Dostoevsky in 1866, a woman says, "Would you like to play canasta, General?" Canasta was not invented until 1939, some 58 years after Dostoevsky's death. See more »
Makk's take on the 27 days Dostoyevsky worked to complete the novel 'Rouletenberg' is a mediocre attempt to inject some kind of passion into a direly dull subject. Themes of obsession and lust are all there bubbling under the surface but we never get under the skin of it, we never really go through the experience with Dostoyevsky, which ultimately means we hardly give a care.
The saving grace in amongst some incredibly earnest, yet unaffecting performances, is Luise Rainer's mesmerising ten, or so, minutes on screen. All wide-eyed and full of charm, she steals the movie,as the Grandmother relishing the chance to play at roulette for the first time. The anticipation, delight, and despair in this brief appearance leave you wanting more. Sadly, there isn't any!
Makk's film looks good, with the requisite period detail, and atmospheric slo-mo, and overlapping repeat shots, but with such a lacklustre story it didn't really ignite any enthusiasm in this viewer.
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