The tale of Cinderella who lives with her stepmother, the Dame, and her two horrid stepsisters. The family is unkind to Cinderella and makes her sleep in cinders near the fire. Short of ... See full summary »
Eleven-year-old Annie has been living in an orphanage her whole life run by cruel Miss Hannigan. After unsuccessful escape attempts, Grace Farrell comes to take the child home to live two ... See full summary »
Lady Tremaine gets her hands on the Fairy Godmother's wand, then turns back time to the day Cinderella tried on the glass slipper. She enlarges the slipper to fit one of the stepsisters, ... See full summary »
Christopher Daniel Barnes,
In the tiny kingdom of Euphrania, the King and his court are most anxious to get Prince Edward wed. But Edward wants to marry for love. Meanwhile, young Cinderella finds life drastically ... See full summary »
When the Prince and Lionel are testing the glass slipper on all the women in town, the scene shows a long line of feet waiting, followed by a few feet trying on the shoe. The final foot before the prince leaves the house frustrated appears to be a man's foot as it is much larger and the legs of the person are not shaved. The man is also wearing a white flip-flop on his other foot which is again uncharacteristic of all the costumes in the movie. See more »
We received this movie as a gift and it sat unwatched for a year until my 3-yr old pulled it out. I don't usually tear up during movies, but this production is stunning to watch, and lovingly detailed. The costumes, the sets, the colors are hypnotic, very much like a dream. I particularly appreciate the inclusive, multi-racial cast, especially because we're used to seeing all combinations of families here in Cambridge. Whitney Houston's voice gives new meaning to the idea of fairy godmother. It's really her show; the whole theme that "nothing is impossible" rings even truer when you know about Houston's own history as a young housewife singing in her basement, dreaming of something better. Brandy makes a most sympathetic Cinderella-- she's not passive, she just doesn't know what to do, and her transformation from scullery maid to conficent princess is as believable as it is lovely to watch. This production is also unpretentious in that it's not preachy, or divisive. There is no one evil or bad; everyone's clearly trying to do the best they can. What more can you ask for? I'm in love with this movie, and credit Houston with a clear vision of how the dusty Cinderella story can become timeless and compassionate with just a few strategic modern touches!
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