Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten ... See full summary »
Courbevoie (France), 1971. Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished... See full summary »
Lucien Bourrache, a good looking non-commissioned officer at the Spahis, is used to charm many women. He met Madeleine Courtois at Cannes. She is beautiful and lives in luxury. He lends her... See full summary »
Jim Stauton Rogers, a Texas rancher turned international diplomat, take his young daughter, Elizabeth Rogers, on a trip to Paris. He is concerned that his daughter might come in contact ... See full summary »
Rudolf, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry... See full summary »
Fifteen years after WWII, a group of ex-resistance fighters are brought together by Marie-Octobre, so that the former members of the network can finally relive one fateful night and find out who betrayed their murdered leader, Castille.
Probably not.Melodrama is very hard matter to handle and it takes a lot of talent to pull it off.Denys De la Patellière is not the FRench Douglas Sirk,by a long shot.
During the Occupation at the end of WW2 ,a young man(Brialy) takes refuge in an old mansion in the country where an old maid (Darrieux) and her authoritarian mother (Rosay) live.Following an accident he became blind.
Do not let the "historical" background fool you.The vital question is :will the old maid find love at last?Danielle Darrieux is not well cast:how could she pass for an ugly woman?And Françoise Rosay,who plays her over possessive mother overplays as hell.Brialy,one of the few young actors of the era who work for both nouvelle vague directors (Chabrol,Godard) and their predecessors (Cayatte,Duvivier) is ill at ease.
Although he began in the mid-fifties ,as a contemporary of the early nouvelle vague,De la Patellière should be looked upon as a keeper of the flame ,a continuator of Duvivier,Clouzot,Decoin,Autant-Lara or Christian-Jacques.But those directors were genuine artists whereas he's only a drudge.Some elements for instance come at the most awkward moments ,the mother's intellectual ambitions for instance,or the "historical " events.
Later works do nothing but confirm De La Patellière's blatant lack of talent."Le tatoué" (1968) will be Jean Gabin's worst part.
1 of 4 people found this review helpful.
Was this review helpful to you?