Rushmore (1998) Poster



Jump to: Cameo (1) | Director Cameo (1) | Director Trademark (3)
Jason Schwartzman came to his audition wearing a prep-school blazer which sported a Rushmore patch he had made himself.
Bill Murray genuinely found that Keith McCawley and Ronnie McCawley who play his sons, were very much like their screen characters, annoying, and many of the scenes, where he lashes out at them and insults them, were improvised.
On the first day of principal photography, Wes Anderson delivered his directions to Bill Murray in a hushed whisper, so awed was he to be working with the actor. Graciously, Murray deferred publicly to Anderson, helped haul equipment, and when Disney denied a helicopter scene that would have cost seventy-five thousand dollars, he gave Anderson a blank check to cover the cost.
When Bill Murray first read the script, he thought it was so fantastic that he said he wanted to do it so badly he would do it for free.
Wes Anderson and Owen Wilson's intent with this film was to create their own "slightly heightened reality, like a Roald Dahl children's book".
The Bentley used in the film was used in exchange for the owner's daughter to appear in the film.
Like Max Fischer, Owen Wilson was expelled from his prep school in the tenth grade.
The pictures of Ms. Cross' dead husband in her bedroom are pictures of co-writer Owen Wilson.
Director Wes Anderson drummed up publicity the old-fashioned way by traveling across the country in a tour bus that was kitted out with two big screen TVs, two VCRs, a CD player, cellphones, a satellite dish and a Sony Playstation. This largely came about because Anderson hates to fly.
One of the main filming locations was Wes Anderson's former high school, St. John's School, in Houston, Texas. He hired some of the students from the school to play extras and even some major speaking roles.
According to Bill Murray, he disliked Jason Schwartzman's personality during their first meeting. But he eventually warmed up to him while they worked together.
The speech about privilege that Bill Murray gives at the beginning of the film was inspired by an actual speech once given by Robert Wilson, father of Andrew Wilson, Luke Wilson and Owen Wilson.
Film debut of Jason Schwartzman.
When Ms. Cross and Max feed the fish and talk about deaths of loved ones, Jason Schwartzman (Max) had to stand on boxes so he could be the same height as Olivia Williams (Ms. Cross).
Bill Murray's character wears the same suit throughout the entire film. He just changes his shirt and tie, which are always the same color as each other.
The screenplay to this was written long before Wes Anderson and Owen Wilson's debut film, Bottle Rocket (1996).
Wes Anderson originally intended the film's soundtrack to be entirely made up of songs by The Kinks.
Before the film's theatrical release, Wes Anderson arranged a private screening for one of his adolescent heroes, the critic Pauline Kael. The film thoroughly mystified Kael who at that stage was retired, nearly 80 and being treated for Parkinson's disease.
The movie's line "Yeah, I was in the shit." was voted as the #56 of "The 100 Greatest Movie Lines" by Premiere in 2007.
1800 teenagers were auditioned from the United States, Canada and England for the part of Max Fischer.
Wes Anderson had originally envisioned Noah Taylor for the role of Max Fischer. Though Jason Schwartzman won the role, Anderson eventually worked with Taylor on The Life Aquatic with Steve Zissou (2004).
A shot of Max Fischer, sitting on a go-kart, wearing a pair of goggles, (and featured on the back cover of the UK DVD) is a recreation of a photograph taken in 1909 by French photographer Jacques Henri Lartigue, a child prodigy who started taking photographs at the age of 6. The two people go-karting in the background are director Wes Anderson and Owen Wilson.
DIRECTOR_TRADEMARK(Wes Anderson): [Charlie Brown Christmas]: Max's dad is a barber, as was "Peanuts" creator Charles M. Schulz's. Max flies a kite, which Charlie Brown was often seen attempting. Max is seen wearing a winter cap and carrying a plant, similar to a scene with Charlie Brown in A Charlie Brown Christmas (1965). In the beginning of the "December" sequence in the barber shop, a musical interlude from that cartoon can be heard playing in the background.
The film was originally going to be made by New Line Cinema, but they couldn't agree on a budget. Wes Anderson, Owen Wilson, and producer Barry Mendel, held an auction for the film's rights in mid 1997 and struck a deal with Joe Roth, who was then chairman of Walt Disney Studios. A budget of ten million dollars was agreed upon.
Wes Anderson and Owen Wilson mentioned Roald Dahl as inspiration for the movie. Anderson would later go on to direct an adaptation of one of Dahl's books, Fantastic Mr. Fox (2009).
The two schools used as sets in the movie, St. John's School (Rushmore) and Lamar High School (Grover Cleveland) occupy the same city block in Houston, Texas.
The book Max is reading at the beginning of the movie is "Diving for Sunken Treasure" by Jacques-Yves Cousteau who was the main inspiration for Wes Anderson's later film, The Life Aquatic with Steve Zissou (2004)
Max asks Margaret Yang to remove her glasses, and tells her she looks better without them. While this is a staple of many romantic comedies, it was also used in Rocky (1976), and the girl in glasses was played by Jason Schwartzman's mother, Talia Shire. Max's conversation with the Headmaster, asking to let him stay at Rushmore "for old times' sake," mirrors a similar scene in The Godfather (1972), between Sal Tessio (Abe Vigoda) and Tom Hagen (Robert Duvall). Shire also appeared in that film. Max's play features many similarities to Apocalypse Now (1979) which, like The Godfather, was directed by Shire's brother, and Jason's uncle, Francis Ford Coppola.
During the casting process, the film makers went to different New England private schools, mostly in Massachusetts, looking for a student to play Max Fisher.
Rosemary takes a job at a girls' private school called "The Webster Smalley School for Girls". Webster Smalley is well known for teaching playwriting at the University of Texas at Austin, which Wes Anderson and Owen Wilson both attended.
Some of Jacques Henri Lartigue's photographs, including the picture that inspired the mock of Max in a go-kart, are featured on the wall behind Max's desk in the opening scene. The title of the photo is 'Zissou's bobsled with wheels, after the bend by the gate, Rouzat, August 1908.' Bill Murray's character in Wes Anderson's The Life Aquatic with Steve Zissou (2004) is 'Steve Zissou'.
Touchstone hadn't planned on releasing the film until February 5th, especially in light of the heavy holiday release schedule, but when they saw the finished product, they rushed it into limited release for one week in December to qualify for Academy Award consideration, specifically Bill Murray for Best Supporting Actor.
The book that Miss Cross is reading to her students when Max first sees her is Kidnapped by Robert Louis Stevenson, which follows the growth of David Balfour from a naive young boy to a heroic, experienced man.
In a shot of Max's petition to save Latin, the names of Jason Schwartzman's band mates from Phantom Planet (Alex Greenwald, Jacques Brautbar, Sam Farrar, and Darren Robinson), as well as the name of the band's manager (Dan Field) can be seen in the middle of the left column.
Among the many films that Jason Schwartzman watched to prepare for his role was You're a Big Boy Now (1966), directed by his uncle Francis Ford Coppola.
Brian Cox was cast on the strength of his performance in Manhunter (1986).
In the geometry class Max dreams about during the school chapel/assembly, he solves a problem on the board - this problem is to derive the area of an ellipse by integrating its equation. Not a high school problem, but definitely not the hardest geometry problem in the world.
Elijah Wood auditioned for the role of Max.
Film debut of Alexis Bledel who can be seen sitting on the right in the Grover Cleveland classroom just before Max (Jason Schwartzman) makes his speech; she can also be seen in the audience of "Heaven and Hell". Furthermore, one of the names on Max's petition to save Latin is "Alex Bledel."
A favorite film of both Jonah Hill and Mark Flood.
The song featured whilst the two main characters are sabotaging each other is a live performance from The Who called "A Quick One While He's Away" This is taken from "The Rolling Stones Rock And Roll Circus" show from 1968.
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The book that Miss Cross is reading when she meets Max is Jules Verne's Twenty Thousand Leagues under the Sea.
The quote on Max's mother's headstone, "The paths of glory lead but to the grave" is from the Thomas Gray poem "Elegy Written in a Country Churchyard" (line 36) This same quote was the second clue to the treasure in the Disney film Candleshoe (1977) starring Jodie Foster and Helen Hayes. Touchstone is a division of the Disney Co.
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
In the film, Max checks out a book by Jacques Cousteau, which is what leads him to finding Miss Cross. Jacques Cousteau is also the main inspiration for the character of Steve Zissou in the Life Aquatic with Steve Zissou (2004), also by Wes Anderson.
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The first film collaboration between actor Bill Murray and director Wes Anderson. They would go on to work together again in many more films ("Moonrise Kingdom" (2012), "The Grand Budapest Hotel" (2014), The Life Aquatic with Steve Zissou" (2004), etc.).
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Max (Jason Schwartzman) asks the headmaster (Brian Cox) not to expel him, for "old times' sake," echoing a scene in The Godfather (1972) asks Tom Hagen (Robert Duvall) to get him out of being executed, "for old times' sake." Brian Cox would later play Marlon Brando in 'Elizabeth, Michael and Marlon (2016)(TV)'. Schwartzman's mother, Talia Shire, played Brando's daughter in the film.
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Criterion Collection Spine #65
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Max lights a cigarette for Miss Cross while they are talking on the bleachers. She is smoking an American Spirit.
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Thayer McClanahan: can be seen to sign his own name on the petition to save Latin.
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Director Cameo 

Wes Anderson: The first voice that appears in the film and tries to solve the problem to the equation in Max's dream scene. Anderson can also be seen at the part after the play sitting in the background behind Max.

Director Trademark 

Wes Anderson: [mid-shot speed change] The last scene changes from normal speed to slow-motion.
Wes Anderson: [The Rolling Stones] Features "I Am Waiting".
Wes Anderson: [underwater shot] Shot of one or more of the characters underwater.

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