Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Max Fischer is a precocious 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities - from being in the beekeeping society to writing and producing plays, there's very little after school he doesn't do. His life begins to change, however, when he finds out he's on academic probation, and when he stumbles into love with Miss Cross, a pretty teacher of the elementary school at Rushmore. Added to the mix is his friendship with Herman Blume, wealthy industrialist and father to boys who attend the school, and who also finds himself attracted to Miss Cross. Max's fate becomes inextricably tied to this odd love triangle, and how he sets about resolving it is the story in the film. Written by
Gary Dickerson <slug@mail. utexas.edu>
The film was originally going to be made by New Line but they couldn't agree on a budget. Wes Anderson, Owen Wilson and producer Barry Mendel held an auction for the film's rights in mid-1997 and struck a deal with Joe Roth, who was then chairman of Walt Disney Studios. A budget of $10 million was agreed upon. See more »
At one point a reporter is interviewing Max Fischer with a tape recorder. As he's holding it up to Max to speak into, it is very obvious that the tape recorder is not moving, the wheels inside are at a standstill. See more »
If, and only if, both sides of the numerator is divisible by the inverse of he square root of the two unassigned variable.
Good. Except when the value of the "X" coordinate is equal to or less than the value of one. Yes Isaac?
What about *that* problem?
Oh, that? Don't worry about that.
I just put that up as a joke. That's probably the hardest geometry equation in the world.
Well, how much extra credit is it worth?
Well, considering I've never seen anyone get it right, ...
See more »
Rue St. Vincent
Written by Bruant Aristide
Published by EMI Virgin Music, Inc. (ASCAP)
Performed by Yves Montand
Courtesy of Columbia Records and Sony Music Entertainment (France) S.A.
By Arrangement with Sony Music Licensing See more »
This is a love it or hate it kind of movie. I've watched this movie with people with a like-minded sense of humor and they always have a polarized reaction to it. Love it or hate it. Personally, it's in my top 10 movies. Max Fischer is the quintessential oddball kid. A phenom of extracurricular activities but still gets bad grades. He lacks social skills yet is bold enough to say what's on his mind. The genius of this film is how Anderson writes dialogue for his characters as adults but has kids saying the lines. Dirk steals the scenes as he confronts Bill Murray and spits on his car, plays a gun touting nun in Max's version of "Serpico" and is the cigarette smoking point man in the final play. Anderson has a great talent for having his characters be odd, yet still plausible. He can really balance that mix, yet still tell a story from his skewed reality. I hope I'm making sense because I just had six shots of whiskey and two Benydril and am nodding off. LOL. Anyway, this movie is about the pain of growing up, the pain of loneliness, the happiness of friendship, the ugliness that we are all capable of and ultimately for Max, redemption.
The scene where Max grabs a hold of the yellow kite and starts to get it all back together is great. Back dropped by Cat Steven's "The Wind", it's a wonderful meeting of film and music. Anderson has a knack for that. Great soundtrack all around. The closing scene is equally terrific. If you hate this movie, trust me, I understand...I hated it too. It wasn't until I saw it a second time that I saw it in a different light. It's a pretty special movie about growing up and forgiveness. If you happen to rent this, try to get the Criterion Edition; a lot of great extras in there. One last thought, Bill Murray gives a great, great performance as well as Olivia Williams, who, IMO, should had gotten an Oscar nod as well. OK, sleepy time...zzzz
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