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Rushmore (1998)

7.8
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Ratings: 7.8/10 from 109,726 users   Metascore: 86/100
Reviews: 627 user | 177 critic | 31 from Metacritic.com

The extracurricular king of Rushmore preparatory school is put on academic probation.

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Title: Rushmore (1998)

Rushmore (1998) on IMDb 7.8/10

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Nominated for 1 Golden Globe. Another 17 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sara Tanaka ...
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Dipak Pallana ...
Mr. Adams (as Deepak Pallana)
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Marietta Marich ...
Mrs. Guggenheim
Ronnie McCawley ...
Ronny Blume
Keith McCawley ...
Donny Blume
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Storyline

Max Fischer is a precocious 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities - from being in the beekeeping society to writing and producing plays, there's very little after school he doesn't do. His life begins to change, however, when he finds out he's on academic probation, and when he stumbles into love with Miss Cross, a pretty teacher of the elementary school at Rushmore. Added to the mix is his friendship with Herman Blume, wealthy industrialist and father to boys who attend the school, and who also finds himself attracted to Miss Cross. Max's fate becomes inextricably tied to this odd love triangle, and how he sets about resolving it is the story in the film. Written by Gary Dickerson <slug@mail. utexas.edu>

Plot Summary | Plot Synopsis

Taglines:

Love. Expulsion. Revolution. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

19 February 1999 (USA)  »

Also Known As:

Tres son multitud  »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

£69,703 (UK) (20 August 1999)

Gross:

£69,703 (UK) (20 August 1999)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Brian Cox was cast on the strength of his performance in Manhunter (1986). See more »

Goofs

When Magnus confronts Dirk and tells him about what Max said he did with Dirk's mom, a crew member is reflected in the window behind Dirk. See more »

Quotes

[first lines]
Student: If, and only if, both sides of the numerator is divisible by the inverse of he square root of the two unassigned variable.
School Professor: Good. Except when the value of the "X" coordinate is equal to or less than the value of one. Yes Isaac?
Student: What about *that* problem?
School Professor: Oh, that? Don't worry about that.
Student: Wait. Why?
School Professor: I just put that up as a joke. That's probably the hardest geometry equation in the world.
Student: Well, how much extra credit is it worth?
School Professor: Well, considering I've never seen anyone get it right, ...
See more »

Connections

References 20000 Leagues Under the Sea (1954) See more »

Soundtracks

Rue St. Vincent
Written by Bruant Aristide
Published by EMI Virgin Music, Inc. (ASCAP)
Performed by Yves Montand
Courtesy of Columbia Records and Sony Music Entertainment (France) S.A.
By Arrangement with Sony Music Licensing
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User Reviews

Succeeds because there is as much dark emotion as there is dark comedy
27 March 2005 | by (United Kingdom) – See all my reviews

Max Fischer has a scholarship to exclusive prep school Rushmore, despite the fact that he really isn't as smart as his demeanour would suggest. He relentlessly talks himself up, forms and joins clubs and seems to impress as many people as he annoys – all with a very thin veil of lies to support it. When he falls in love with a teacher (Rosemary Cross) things appear wonderful but it is not long before he has messed it up. His frustrated friend (Herman Blume) tries to help but only succeeds in making things much, much worse and Max risks losing everything that is important to him.

Having recently see The Life Aquatic etc I decided to step back to a film that I feel did Wes Anderson's humour and talent much more of a service and one in which he got the mix just right. To me Rushmore is that film, although this is not to imply that it will appeal to those that just don't like any of his films. The plot is the usual mix of offbeat characters, strange events and deep seated emotions (and usually not happy ones either), it is quirky and humorous but it still works because, unlike Life Aquatic, it has enough heart and plot to balance out the dark quirky humour. To me the story is still a bit strange and difficult to get into but it does the hard work for you and even when I was still getting into it I was interested if not totally involved. The heart of the story is not one I could relate to, but I was able to feel for the characters and got into it quickly as a result – none of them are instantly likable characters or simple ones but they are still well written and delivered. The humour is never really consistently hilarious but to complain about a lack of belly laughs is to miss the point; for me the dark humour was well done and I found the film funny even when it didn't draw laughs from me.

The cast are impressive and work well with the material they are given. Murray has much more meat in this supporting role than he did with Zissou and he does very good work with it throughout while also managing to carry off his deadpan delivery as well as usual. Schwartzman is spot on with a character that we are never able to truly like but have to get behind at the same time – he pitches it just right and shows a great understanding of his character. Williams is beautiful and vulnerable and works well in her role while support is good from Cox and Cassel as well as several others in support roles and cameos. Special mention to Tanaka for being the sweetest redemption I've seen in many a film and pulls off the geeky but wonderful girl of many of our dreams.

Overall this is a good film but not one that will appeal to the majority of viewers or be the one to win over those that just don't like Wes Anderson's films. The plot and characters are interesting throughout and the film succeeds because it manages to mix emotional content with darkly quirky humour rather than doing one at the expense of the other. An enjoyable film and probably my favourite from Anderson thus far.


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