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IMDb > Rushmore (1998)
Rushmore
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Photos (see all 23 | slideshow) Videos (see all 9)
Rushmore (1998) -- This is the Rushmore inspired music video for the song "Oscar Wilde" by Company of Thieves.
Rushmore (1998) -- AllTrailers.net - Trailer (Flash)

Overview

User Rating:
7.8/10   49,759 votes
MOVIEmeter: ?
Up 1% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Wes Anderson (written by) &
Owen Wilson (written by)
Contact:
View company contact information for Rushmore on IMDbPro.
Release Date:
5 February 1999 (USA) more
Genre:
Tagline:
"She was my Rushmore" more
Plot:
The king of Rushmore prep school is put on academic probation. full summary | full synopsis
Awards:
Nominated for Golden Globe. Another 13 wins & 11 nominations more
NewsDesk:
(135 articles)
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Film Junk Podcast Episode #246: Steven Seagal: Lawman
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User Comments:
Gorgeously faithful evocation of an adolescent's mindset. more (592 total)

Cast

  (Cast overview, first billed only)
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Additional Details

MPAA:
Rated R for language and brief nudity.
Runtime:
93 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Filming Locations:

Fun Stuff

Trivia:
In the scene of the signing of the petition to save Latin, actor Thayer McClanahan (playing one of Max's friends) can be seen to sign his own name on the petition. more
Goofs:
Continuity: When Max is being interviewed at baseball field the interviewer's tape recording is not recording (tape isn't spinning). more
Quotes:
Herman Blume: So you've changed your mind and you want the job.
Max Fischer: No, I've got an idea and I need some money.
more
Movie Connections:
Referenced in "Veronica Mars: Plan B (#2.17)" (2006) more
Soundtrack:
Rue St. Vincent more

FAQ

This FAQ is empty. Add the first question.
30 out of 50 people found the following comment useful.
Gorgeously faithful evocation of an adolescent's mindset., 6 September 1999
9/10
Author: Darragh O' Donoghue (hitch1899_@hotmail.com) from Dublin, Ireland

Overextended rather than overlong, this is still, along with A BUG'S LIFE, the best American film of the year. Sadly, this has been an atrocious year for movies, so that isn't saying much (being Europeans, we still haven't seen EYES WIDE SHUT or THE BLAIR WITCH PROJECT, so there's still hope). There has been no outstanding, awe-inspiring, terrifying, beautiful, blow-everything-out-of-the-water film this year, no PULP FICTION, THE USUAL SUSPECTS or HEAVENLY CREATURES. The main problem with new films is style. Because style has been reduced to empty, showy Lelouchisms, intelligent directors, like Solondz or Labute, have rejected style altogether; and their rather flat, dull compositions can detract from the undoubted brilliance of their content.

RUSHMORE has style in spades. RUSHMORE is (on the surface at least) a very intelligent film. It is the kind of film my spouse would dismiss as 'a young man's film', but then so, apparently, was A BOUT DE SOUFFLE. The comparison is not gratuitous. There is a glorious, gleeful, freewheeling joy in cinema here that carries the film for the first hour, reminiscent of the early Nouvelle Vague, and Richard Lester. It's odd how these old devices - and there are also echoes of Chaplin, Keaton, the Marx Brothers, Tati and Woody Allen in here too - should seem so fresh and new. Has cinema stagnated so far? Most modern US (indie) film is stagy, rigid, overcomposed. This film uses all the old tricks to show life being lived, not an imposed thesis.

As I suggested, the film is probably intelligent. I say probably, because this is not its main interest. It does interesting things with Oedipal conflicts - there are at least five father/son relationships in the film (Max/Bert, Max/Dirk, Max/Hermann, Hermann/sons, Max/Edward Appleby), most of which are put under pressure, if not outright hostile, but resolved in unexpected ways. There is the influence of the dead on the living, unwritten stories intruding on those trying to write their own lives. There is the idea of Rushmore as a conservative, Brideshead-like arcadia, wherein also lies betrayal and death. The whole Ivy League (or whatever second level's called over there) system is debunked: whereas Rushmore will accept any trash as long as they're white, Max's multi-racial public school seems a much more vital place.

What is great about this film is not these things, but its understanding of and sympathy for adolescent experience. The most obvious marker of this is self-dramatisation, and there is strong evidence (the theatre curtains that open each section; Max's facility as a playwright; the repetition of portraits and framings within the film) that this is not an 'objective' story, but Max's highly mediated view of his own life. The film is sprightly, energetic, hilarious and inventive when he is on top of life, sluggish and dour when he is depressed. This actually makes his pain even more moving, and why he can sympathise with Hermann throughout on an emotional level, even when he needs to hate him on a narrative one.

Bill Murray gives the year's outstanding performance, which will hopefully be ignored at the Oscars - there is such depth to his angst, such humour to his self-lacerating millionaire, a self-made man who tragically sees himself as a loser. Few actors today can be so heartbreaking while seeming to do so little. And people still think Meryl Streep is an actress.

It is Jason Schwarzmann, though, who must carry the film, and he is perfect - brave, enterprising, irritating, vital. His romantic object is rather a drip, as adolescent idealisations generally are, and her swearing wake-up call is suitably shocking. Brian Cox is hilarious as a gruff, though sympathetic, headmaster, whose fate again suggests youthful wish-fulfillment. The use of music is as inventive as any great film I've seen. The film is actually quite bleak, and we can only thank our stars that Max isn't a goth - his doomed inventiveness staves of despair. Wonderful.

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Message Boards

Discuss this movie with other users on IMDb message board for Rushmore (1998)
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Poorly cast? oprivman
Theme of the movie? MschiefMayhmSope
Catcher in the Rye? scarface_476
The beginning of Max's redemption nedbingryerson
'She's my Rushmore' kweston09
Fall Out Boy Krumanos
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