Despairing of ever finding love, the insecure Angelo uses a photo of his handsome brother Gino to convince a beautiful Italian girl across the sea to marry him. Gino is delighted for Angelo... See full summary »
Handguns figure in the intertwining lives of nine people. Warren shoots his wife Helen's lover and his defense is that he thought he was shooting an intruder. She leaves him; the lawyer ... See full summary »
A brooding self-styled swinger obsessed with things from the 1950's loses himself in booze and night clubbing amongst similar other men. Meanwhile he pines for the woman he really loves, ... See full summary »
The filming of this movie is beautiful and well planned, however it doesn't make up for what, in my mind, the story lacks. At times the peculiarity of the events (and of Robert John Burke's failed attempt at a Creole accent) made me cringe. "How could anyone be so stupid?" I asked myself as Joey tagged alongside Sissel's creepy father. Other events that made me borderline-nauseous: the moontanning incident, the rat in the wall, the sex-on-the-pier fiasco. "The sex-on-the-pier fiasco" seemed to be Peretz's attempt to finally connect the dream sequences to something physically occurring in the movie, though in my mind, it failed miserably and I got a good hearty laugh out it. Besides the picturesque setting and great camera work, the only other redeeming qualities were Giovanni Ribisi (Joey) and Jeanetta Arnette (Sissle's mom). Natasha Gregson Wagner's Sissel seemed to a bit too psychotic for my tastes. Ribisi seems to have much talent, and Arnette's small role helped add moments of humor and excitement. See this movie for the acting/cinematography, not to be blown away.
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