1. THE ANNUNCIATION. The Angel of the Lord appears to Mary, announcing the birth of a child, which shall be called the "Son of God." 2. THE STRANGE STAR. Led by the light of the strange new... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
Of all the beautiful stories ever told none are more interesting than Gulliver's Travels. How Gulliver set out on a journey and was shipwrecked on an island, where he found strange people, ... See full summary »
Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door... See full summary »
At the royal court, a prince is presenting the princess whom he is pledged to marry, when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, ... See full summary »
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man... See full summary »
A well-dressed woman leaves her home and takes a carriage to a department store. While she is in the store, she steals several items, and is caught by store employees. Meanwhile, a poor ... See full summary »
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the ... See full summary »
Cecil B. DeMille
Depicting well-known incidents in the life of Jesus Christ, this milestone of early cinema won world fame, huge audiences and a screen life of decades when most secular films of the time measured their commercial life in weeks.
La cella di un condannato a morte. L'uomo sta dormendo e sogna il passato che lo ha portato in prigione : vita frenetica, cattive amicizie, alcolismo, l'assassinio di un cassiere di banca. ... See full summary »
1. THE ANNUNCIATION. The Angel of the Lord appears to Mary, announcing the birth of a child, which shall be called the "Son of God." 2. THE STRANGE STAR. Led by the light of the strange new star, the three wise men of the East journey to Bethlehem in search of the holy child, whose birth has been foretold to them. They are followed by a large retinue of servants and a train of camels, donkeys, sheep, etc., forming in all an impressive caravan. 3. THE ADORATION OF THE WISE MEN. The wise men and the shepherds enter the lowly stable and kneel at the feet of Mary, who holds in her arms the new-born babe. Joseph stands near and watches the touching scene. 4. FLIGHT INTO EGYPT. Through the lonely Egyptian desert Mary and Joseph flee to a place of safety to preserve the life of the infant Jesus. Arriving at the famous Sphinx, Mary finds shelter for the night, while Joseph collects wood for the fire. 5. JESUS AND THE DOCTORS. The doctors and sages are engaged in a learned discussion, when ... Written by
Few people, I think, appreciate how the bible has been reinvented in the last century. Until this very film, what we had were words, stories in words. For centuries, those written stories were illustrated in static icons and symbols complex and simple. With this film, we began a new era, where religion is cinematic. American Fundamental Christianity and Indian neoHinduism are currently in the lead, nearly completely transformed by the moving icon and the ghostly eye. Prayer has literally been redefined and no amount of thumping will restore the imagination as a personal relationship with God again. Not one with an INNER eye.
Its why the Fundamentalist Film School down the road from me at Pat Robertson's empire is so interesting. They change the thing by bearing witness, in a sort of quantum effect.
It all started here, but you won't find much to indicate so. What we have with this first instance are two things. First is the implicit proposal that as "the greatest story," it deserved the greatest, fullest, longest treatment.
The second is the interesting stuff. This is literally closer to moving stained glass than films of today. Its quite beautifully painted if you see it that way. Its staged as tableaux, with little movement and none from the camera which is at eye level. There are "miraculous" appearances and disappearances, which is how the filmmakers would have seen the promise of film. The much noted fades are harder to notice. I'll take the historian's word that these French fellows invented the fade. It is remarkable how they worked it though with the color. Because you see the color fade, so they must have painted before optically splicing. Its a mystery to me.
I'll just take it on faith.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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