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Directed by | |||
| Russell Mulcahy | |||
Writing credits(WGA) | ||
| Keith Williams | (story) & | |
| Russell Mulcahy | (story) | |
| John Esposito | (screenplay) & | |
| Russell Mulcahy | (screenplay) | |
Produced by | |||
| Stirling Belafonte | .... | associate producer | |
| Phil Botana | .... | co-executive producer | |
| Silvio Muraglia | .... | producer | |
| Tom Reeve | .... | producer: Lux | |
| Romain Schroeder | .... | executive producer | |
| Daniel Sladek | .... | producer | |
| Scott Vandiver | .... | co-executive producer | |
| Jeffrey White | .... | line producer | |
Original Music by | |||
| Stefano Mainetti | |||
Cinematography by | |||
| Gabriel Beristain | |||
Film Editing by | |||
| Armen Minasian | |||
Production Design by | |||
| Bryce Walmsley | |||
Art Direction by | |||
| Simon Bowles | |||
| Peter Powis | |||
Costume Design by | |||
| Cynthia Dumont | |||
Makeup Department | |||
| Cathy Folmer | .... | additional makeup artist | |
| David Myers | .... | hair styles supervisor | |
| David Myers | .... | makeup artist | |
| Vivian Nowak | .... | hair stylist | |
| Ghislaine Soisson | .... | assistant makeup artist | |
Production Management | |||
| Stirling Belafonte | .... | post-production supervisor | |
| Meinir Stoutt | .... | production manager | |
Sound Department | |||
| Rickley W. Dumm | .... | first assistant sound editor | |
| Marc Engels | .... | boom operator | |
| Hugh Murphy | .... | assistant sound editor | |
| John Rodda | .... | sound recordist | |
| Alan Sallabank | .... | adr mixer | |
| Marco Streccioni | .... | sound engineer | |
| Drew Webster | .... | sound recordist | |
Special Effects by | |||
| Howard Berger | .... | creature effects supervisor | |
| Roland Goddijn | .... | special effects technician | |
| Michel Jancso | .... | special effectsman | |
| Edward Wiessenhaan | .... | special effects technician | |
| Harrie Wiessenhaan | .... | special effects supervisor (as Harry Wiessenhaan) | |
| Rick Wiessenhaan | .... | special effects | |
Visual Effects by | |||
| Etienne Andlau | .... | matte painter (as Etienne Terblanche) | |
| Jeffrey Arnold | .... | compositing artist | |
| Victoria Catlin | .... | roto artist | |
| Benjamin Cheung | .... | visual effects animator | |
| John Coats | .... | visual effects animator (as John Coates) | |
| Kent Demaine | .... | additional visual effects (as Windsor Kent Demaine) | |
| Tim Donahue | .... | matte painting supervisor | |
| Tim Everitt | .... | visual effects animator | |
| Lincoln Kupchak | .... | visual effects editor | |
| Dave Lockwood | .... | senior compositor | |
| John P. Mesa | .... | visual effects co-supervisor | |
| Penny A. Mesa | .... | visual effects producer | |
| William Mesa | .... | visual effects supervisor | |
| Don Myers | .... | visual effects animator | |
| Dan Novy | .... | visual effects technical supervisor | |
| Richard Ostiguy | .... | additional visual effects | |
| Bruce Pearson | .... | visual effects animator | |
| Sean Prusak | .... | roto artist | |
| Emile Edwin Smith | .... | visual effects animator | |
| Ken Stranahan | .... | creature animator | |
Stunts | |||
| Annemiex Boonstra | .... | stunts | |
| Ronald Schuurbiers | .... | stunts | |
| Diana Wiersma | .... | stunts | |
| Rick Wiessenhaan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Benny Ashoff | .... | assistant camera | |
| Alessandro Bolognesi | .... | camera operator | |
| Etienne Braun | .... | still photographer | |
| Maurizio Cremisini | .... | focus puller | |
| Marco Del Zotto | .... | grip | |
| Mick Durlacher | .... | gaffer | |
| Peter Field | .... | camera operator: "b" camera | |
| Peter Field | .... | director of photography: second unit | |
| Arnout Glas | .... | electrician | |
| Michel Miltgen | .... | camera trainee | |
| Tom Oversteijns | .... | second grip | |
| José Alberto Pinto de Jesus | .... | electrician | |
| Jean-François Roqueplo | .... | key grip | |
| Jean-Luc Simon | .... | electrician | |
| Marius Speller | .... | electrician | |
| Carlo Thiel | .... | focus puller | |
| Laurent Wallerang | .... | video assist operator | |
| Wolfgang Wesemann | .... | clapper loader | |
| Eric Wobma | .... | best boy | |
Animation Department | |||
| Donald J. Myers | .... | 3-D computer animator | |
Casting Department | |||
| Larue Hall | .... | casting: Luxembourg | |
| Sue Jones | .... | casting: UK | |
| Jeremy Zimmermann | .... | casting: UK (as Jeremy Zimmerman) | |
Costume and Wardrobe Department | |||
| Suzanne Dunlop | .... | costume assistant | |
| Tiny Nicholls | .... | wardrobe master | |
Editorial Department | |||
| Andi Armaganian | .... | assistant film editor | |
| Rickley W. Dumm | .... | first assistant editor | |
| Scott Inbody | .... | additional editor | |
Music Department | |||
| Michael K. Bauer | .... | music editor: USA | |
| Riccardo Biseo | .... | co-orchestrator | |
| Tod Holcomb | .... | music editor | |
| Stefano Mainetti | .... | co-orchestrator | |
| Stefano Mainetti | .... | conductor | |
Transportation Department | |||
| Jamshid Fadakar | .... | unit driver | |
| Robert Grond | .... | driver: bus | |
| Fahrudin Kurtagic | .... | unit driver | |
| Carlo Novak | .... | driver: bus | |
| Gary Sharp | .... | transportation captain | |
| Gilles Soeder | .... | unit driver | |
| Dan Urbin | .... | unit driver | |
| Indy Whitting | .... | unit driver | |
| Kevan Willis | .... | transportation coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| what's with the ending? | mahalkita0 |
| Anybody who liked it? | Boromir007 |
| Louise | mspibb |
| Gerard Butler screen time | numberoneteacher |
| complete rip-off | dreaddi |
| Crap | the_bilal |
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| The Mummy | The Mummy Returns | Federal Agents vs. Underworld, Inc. | The Secret of Treasure Island | Jumper |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
It has been well publicized in specialty magazines that Russell Mulcahy had trouble finding a producer for this pet project of his, which would finally show on screen a startling effect that the classic Hammer film THE MUMMY (1959), due to technical limitations, could only show on its poster -- a walking mummy with a light beam going through a hole in his chest. Well, no wonder potential backers were not that much interested: no matter how interesting that effect could be, Mulcahy's plot idea is simply the most ridiculous notion ever proposed for a mummy flick. Here the BANDAGES that wrap the mummy are the monster! Those pieces of Egyptian gauze fly, kill people, extract selected organs from their victims (how?) and carry them along (how again?) to some arbitrarily defined spot in order to fulfill your standard prophetic destiny. A good cast is wasted in comic-book roles and situations that make no sense (Why would an American cop take charge of a Scotland Yard investigation? What's in it for the "surprise" villain for his/her commitment?) and the single most laughable closing shot in a genre movie. (Schrader's version of CAT PEOPLE at least justified having its main characters howl and growl, but would a reincarnated mummy behave the same way?) Worse of all is the incoherent script, which caps an elaborate (if unconvincing) buildup of situations, motives and circumstances with an idiotic, cheap-shot "shock" ending that contradicts and denies everything that happened so far.
One usually is compelled to root for maverick filmmakers who are willing not to compromise their vision and push their projects over the stubborn narrow-mindedness of conservative producers. This time, however, the latter were right: TALOS THE MUMMY was a rotten idea and a complete waste of resources.