Centuries ago, under the sands of ancient Egypt, a prince was buried and his tomb eternally curses so that no man would ever again suffer from his evil ways. But hundreds of years later on ... See full summary »
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Waxman is a former Special Forces soldier who is now working as a heavily armed assassin for a top secret government agency. When a covert mission goes terribly wrong, Waxman and fellow assassin Clegg become that agency's prime targets.
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Centuries ago, under the sands of ancient Egypt, a prince was buried and his tomb eternally curses so that no man would ever again suffer from his evil ways. But hundreds of years later on a greedy search for treasure, a group of archaeologists break the curses seal of the tomb. Every man vanishes without a trace, leaving behind only a log book - and a deadly warning of the legend of the bloodthursty TALOS. Fifty years later the log book ends up in the hands of the granddaughter of the head archaeologist, and she defiantly sets out to retrace his steps. Discovering the forbidden treasure, she recovers a sacred amulet and once again unleashes the savage power of the tomb. Racing through the streets of London, and against the force of a rare interplanetary lineup, she, along with the help of her original dig team and an American detective, desperately try to turn back the inhuman curse and to keep Talos from destroying all in his path in an attempt to gain immortal power. Written by
I took a chance on this, based on the cast (Christopher Lee, Honor Blackman, Sean Pertwee, Lysette Anthony, etc.) and because I liked some of the director's previous films (HIGHLANDER, THE SHADOW). But this was definitely a film where the parts were greater than the whole. It had some good moments (and, like many mummy movies, the early scenes in Egypt were among the highlights), but overall the film's plot unraveled faster than the mummy's wrappings. (I would recommend one of Hammer's classics, be it the 1959 MUMMY or 1971's BLOOD FROM THE MUMMY'S TOMB, over this.) I have to admit I have only seen the version released here in the U.S., which is 88 minutes compared to other running times of 115 and even 122 minutes, so maybe the longer cut would help. Would like to point out something, however: Throughout many of the reviewer comments made about the film on IMDB, it is repeatedly stated that writer/director Russell Mulcahy must be an American because of all the mistakes the movie made when it comes to London lifestyles...sorry, folks, but Mulcahy is from Melbourne, Australia.
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