| Nathalie Baye | ... | Muriel | |
| Daniel Duval | ... | Samuel | |
| Jean-Pierre Darroussin | ... | Voyageur de commerce | |
| Peter Bonke | ... | Philippe (voice) | |
| Philippe Khorsand | ... | Gamal | |
| Hubert Saint-Macary | ... | Nicolas | |
| Elisabeth Commelin | ... | Catherine | |
| Michel Danieli | ... | Edouard / Salomon | |
| Saïda Bekkouche | ... | Khedidja | |
| Philippe Cariou | ... | Policier | |
| Vincent Nemeth | ... | Garçon restaurant | |
| Sylvie Granotier | ... | Éliane | |
| Sabry Tei | ... | Isham | |
| Kristina | ... | Danseuse | |
| rest of cast listed alphabetically: | |||
| Ahmed Belbachir | ... | (uncredited) | |
Directed by | |||
| Jeanne Labrune | |||
Writing credits(in alphabetical order) | ||
| Jeanne Labrune | writer | |
Produced by | |||
| Philippe Liégeois | .... | producer | |
| Jean-Michel Rey | .... | producer | |
Cinematography by | |||
| André Neau | |||
Film Editing by | |||
| Guy Lecorne | |||
Casting by | |||
| Brigitte Moidon | |||
Production Design by | |||
| Emile Ghigo | |||
Set Decoration by | |||
| Frédéric Karali | |||
Costume Design by | |||
| Anne Schotte | |||
Makeup Department | |||
| Françoise Andrejka | .... | key makeup artist | |
| Dominique Colladant | .... | special makeup effects artist | |
| Franck Mignelli | .... | special makeup effects artist | |
| Jane Milon | .... | key hair stylist | |
Production Management | |||
| Ève Albertini | .... | production secretary | |
| Eric Grandjean | .... | unit manager | |
| Marie Madec | .... | unit manager | |
| Pierre Wallon | .... | production manager | |
Art Department | |||
| Jean-François Corneille | .... | set dresser | |
| Pierre Dequivre | .... | construction coordinator | |
| Alain Frentzel | .... | painter | |
| Sévérine Guilbaud | .... | art department assistant | |
| Servanne Le Jamtel | .... | property master | |
Sound Department | |||
| Pierre Choukroun | .... | sound editor | |
| Eric Devulder | .... | sound | |
| Philippe Donnefort | .... | sound assistant | |
| Dominique Levert | .... | sound | |
| Stephane Lioret | .... | boom operator | |
| Stephane Lioret | .... | sound assistant | |
| Anne-Marguerite Monory | .... | assistant sound editor | |
| Philippe Penot | .... | foley artist | |
| Williams Schmit | .... | sound re-recording mixer | |
| Eric Tisserand | .... | sound mixer | |
Stunts | |||
| Michel Carliez | .... | stunt coordinator | |
Casting Department | |||
| Stéphane Touitou | .... | extras casting | |
Costume and Wardrobe Department | |||
| Leila Adjir | .... | costumer | |
Editorial Department | |||
| Anja Lüdcke | .... | assistant editor | |
Other crew | |||
| Anne-Marie Garcia | .... | script supervisor | |
| Philippe Rey | .... | administrator of production | |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section |
An intense film about a difficult and volatile relationship set in a district of Paris. Muriel (Nathalie Baye) meets Samuel (Daniel Duval) on the train, he says he would like to spend the night with her. Later he tracks her down and in spite of herself, Muriel enters into a relationship with Daniel, which is the subject of the film. Samuel proves to be a proud passionate and insanely jealous man. Muriel is a successful film editor who lives alone but involved in a relationship that is coming to an end. Why should she entertain Samuel with his male machismo, his temper, his rough sex and his possesiveness, well the film succeeds in making us believe that she would. Nathalie Baye and Daniel Duval really rub sparks together, whether they are fighting making love or eating out in public. They are on screen nearly all the time and the intensity of their relationship is echoed by the films concentration on them.
The film explores other issues as well. Samuels ethnic background (probably North African) and his attitudes to women, Nathalie and the Successful Sophisticated Parisians in Nathalies circle. Two worlds collide indeed. This film is well worth seeing if at times a little uncomfortable. Brilliantly acted particularly by Duvall who has the difficult task of making his character sympathetic and succeeds.