7.3/10
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10 user 13 critic

Seven Years Bad Luck (1921)

TV-G | | Comedy | 6 February 1921 (USA)
After breaking a mirror in his home, superstitious Max tries to avoid situations which could bring bad luck-- but in doing so, causes himself the worst luck imaginable.

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Cast

Complete credited cast:
...
Max
Alta Allen ...
Betty - Hi's Fiancée
Ralph McCullough ...
John - His Valet
Betty K. Peterson ...
Mary - His Maid (as Betty Peterson)
F.B. Crayne ...
His False Friend
Chance Ward ...
The Railroad Conductor
Hugh Saxon ...
The Station Master (as High Saxon)
Thelma Percy ...
Station Master's Daughter
C.E. Anderson ...
A Jail Bird (as Cap Anderson)
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Storyline

After breaking a mirror in his home, superstitious Max tries to avoid situations which could bring bad luck-- but in doing so, causes himself the worst luck imaginable.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-G | See all certifications »
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Details

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Release Date:

6 February 1921 (USA)  »

Also Known As:

Hét évig nem lesz szerencsém  »

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Technical Specs

Runtime:

(2003 alternate) | (1963 cut)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The broken mirror routine is a precursor to the one in Duck Soup (Marx Brothers). See more »

Quotes

Max: [Posing as the Railroad Station Master, to the black woman traveler to New Orleans] And it's free, honey child!
See more »

Connections

Referenced in Duck Soup (1933) See more »

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User Reviews

 
Slickly made, though not always hilariously funny
11 September 2006 | by (Bradenton, Florida) – See all my reviews

To me, this movie was highly reminiscent of a Harold Lloyd or Buster Keaton film, though with fewer laughs. Now this ISN'T to say it wasn't funny or was a bad film--but the number and intensity of the laughs was lower than other similar films. And the reason it looked a lot like a film by these other comedians is that Max Linder originated so many of the comedy routines we took for granted in films by later comedians--such as the mirror gag that was copied in DUCK SOUP (1933). Also, in the scenes where Max steps on and off the train so acrobatically are exactly the sort of thing I would expect Keaton or perhaps Chaplin to do. Chaplin himself credits much of his success to things he learned by watching early Linder films, though by the time he made it to Hollywood, Linder's film apparently lost a lot of their frenetic spark.

This film ostensibly is about Max breaking a mirror and trying to avoid bad luck--though everything he did only made things worse. While a promising premise, the movie really seemed to lose direction and the original plot is seldom in evidence later in the film. Some very good and interesting moments, but a lackluster and vague plot didn't help this movie. Still, it is nice to see Linder in a full-length film and it is well worth seeing for its finer moments. to highlight Linder's talents.


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