| Woong-soo Han | |||
| Hee-kyung Jin | ... | Choi Hyun-joo | |
| Woo-sung Jung | ... | Lee Mi-ku | |
| Seung-Hyun Kim | |||
| Mi-yeon Lee | ... | Min Hee-soo | |
| Shin-yang Park | ... | Kim Suk-tae |
Directed by | |||
| Ki-Yong Park | |||
Writing credits(in alphabetical order) | ||
| Ki-Yong Park | ||
Produced by | |||
| Seoung-Jae Cha | .... | producer (as Sung-Jai Tcha) | |
Original Music by | |||
| Jae-Won Kim | |||
Cinematography by | |||
| Christopher Doyle | |||
Film Editing by | |||
| Sung-won Ham | |||
Production Design by | |||
| Jeong-Hwa Choi | |||
| Jae-Won Oh | |||
Camera and Electrical Department | |||
| Jong-Hwan Park | .... | lighting technician | |
|
|
|
|
|
| The Far Side of the Moon | Digging to China | Notes on a Scandal | Definitely, Maybe | How I Killed My Father |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb South Korea section |
here's a nice alternative. Christopher Doyle's incredible cinematography lends this film a certain inherent value as a Wong Kar-Wai supplement, but in all fairness the aesthetics can only take it so far. Although it is my no means less than a very good film, it's very concept (four short segments taking place in the same motel room) carries with it certain limitations. Whereas Wong Kar-Wai is always able to get very deep down into his characters, this film doesn't have time to allow it's characters much room to develop, so there is a certain surface-level detachment to the entire proceedings. We see these couples (and they are photographed exquisitely), but we don't really get to know them.