A film of the early years of the reign of Elizabeth I of England and her difficult task of learning what is necessary to be a monarch.

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    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A mature Queen Elizabeth endures multiple crises late in her reign including court intrigues, an assassination plot, the Spanish Armada, and romantic disappointments.

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Cast

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The Pope
Liz Giles ...
Female Martyr
Rod Culbertson ...
Master Ridley
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Male Martyr
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Storyline

This film details the ascension to the throne and the early reign of Queen Elizabeth the First, as played by Cate Blanchett. The main focus is the endless attempts by her council to marry her off, the Catholic hatred of her and her romance with Lord Robert Dudley. Written by CharmedGirl47

Plot Summary | Plot Synopsis

Taglines:

Declared illegitimate aged 3. Tried for treason aged 21. Crowned Queen aged 25. See more »


Motion Picture Rating (MPAA)

Rated R for violence and sexuality | See all certifications »

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Details

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Release Date:

19 February 1999 (USA)  »

Also Known As:

Elizabeth: The Virgin Queen  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£166,174 (UK) (2 October 1998)

Gross:

$30,012,990 (USA) (7 May 1999)
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Company Credits

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Technical Specs

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1.85 : 1
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Did You Know?

Trivia

One of the reasons why Vincent Cassel signed on for the film was because he relished the opportunity of shooting a scene in drag. See more »

Goofs

In the featurette included on the DVD, the on-screen titling refers to the Duke of Norfolk, played by Christopher Eccleston, as her "Advisary." The correct spelling is "Adversary." See more »

Quotes

Elizabeth: There will be no more talk of marriage.
See more »

Connections

Featured in Siskel & Ebert: Memo to the Academy - 1999 (1999) See more »

Soundtracks

Te Deum
Composed by Thomas Tallis
Performed by St. John's College Choir, Cambridge
Conducted by George Guest
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Queen Blanchett
13 January 2008 | by (Italy) – See all my reviews

The Academy Awards ceremony of 1999 angered many people: Shakespeare in Love, albeit a very smart and funny film, robbed the superior Saving Private Ryan of the Best Picture Oscar; Roberto Benigni beat Edward Norton in the Best Actor category (though it was the Italian star's behavior, rather than his performance, that irritated those attending the event); and Gwyneth Paltrow, who wasn't actually bad in Shakespeare, walked away with the Best Actress award, depriving Cate Blanchett of the recognition she should have received for her revelatory work in Elizabeth.

This film, the first in what the director hopes will be a trilogy (the second installment was released in 2007), covers the early years of Elizabeth I's reign, from her harsh upbringing to the decision to call herself "the Virgin Queen". To describe her situation as tough is an understatement: she was a Protestant monarch in a largely Catholic kingdom, several covert groups wanted her dead and foreign sovereigns kept asking for her hand in marriage, without ever succeeding, for the only man she loved was also the only one she couldn't have.

Conspiracies and unhappy romances: two unusual ingredients for a period drama. And that is exactly why the film succeeds: in the mind of director Shekhar Kapur, this is not the usual costume film where events are observed with a static eye and what might be perceived by some as excessive slowness (Quentin Tarantino's infamous rant about "Merchant-Ivory sh*t" is aimed at those productions); instead, we get a lively, vibrant piece of work, with the camera sweeping through the gorgeous sets and leering at the exquisite costumes while recounting the grand story. And what a story: the thriller aspect aims to please viewers who find the genre a bit lacking in the tension department, whereas the Queen's doomed love affair with Joseph Fiennes' Earl of Leicester (a plot element to which the BBC miniseries from 2005, starring Helen Mirren and Jeremy Irons, is a sort of sequel) is the polar opposite of the sanitized, passionless romantic tales that tend to feature in other period films.

Good-looking technique and strong storytelling would, however, be useless if the title role wasn't played by an equally great actress, and Pakur found the perfect Elizabeth in Blanchett: an odd choice she may have seemed (she was a complete unknown in Hollywood prior to being cast in this movie), but the performance she delivers is nothing short of astonishing. Doubtful, determined, passionate, naive, heartbroken, firm and charismatic - she is quite simply the best on-screen incarnation of Elizabeth in the long history of biopics. The supporting cast (Fiennes, Geoffrey Rush, Christopher Eccleston, Richard Attenborough) is also excellent, as expected from British and Australian thespians, but it is Blanchett who dominates the entire picture. Shame the Academy didn't take notice.


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