Elizabeth (1998)

A film of the early years of the reign of Elizabeth I of England and her difficult task of learning what is necessary to be a monarch.

Director:

Shekhar Kapur

Writer:

Michael Hirst

Stars:

Cate Blanchett, Geoffrey Rush, Christopher Eccleston

Won 1 Oscar. Another 32 wins & 32 nominations.

Cast

Cast overview, first billed only:
Cate Blanchett	...	Elizabeth I
Geoffrey Rush	...	Sir Francis Walsingham
Christopher Eccleston	...	Duke of Norfolk
Joseph Fiennes	...	Robert Dudley, Earl of Leicester
Richard Attenborough	...	Sir William Cecil
Fanny Ardant	...	Mary of Guise
Eric Cantona	...	Monsieur de Foix
Vincent Cassel	...	Duc d'Anjou
Kathy Burke	...	Queen Mary Tudor
Edward Hardwicke	...	Earl of Arundel
Emily Mortimer	...	Kat Ashley
John Gielgud	...	The Pope
Liz Giles	...	Female Martyr
Rod Culbertson	...	Master Ridley
Paul Fox	...	Male Martyr

Storyline

This film details the ascension to the throne and the early reign of Queen Elizabeth the First, as played by Cate Blanchett. The main focus is the endless attempts by her council to marry her off, the Catholic hatred of her and her romance with Lord Robert Dudley.

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Plot Keywords:

protestant | throne | catholic | england | queen | 

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Taglines:

Absolute power demands absolute loyalty.

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Genres:

Biography | Drama

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Motion Picture Rating (MPAA)

Rated R for violence and sexuality

Details

Country:

UK

Language:

English French

Release Date:

22 November 1998 (USA)

Also Known As:

Elizabeth: The Virgin Queen

Filming Locations:

Alnwick Castle, Alnwick, Northumberland, England, UK

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$275,131 (USA) (6 November 1998)

Gross:

$30,012,990 (USA) (7 May 1999)

Company Credits

Production Co:

Polygram Filmed Entertainment, Working Title Films, Channel Four Films

Technical Specs

Runtime:

124 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Christopher Eccleston's character the Duke of Norfolk doesn't actually do much in the film despite being the principal villain. So, in order to create a sense of action for him, the director chose to show Norfolk in motion as much as possible.

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Goofs

The beginning of the film shows Robert Dudley with Elizabeth while she was arrested. Historically, Robert Dudley, his four surviving brothers (including Guildford), and his sister-in-law (Lady Jane Grey) were all in the Tower of London indefinitely. In fact, Wyatt's rebellion threatened all of their lives and brought about the executions of Jane and Guilford, while Robert and his remaining three brothers would stay in the tower until being released later that year.

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Quotes

Sir Francis Walsingham: Your Grace is arrested. You must go with these men to the Tower.
Norfolk: I must do nothing by your orders. I am Norfolk!
Sir Francis Walsingham: You were Norfolk.
Sir Francis Walsingham: [shows him his own signature on the treasonous letter from Rome]
Sir Francis Walsingham: The dead have no titles.

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Connections

Referenced in The 83rd Annual Academy Awards (2011)

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Soundtracks

"Rondeas I and VII"
from "Dansereyr" 1551
Composed by Tylman Susato
Performed by New London Consort
Conducted by Philip Pickett

User Reviews

A very good try

As soccer legend Eric Cantona's former colleagues might say this is a film of two halves. Despite an intimidating opening scene, the first half soon settles down to establishing who everyone is - the bad guys drip malevolence, while the good guys dance in gay meadows. It is not until the second half that the politics and intrigue really get going.

The film opens in England, circa 1550s. The country is divided, half of the population pledging allegiance to the childless catholic Queen Mary who is dying, while the other half attempt to place their protestant liege, Elizabeth, on the throne.

Mary dies before providing an heir so the monarchy automatically passes to Elizabeth. However, she inherits a rebellious court keen to see her removed and a catholic monarch installed. Fortunately for Elizabeth, there are not enough candidates for the job. While, the evil Duke of Norfolk plots to put himself and Mary, Queen of Scots on the English throne, Elizabeth's supporters rush around trying to find her a suitable international king.

The crux comes when she declares she is only interested in her English lover, Lord Robert Dudley. When her enemies learn of this, they try to drive a wedge between them. And from this premise the real intrigue flows.

In terms of characterisation, the film scores some hits and some misses. Some curious casting decisions undermine a few of the characters - working class mainstay Kathy Burke moves to the opposite end of the social spectrum to play Queen Mary, Brit comic Angus Deayton has an unnecessary cameo, while Eric Cantona seems an odd choice, although his performance seems adequate.

As to the main characters, Elizabeth (Cate Blanchett) is well charted from gamboling youth to ice-hard queen. The black loyalty of Sir Francis Wolsingham (Geoffrey Rush) is tested time and again and never found wanting, allowing him to grow from mistrusted bodyguard to Queen's adviser.

Unfortunately the Queen's enemies are so numerous it is difficult to focus on one. Michael Hirst, the writer, chooses the Duke of Norfolk as the chief villain but we never really learn why, or what his plans, beyond unseating Elizabeth, are. Christopher Ecclestone plays the Duke with the right amount of menace but we are never truly intimidated by his smouldering glare. Lord Robert (Joseph Fiennes) is an equally confused character. Is he guilty of the crimes he is accused of? Does he love the queen? Some of his behaviour suggests he does not, yet he constantly returns to her claiming he does. The uncertainty generated by Lord Robert is compounded by the fact that Joseph Fiennes does not belong in this film.

Beyond the characters, many of the films finest moments come in the form of the brightly coloured set pieces - when the court takes to the boat lake, the arrival of the french prince and the coronation. Some of the blacker scenes also serve very well - the aftermath of the battle, the plotting in the Vatican.

Despite the fine art direction, what we are eventually left with is a sumptuous, well made film let down by a slow start and a few undefined characters.