The "Trinity" crew makes another modern era film. Plata and Salud are pilots ditching aircraft for insurance money. They wind up crashing for real in the jungles of South America. The plot ... See full summary »
A man is living happily on an island with his family, growing bananas. When a local mobster with an eye on man's property tries to take it from him, he must go to the town for the first time to get some help.
In 1978, $20 million was stolen from a Detroit bank. One of the robbers was caught, one was found dead, and the third disappeared. The money was never found. Seven years later, the robber ... See full summary »
In Africa, many years ago, Slim and Tom don't like it when a German tyrant, starts selling all of the African wildlife to Canadian Zoo's! Slim and Tom must teach this guy a lesson by ... See full summary »
Ottone is a shopkeeper in a pet-shop. During a trip to the Maldives, he tells a psychoanalyst his history with women. Mara had left him for a butcher; Barbara, his best friend, betrays her ... See full summary »
The "Bulldozer", a former football star, is now working as a fisherman. As a group of street-people arranges a football match against the local Armybase, he is asked to be their trainer. ... See full summary »
Three orphans and close friends, Danny, Francis and Paulie, are adopted by three families. Danny's bullied at school. Only Bops, the father of his adoptive mother, establishes a good ... See full summary »
Franco di Chiera
Yawn..........seen it before somewhere..........yawn
Cine noir in the purest style with nothing innovative in either the story or how it is played out on the screen. Apart from being filmed in Madrid and mostly at night, there is no way of differentiating this film from any other product made in the USA. The story is as unoriginal as a stale pizza. During a late night radio programme with telephone call-ins, a sinister type announces he is about to kill a girl. Through more telephone calls leaving `clues' as to what he is going to do next, the film slithers murkily to its predictable end. It has no clout. It is rather like so many other regurgitated cinema or made for TV productions of this ilk.
Lydia Bosch hammers out her dialogues in flat toneless onslaughts and sounds as false as a $33 bill; Beatrice Dalle is somewhat better as she struggles with her tones of urgency so as to lend some kind of character and personality to the proceedings; Juanjo Puigcorbé seems so stereotyped as to not be real, and the appearance of Bud Spencer did nothing to enhance any of the other three main actors, mostly because none of them were cast for this film but miscast for this film. However, if you are a glutton for these kinds of thrillers, you will bear with it and not get very excited about anything; even the music will leave you wondering what it was trying to do.
No, if you want to see a really good Spanish thriller I suggest you try `99.9' (qv) which is far superior in all aspects.
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