Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
The film tells the story of two boys who become friends at the start of the Troubles in 1970. The boys share an obsession with Butch Cassidy and the Sundance Kid, with the consequence that they run away to Australia.
John Joe McNeill,
Drama based on real-life events. Marie Stubbs, a diminutive Glaswegian headmistress who is coming up to retirement age, takes on one last challenge: to improve the fortunes of St George's ... See full summary »
Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn ... See full summary »
Jerry is a successful New York psychiatrist who is diagnosed with leukemia. When he tells his mother, she reveals that Jerry was adopted from a young Catholic girl called Sheila in ... See full summary »
Gerald is a yuppie-like transvestite in his thirties. His wife arrives home earlier than expected and discovers female attire spread over their apartment. Not knowing anything about his ... See full summary »
This drama tells the real-life story of retired schoolteacher Christopher Jefferies who was initially questioned by police as a suspect in the murder of Jo Yeates who rented a flat from him... See full summary »
Set in Belfast in 1972, the politically naïve Bernie is trying to bring up a normal family in less than normal surroundings. Her best friend is accidentally shot dead by the IRA, and her neighbours are constantly raided by the army. In this climate of fear and confusion, she dares to stand up and condemn the killings. Criticising both factions equally, her public call for a ceasefire is interpreted by many as an attack against the IRA, and as her fledgling peace movement takes momentum, she and her family are placed in the frontline. Written by
I saw this at the 1998 Montreal Film Festival and found it a moving and challenging film on the complexities of personal and political response to a longstanding and divisive issue. Well acted and cinematographed, this film added a dimension that has been rarely touched upon in other depictions of the "troubles in Northern Ireland." It compliments "Every Mother's Son" and "In the Name of the Father" with a moving story of the long-lasting and indiscriminate effects of violence and an attempt to question its limits as a political strategy. This is not a simplistic film, and its power comes from the depth of its critique of all the players in this ongoing political struggle.
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