Belfast, in 1970s. Victor Kelly is a young protestant man who hates the Catholics so much that one night he begins to brutally murder them. A reporter soon tries to uncover the murder and ... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
The film tells the story of two boys who become friends at the start of the Troubles in 1970. The boys share an obsession with Butch Cassidy and the Sundance Kid, with the consequence that they run away to Australia.
John Joe McNeill,
Drama based on real-life events. Marie Stubbs, a diminutive Glaswegian headmistress who is coming up to retirement age, takes on one last challenge: to improve the fortunes of St George's ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Set in Belfast in 1972, the politically naïve Bernie is trying to bring up a normal family in less than normal surroundings. Her best friend is accidentally shot dead by the IRA, and her neighbours are constantly raided by the army. In this climate of fear and confusion, she dares to stand up and condemn the killings. Criticising both factions equally, her public call for a ceasefire is interpreted by many as an attack against the IRA, and as her fledgling peace movement takes momentum, she and her family are placed in the frontline. Written by
I saw this at the 1998 Montreal Film Festival and found it a moving and challenging film on the complexities of personal and political response to a longstanding and divisive issue. Well acted and cinematographed, this film added a dimension that has been rarely touched upon in other depictions of the "troubles in Northern Ireland." It compliments "Every Mother's Son" and "In the Name of the Father" with a moving story of the long-lasting and indiscriminate effects of violence and an attempt to question its limits as a political strategy. This is not a simplistic film, and its power comes from the depth of its critique of all the players in this ongoing political struggle.
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