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IMDb > Sûpâ no onna (1996)

Sûpâ no onna (1996) More at IMDbPro »


Overview

User Rating:
7.0/10   103 votes
MOVIEmeter: ?
No change in popularity this week. See rank & trends on IMDbPro.
Director:
Juzo Itami
Writer:
Juzo Itami (writer)
Contact:
View company contact information for Sûpâ no onna on IMDbPro.
Genre:
Comedy
Plot:
Goro's supermarket is not doing well; the rival "Bargains Galore" threatens his business. A chance encounter with Hanako... more | add synopsis
Awards:
7 nominations more
User Comments:
Deservedly unknown in the U.S. more

Cast

  (Cast overview, first billed only)
Nobuko Miyamoto ... Inoue Hanako
Masahiko Tsugawa ... Kobayashi Goro
Sen Yano ... Masanao shopkeeper
Naomasa Rokudaira ... Fresh meat section chief
Tatsuhide Takahashi ... Fish section chief
Yuji Miyake ... Fresh fruit section chief
Aki Takejo ... Takeaway section chief
Shirô Itô ... Bargains Galore chief
Sumiyo Yamada ... Cashier
Ryunosuke Kaneda ... Ichiro, Goro's brother
Ikki Kosakai ... Sales demonstrator
Shingo Yanagisawa ... Fresh meat section assistant
Fuku Kanemitsu ... Fresh meat section staff
Hikaru Ijyuin ... Assistant in fresh fish section
Hideko Hara ... Pato-san
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Additional Details

Also Known As:
Supermarket Woman
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Runtime:
USA:127 min
Country:
Japan
Language:
Japanese

FAQ

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1 out of 2 people found the following comment useful:-
Deservedly unknown in the U.S., 19 February 2008
5/10
Author: Ken Mayer from United States

I loved Tampopo, Min-Bo, A Taxing Woman, and The Funeral. I thought Supermarket Woman would be of the same quality. Instead, Supermarket Woman was a long, stale formula. Was it made for TV? What constraints was Itami working under? The narrative strategy (no plural), acting, cinematography, and moral universe are almost equal to "Ace Ventura, Pet Detective." Itami's wife is the protagonist again. She gives good and obvious advice. The villains are cartoonishly evil. They are easily defeated. Everyone cheers. Repeat about 20 times. Perhaps this is funnier in the original Japanese, but the formula seems to bore even the main protagonist. If you are an anthropologist writing about how Japanese pop culture celebrates capitalism, this film *might* be worth digging up. Until I saw this film, I ranked Itami as one of my favorite directors. Now my faith is shaken. What happened? In contrast to Tampopo or The Funeral, there is no material in Supermarket Woman that would be objectionable for younger viewers. There is one scene where characters almost remove clothes. The chase scene and other "punches" are cartoonish and are less violent than "Toy Story" or "Home Alone". The lack of inventiveness and objectionable material made me wonder whether this was made for TV.

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Related Links

Full cast and crew Company credits IMDb Comedy section
IMDb Japan section Add this title to MyMovies

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