A writer, Tucker Harding, is hired to cover an article on the hydrogen-bomb test, Nevada, 1952. While there, radiation mutates her code/soul, spawning in her the ability to travel through ... See full summary »
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A writer, Tucker Harding, is hired to cover an article on the hydrogen-bomb test, Nevada, 1952. While there, radiation mutates her code/soul, spawning in her the ability to travel through time by force of will. Not long after she is murdered by a woman from the future, Ofelia, intent on securing her own ability to time travel. However, before her death Tucker travels to the year 1997 where she meets Drew, a failed writer who has been infected with Tuckers original mutation since birth. Written by
kwedgwood@hotmail.com
Hilary Brougher did not conceptualize the movie as "Lesbian Interest" and did not market it that way. It became 'typed' as such after gay fans approached her at festival circuits. See more »
Quotes
Isaac:
We don't have much time.
Tucker:
What do you mean?
Isaac:
Think of nonlinear time as a pie. We can eat the pieces in any order, but you can't eat the same slice twice. And baby, I've eaten a lot of pie.
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Started out fairly interesting, but at about 15 minutes into the film, a case of the low-budgets kicked in and killed the movie. I have nothing against low budgets, mind you, but you must have an interesting story, or characters you can care about in order to get really involved in a film. "El Mariachi" is a good example of what you can do with an ultra-low budget and still make a film that engages the audience.
Woeful acting and editing took me completely out of this film and made me acutely aware that I was watching a low-budget piece of garbage. A silly, nonsensical, "since-it's-science-fiction-I-can-say-whatever-stupid-mumbo-jumbo-I-want-an d-you-have-to-accept-it" story line was the capper on this crapper.
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Started out fairly interesting, but at about 15 minutes into the film, a case of the low-budgets kicked in and killed the movie. I have nothing against low budgets, mind you, but you must have an interesting story, or characters you can care about in order to get really involved in a film. "El Mariachi" is a good example of what you can do with an ultra-low budget and still make a film that engages the audience.
Woeful acting and editing took me completely out of this film and made me acutely aware that I was watching a low-budget piece of garbage. A silly, nonsensical, "since-it's-science-fiction-I-can-say-whatever-stupid-mumbo-jumbo-I-want-an d-you-have-to-accept-it" story line was the capper on this crapper.