Vincent's life is on hold until he finds his wife's killer. Alice, his neighbor, is convinced she can make him happy. She decides to invent a culprit, so that Vincent can find revenge and leave the past behind. But there is no ideal culprit and no perfect crime...
Set in the not so distant future, in Any Town USA, sixteen year old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and ... See full summary »
In Red Canyon, Regina and Devon return to their family home in the badlands of Utah to face the memory of a brutal attack - and put it behind them. But in coming home they awaken a killing ... See full summary »
Two school kids who are best friends are drinking on the side of a river. One friend bets the other that he can't swim across the river and "Reach The Rock". The friend takes the bet and ... See full summary »
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
It's midnight at The Court, a dirty ashtray of a rock club, and the tension is high. Music is blaring, beer is flowing and singer Keith Waters is about to get decked. "You didn't have to ... See full summary »
If You Like This Sort of Weird, Dark Comedy, It's The Sort of Weird, Dark Comedy You'll Like!
Produced by Jonathan Demme and based on the novel PORTRAIT OF A YOUNG MAN DROWNING, SIX WAYS TO Sunday (6WtS) follows the adventures of Harold "Harry" Odum (Norman Reedus), a young man pinned so tightly under his mother's thumb he can barely move. On Harry's road of, er, self-discovery, he evolves (for lack of a better term) from mama's boy to hit man for the local Jewish mob. Even more mind-boggling, his smothering mom is played by an eerily effective Deborah Harry! (Deborah Harry Odum? :-) Although she gets to sing in flashbacks (and Blondie's "Sunday Girl" is used to nice effect in a diner scene. In fact, music is used well in this film overall, especially The Feminine Complex's charmingly Petula Clarkesque "Love Love Love"), for the most part Harry is startlingly different from her Blondie front-woman persona, both physically and personality-wise. Directed by Adam Bernstein, who's gone on to excellent work on RESCUE ME and other edgy TV series, 6WtS boasts a cast as talented as it is eclectic. Norman Reedus manages to be boyish and intense at the same time, as well as looking like the positive result of an eccentric geneticist's attempt to create a hybrid of Ewan McGregor, Leonardo DiCaprio, and a young Gary Sinise. There are also memorable turns by Isaac Hayes as a cop (listen for his rendition of "What A Friend We Have in Mother" during the opening scenes), Jerry Adler (best known in our household as Woody Allen and Diane Keaton's mysterious neighbor Mr. House in MANHATTAN MURDER MYSTERY) as the Jewish mob's equivalent of the capo di tutti capi, and Elina Löwensohn (NADJA, SCHINDLER'S LIST) as the girl Harry loves, reminding me of a sort of wistful, downtrodden Audrey Hepburn. For my money, the most entertaining scenes belong to Adrien Brody, and not just because I'm a fan of his. Brody channels his inner Ali G as Harry's childhood friend Arnie Finklestein, an inept gangsta wannabe who tries to look and act like a homeboy with hilarious results -- but nobody's laughing when he chickens out and flees the scene during one of Harry's hits... 6WtS isn't for all tastes, but if you like your crime comedies weird, dark and twisted, it's at least worth a rental.
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