An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Tracy Flick is running unopposed for this year's high school student election. But school civics teacher Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks popular varsity football player Paul Metzler to run for president as well. Chaos ensues. Written by
R. P. Falvey <email@example.com>
Chris Klein's debut film and his first professional acting job. He was a student at Millard West High School in Omaha when he was discovered by Alexander Payne while looking for a school to use for filming (another one was eventually used). Although a number of other actors auditioned for Paul, Klein stuck in Payne's mind. See more »
The nickname of the mythical Nebraska high school is the Wolverines. However, when the results of the election are announced at the assembly, the name Monarchs clearly appears on the side of the gym floor. This is the nickname of Papillion-La Vista (Nebraska) High School where many of the scenes were shot. See more »
[a boy grabs a handful of the complimentary chewing gum sticks from Tracy's stand]
Hey! Hey! One per person! Put those back!
'Eat Me' Boy:
See more »
The end titles include four "The producers wish to thank the following:" cards, one "Very Special Thanks to:" card, and one "Extra Very Special Thanks to:" card. See more »
The Academy Award attention heaped on "Sideways" helped to make Alexander Payne a mainstream name among casual film goers, but many of us knew about his talent as a film maker long before. And his two more recent films--"Sideways" and "About Schmidt"--have been much gentler (thought still terrific) than his earlier efforts. Before "Election," Payne had already made "Citizen Ruth," a caustic, bracing satire of the abortion issue, and "Election" continued his penchant for harsh, uncomfortable comedy. I mean that in a good way, though. Payne's movies are funny, but they make you uneasy for laughing at them, and they have sharp, intelligent insights into the attitudes that drive American values.
In "Election," Payne uses a high school class presidential election as an opportunity to lampoon everything that's goofy about the American political system. Just as in our national elections for president, the winner is not necessarily the person with the most integrity, and honesty is a liability, not a virtue. The person who is willing to play dirtiest comes out on top, and elections aren't about who is most qualified but rather about who is most popular. And, the best part about the movie is its acknowledgement of voter apathy. Most Americans don't really give a damn, something that makes them not so different from the majority of high schoolers who don't even understand the point of having a class president to begin with. In fact, in the film's best scene, the assembly at which each candidate gives her/his campaign speech, one of the candidates (who joins the race out of spite) gets the best reception from the crowd when she encourages everyone not to vote at all.
Reese Witherspoon gives a wonderful performance as Tracy Flick, the school's most likely to succeed, whose goodie-goodie exterior hides the fact that she's willing to do just about anything to get ahead. Matthew Broderick is refreshingly unlikable as a social studies teacher who would like to see Tracy fail just once, until the fact that his own life is falling apart turns this wish into an obsession. And Chris Klein has some fun as the dopey, Jesus-following popular guy who becomes Tracy's arch rival, but never really even knows it.
Payne doesn't tidy up his film's moral messages. On the one hand, Tracy is obnoxious, and we want to see her fail as much as Broderick's character does. But she does know how to play the game, and isn't that part of what makes someone a good leader? We sympathize with Broderick up to a point, but his motives really are driven by a personal vendetta, not by any altruistic ideal of right vs. wrong. So if you normally need someone to root for in order to enjoy a movie, you're probably not going to like this one.
But who expects a hero?...I mean, come on, we're talking about American politics here.
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