Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
19 filmmakers from ten european countries selected by Mike Figgis for a Masterclass by the European Film Academy come to Slovenia in a challenging mission: to conceive, shoot, complete a ... See full summary »
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
Martin is a successful writer whose wife suddenly disappeared. During a film shoot fifteen years later, Martin meets Angelique, who disappears the same night. The next day, police find her dead body and a mysterious investigation begins.
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard ... See full summary »
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current life. Along the way he has sexual exploits with an older woman as a teen, gets involved with an Italian couple Tunisia that culminates in the killing of a local boy and the brutal revenge murder of the woman, and ultimately is married to a cold woman. Written by
John Sacksteder <firstname.lastname@example.org>
At what point do we lose our innocence? Is it the one moment of actually having sex, or is it a build up of smaller things through life that slowly take it away? This film has the effect of juxtaposing two views on the question: with Adam & Eve, we have complete innocence up to the moment of having sex ..then they are thrust out into the modern adult world and expected to somehow automatically know how to survive in it. The discovery of Sex does not give you the automatic knowledge of how to deal with all its possible consequences. Interweaved with that, Figgis puts scenes from a man's developing life. Events shown that each eat away a little bit of innocence we may not have even realized we still have. The slow disintegration of Innocence through time. The effect of both instances is numbing. The most amazing scene for me involves two twins, unaware of each other's existence (both played by Saffron Burrows), who one day cross paths with each other in an airport. The set up is stunning. This scene begs the question: if you met up with another version of yourself, a version with a different background & different formative events --would you even be recognizable to yourself? Would you be able to relate to that other you as a person? How much have the events in our lives formed us, and how much really is biological? The only quarrel with this film I have is a series of scenes in which Mr. Figgis employed a slow fade-in/fade-out method. This was very eye-painful to watch, the fade is at such a rate you feel as though you are just slow-blinking before falling asleep. Thankfully, this is only done briefly in the film. Over all, excellent filmmaking!
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