Non-linear film tells the sexual story of a film director from his life at age 5, 12 and 16, a man embarking on his first film in 1950s Tunisia, and finally to his current life. Along the ...
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Laura del Sol,
Paco de Lucía
Martin is a successful writer whose wife suddenly disappeared. During a film shoot fifteen years later, Martin meets Angelique, who disappears the same night. The next day, police find her dead body and a mysterious investigation begins.
Non-linear film tells the sexual story of a film director from his life at age 5, 12 and 16, a man embarking on his first film in 1950s Tunisia, and finally to his current life. Along the way, as a teen, he has sexual exploits with an older woman, gets involved with an Italian couple in Tunisia that culminates in the killing of a local boy and the brutal revenge murder of the woman and, ultimately, is married to a cold woman. Written by
John Sacksteder <email@example.com>
Mike Figgis' rich and powerful allegorical film challenges conventional cinema
This is not a film for someone who wants to "sit back" and be mindlessly entertained. It is a challenge to watch and an even bigger challenge to decipher. However, this film is such a demonstration of where film can go (beyond a linear storyline and literal constructions). It is patient and relaxed in its pace, is free to navigate through time and place. At first glance it appears to be a random compilation of shorts, but it really is a powerful interconnection of dreams, memories, archetypes, and life. What is most admirable about this film, though, is its confidence in its imagery (some of which is extremely powerful) and its minimal dialogue. This is not a film that "spoon feeds" theme and gives us chatterbox characters to walk us through what is happening. To be honest, I have seen the film three times and still am not sure about what is happening at every point, but it does leave room for personal meaning that makes it priceless and so rich. How many films can it be said of that even after a third viewing you have not even begun to realize its full meaning? There is much more said in the silence of "Loss of Sexual Innocence" that is ever said in any of its verbose contemporaries.
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