Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ...
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19 filmmakers from ten european countries selected by Mike Figgis for a Masterclass by the European Film Academy come to Slovenia in a challenging mission: to conceive, shoot, complete a ... See full summary »
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
Martin is a successful writer whose wife suddenly disappeared. During a film shoot fifteen years later, Martin meets Angelique, who disappears the same night. The next day, police find her dead body and a mysterious investigation begins.
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
At an undisclosed location and time an Empress has seven years to provide her Emperor with an heir to his throne. If she does not succeed during this time, the Emperor is free to marry a ... See full summary »
Jonathan Rhys Meyers,
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current life. Along the way he has sexual exploits with an older woman as a teen, gets involved with an Italian couple Tunisia that culminates in the killing of a local boy and the brutal revenge murder of the woman, and ultimately is married to a cold woman. Written by
John Sacksteder <email@example.com>
A set of confusing and never settled situations, some connected, some don't. The unpleasant long lasting black screen that I actually hate, are as often as never before in Mike Figgis movies. The editing of unrelated images/situations I never understood at all. I have loved some Mike Figgis movies ("One Night Stand", "Leaving Las Vegas", "Internal Affairs") but I think that in this one there was a loss of movie making essence, or at least I didn't get it AT ALL.
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