Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
At an undisclosed location and time an Empress has seven years to provide her Emperor with an heir to his throne. If she does not succeed during this time, the Emperor is free to marry a ... See full summary »
Jonathan Rhys Meyers,
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British public school. After nearly 20 years of service, he is being forced to retire on the pretext of ... See full summary »
Martin is a successful writer whose wife suddenly disappeared. During a film shoot, 15 years later, Martin meets Angelique, who disappears the same night. The next day police find her body and a mysterious investigation begins.
Two affairs, a generation apart. Nick, a professor of architecture in upstate New York, comes to an Illinois town to be with his birth mother in the final days of her illness; he was ... See full summary »
Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ... See full summary »
Jonathan Rhys Meyers,
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current life. Along the way he has sexual exploits with an older woman as a teen, gets involved with an Italian couple Tunisia that culminates in the killing of a local boy and the brutal revenge murder of the woman, and ultimately is married to a cold woman. Written by
John Sacksteder <firstname.lastname@example.org>
Oh my, what a piece of c***. This movie feels like something a freshman in film school would do when he was trying to be "artsy." The Adam and Eve thing was so cliche. I didn't learn anything from this film. There were no new insights into life, or new ways of looking at things. Through the most basic symbolism (that a college kid would be embarrassed to use) the director tries to say something about sex I guess. The film was shot beautifully, but so what. Britney Spears albums are recorded beautifully by talented producers but the music underneath still sucks, and that's what happened here. Figgis would be a great cinematographer, that's about it. He really does do some inventive and passionate work visually, unfortunately, the rest of the movie is total garbage and you need MORE than just visuals to make a quality film. His story ideas are hackneyed and cliche.
He tries to tie together different times of a man's life, yet he uses a blond haired, big-headed kid as a young child; a fat brown haired kid as a pre-teen; and then a blond stick-thin man as an adult. If you are going to show different stages of someone's life, especially not in sequence, you should at least have the actors bear some minimal resemblance to each other. Don't tell me this movie is sooo abstract that you can have totally physically differing looking actors playing the same person. I can't fathom how or why they would do this. Totally ridiculous casting.
By the way, Why is Eve a thin white woman and Adam a strapping black man (who looks like there must have been a solo-flex in Eden)? There was absolutely no point in those scenes. Oooh, I get it, a snake. At one point I thought the whole movie was just one long Diesel Jeans commercial--all pretension with no substance. I have no problem with non-linear film, in fact I have loved some and gotten a lot out of them, but this movie manages to at once be incredibly obvious and predictable and at the same time totally incongruent and non-sensual.
5 of 7 people found this review helpful.
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