5.4/10
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The Loss of Sexual Innocence (1999)

R | | Drama | 7 January 2000 (UK)
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1:39 | Trailer
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »

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Cast

Cast overview, first billed only:
...
Adult Nic
...
English / Italian Twin
...
Luca
...
Susan
...
Susan's Mother
...
Nic, aged 16
...
Susan's Father
...
Blind Woman
John Cowey ...
Nic, aged 5
Nina McKay ...
Mixed Race Girl
Dickson Osa-Omorogbe ...
Wangi
Jock Gibson Cowl ...
Old Colonial Man
...
Flash Man
Femi Ogunbanjo ...
Adam
Hanne Klintoe ...
Eve
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Storyline

Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current life. Along the way he has sexual exploits with an older woman as a teen, gets involved with an Italian couple Tunisia that culminates in the killing of a local boy and the brutal revenge murder of the woman, and ultimately is married to a cold woman. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual images, pervasive nudity, violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

7 January 2000 (UK)  »

Also Known As:

The Death and Loss of Sexual Innocence  »

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend:

$50,354 (USA) (28 May 1999)

Gross:

$399,793 (USA) (27 August 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

This started life as an unstaged theater piece called "Short Stories". See more »


Soundtracks

Der Dichter spricht
Composed by Robert Schumann
Performed by Joanna MacGregor
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User Reviews

 
Like or force to like?
7 March 2005 | by See all my reviews

Well, I have to say that the comments on this movie are everywhere from "I'd give this a 0/10 if I could" to "10/10 masterpiece". Yes, this movie is all over the place. Confessed, I expected it to be that way when I decided to watch it. I would bear a non linear movie, and rather demented symbolism, if the theme is something that appeals to me, or better still - FITS the form of the movie. Sadly this did not. It's just art-cinema's answer to the hype around sex for pleasure nowadays.

In a good movie, (just as with a good book) the theme should dominate the form. Sadly, the form was having epileptic fits here while the theme just sat there being generic and straightforward. This is rather like telling a story and structuring it like a poem. Why try to make the story of a (rather uninteresting, however handsome) man's sexual life up to his mid 40's subject to an artsy attack? The story (or the little that there IS) behind it is not deep, and not particularly meaningful, but the form (the way it's shot / the random scenes and flashbacks) didn't really help it to more seriosity and were hence, rather laughable. Triviality cloaked in 'artistry' really isn't down my street. If the theme would have been something very meaningful or complex or tragic, the form might have worked a little better (Why not give it an American Gothic touch, rather like McGrath or Brockden Brown in film version?) It would have raised the seriosity of the movie (and believe me... this movie is taking itself very seriously).

I just cannot love a movie with such a trivial and generic theme (sex for pleasure) because it isn't really new or, as I said before, all too meaningful or deep in itself. Goes to show that you need a story that actually deserves to be wrapped in the cloak of stilted artistry.

In its credit however, I will say that some of the camera work was stunning, and some visuals were quite breathtaking. I can't say I relate to the characters, but then with an artsy movie it's really hit or miss if you'll relate to them, since they must appeal to you personally to start off with, since they don't usually say much in their favor throughout the movie.

Last but not least I'd like to say that even though I didn't particularly enjoy this movie doesn't mean that I don't enjoy art house movies. It's funny how people say "if you didn't like this you can go watch some generic love comedy in the cinema"... there's something in between too, you know! This isn't "either ultra-artsy or generic to an extreme degree" - there's some very good art-house flicks that realize that being alternative doesn't mean having to resort to obscure camera angles and a scattered plot.


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