Green Fish (1997)
"Chorok mulkogi" (original title)

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Mak Dong has just been released from the army and is on his way home, when he helps out a woman on the train... See full synopsis »



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Credited cast:
Seong-kun Mun ...
Bae Tae-kon
Rest of cast listed alphabetically:
Seong-kyu Han ...
Makdong's 2nd-eldest brother
(as Ji-hyeon Jeong)
Makdong's 3rd-eldest brother
Dong-gon Kim ...
Sandwich Man
Byeong-Cheol Lee
Mun-shik Lee ...
Thug on train
Gye-nam Myeong ...
Kim Yang-kil
Ji-hye Oh ...
Makdong's sister
Hye-jin Shim ...


Mak Dong has just been released from the army and is on his way home, when he helps out a woman on the train... See full synopsis »

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Plot Keywords:

van | car | fish | police | pregnant woman | See All (12) »




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Release Date:

7 February 1997 (South Korea)  »

Also Known As:

Green Fish  »

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Technical Specs


| (Buenos Aires Festival Internacional de Cine Independiente)

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Featured in Rough Cut (2008) See more »

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User Reviews

Innocence will be exploited
13 June 2013 | by (Belgium) – See all my reviews

Green Fish is not a real gangster movie, but more an illustration of the battle between good and evil, between innocence and depravity, between the righteous one and those who only believe in the law of the strongest, between the city (and all its poisons) and the countryside (with its green fish). The law of the strongest is not only a matter of physical forces (strength, number), but also of mental ones (deception, manipulation, ambush, cynicism of the individual). The film has also a socio-economic dimension: the protagonist of the movie is a young man who has been released from the army. He has no job, but is hired by the immoral leader of a gang who appreciates his courage, his sincerity and his 'morality' (his sense of justice). And the women in all that? They have no other choice but to follow the strongest, if, and only if, they are young and beautiful. As for the unborn child, there is more than serious doubt about the real father…

The first film by Lee Chang-dong contains already many ingredients of his later movies: a train, spasticity, gratuitous violence or exploitation of innocence. It says a lot about the director's vision on the way of the world.

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