6.6/10
504
4 user 14 critic

For Sale (1998)

À vendre (original title)
A Private detective is hired to trace a woman who ran away and disappeared on her wedding day. The movie follows him and recounts the story of her life through her eyes and the eyes of those interviewed by the detective.

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1 win & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
France Robert
...
Luigi Primo
Jean-François Stévenin ...
Pierre Lindien
...
Alice
...
Mireille Perrier ...
Primo's Ex-Wife
...
Eric Pacard
Caroline Baehr ...
Marie-Pierre Chénu
Jean-Louis Loca
...
The banker
Louis-Do de Lencquesaing
Didier Flamand
Marie Pailhes
...
The american painter
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Storyline

A Private detective is hired to trace a woman who ran away and disappeared on her wedding day. The movie follows him and recounts the story of her life through her eyes and the eyes of those interviewed by the detective.

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Release Date:

26 August 1998 (France)  »

Also Known As:

For Sale  »

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2.35 : 1
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Connections

Follows En avoir (ou pas) (1995) See more »

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User Reviews

 
A strange woman's story
6 April 2001 | by (Vienna, Austria) – See all my reviews

A private eye is searching for a woman who keeps taking sleeping with men, staying with them for some time and taking money for all this. The man finds out a lot about the woman and is then able to identify with her. In flashbacks, we see every station of France's journey, a lot of different men who fell in love with her and her different reactions.

It's an interesting, really entertaining and also visually inspired film. Laetitia Masson uses very bright colours and CinemaScope, although the story is rather intimate and personal. This creates a catching atmosphere and one willingly follows the story. Why does France take money for sex? Sandrine Kiberlain plays her so convincingly that after some time you understand her character, even if you don't sympathize with her, and you don't wonder why she does what she does any more.

I don't think this film wants to tell us anything. It's a composition of pictures with it's focus on characters, though practically free of emotions: the movie's look implies emotionality and the viewer does feel a lot, but the characters don't seem to. 8 out of 10.


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