8.0/10
263
1 user

Vai viegli but jaunam? (1986)

Portrayal of rebellious teenagers growing up under Communist rule in Latvia.

Director:

Reviews
4 wins. See more awards »
Learn more

People who liked this also liked... 

Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In the early morning of June 14, 1941, under Stalin's orders, over 40 000 people from Latvia, Estonia and Lithuania were arrested, shoved into cattle cars and dispatched to permanent exile ... See full summary »

Director: Viesturs Kairiss
Stars: Sabine Timoteo, Edvins Mekss, Baiba Broka
Documentary
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A detective story about the reappearance of a millionaire lost in Latvia in the 1990s.

Director: Ieva Ozolina
Stars: Ieva Ozolina, Zenta Krumina, Ilga
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

The struggle of two related families for the eighty-year-old aunt's inheritance through comic and romantic events.

Director: Janis Streics
Stars: Lilita Berzina, Olga Drege, Uldis Dumpis
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Raimonds, a 12 year old boy, falls into a world of petty crime while trying to stay out of trouble with his mother.

Director: Janis Nords
Stars: Kristofers Konovalovs, Vita Varpina, Matiss Livcans
Drama | Music | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Set in Riga in 1967, the film deals with the challenges faced by creative young people under an authoritarian regime where artistic freedom is restricted and national culture under assault.... See full summary »

Director: Rolands Kalnins
Stars: Uldis Pucitis, Dina Kuple, Liga Liepina
Exiled (2016)
Drama | History | War
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

In WW1 German doctor is sent to oversee insane asylum somewhere in Latvia. Here he finds wild boy and try to heal him. He is confronted by rough circumstances and brutal soldiers.

Director: Davis Simanis Jr.
Stars: Ulrich Matthes, Agnese Cirule, Dmitrijs Jaldovs
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A national film where joy crosses with sorrow and love enhances the wish to live. It is the dawn of the XX century -a promising time for Latvian people. The national self-esteem of the ... See full summary »

Director: Janis Streics
Stars: Romualds Ancans, Uldis Dumpis, Rezija Kalnina
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A devoted teacher in a Latvian high school faces a stark choice between her personal happiness and the pressures of society.

Director: Andris Gauja
Stars: Inga Alsina, Marcis Klatenbergs, Ieva Apine
Edit

Storyline

A documentary of numerous stories of young people, living in Soviet Latvia. These are mainly stories of different youngsters, viewed differed by Soviet society and local pro-soviet government - punks, those who demolished the train after the legendary local rock band 'Perkons' concert, for that being regarded as public enemies, a mortuary worker and more. Different lives, different expectations, for some lack of freedom and pressure from the government and fear. One of the rare documentaries that can be so touching, because it's so true. Written by Kristine Gi

Plot Summary | Add Synopsis

Plot Keywords:

hare krishna | See All (1) »

Genres:

Documentary | Drama

Edit

Details

Country:

Language:

Release Date:

April 1987 (Soviet Union)  »

Also Known As:

Czy latwo byc mlodym?  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Connections

Followed by Is It Easy...? After 20 Years (2010) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Its Not Easy
2 June 2006 | by See all my reviews

The body of work of Juris Podnieks lends itself to superlatives that often sound too good to be true. His accidental death at the age of 42 deprived Latvian film of an incredible talent who would have been entering the prime of this career. His skill and talent combined to make a filmmaker who would be considered great not only in the context of Latvian film, but by any global cinematic standards. This is made even more extraordinary when taken in the context of where and when he made his films. Working under Soviet rule as a documentarian, a genre that demands clarity and truth under a government that provided neither, he managed to make singular films that withstand the test of time. Perhaps no other film exemplifies this better than "Vai Viegli But Jaunam?" (Is it Easy to be Young?). Released in 1986 the film played to packed houses across the Soviet Union and to critical accolades in the West. The film opens with rock concert footage spliced with coverage of the trial of several youths who were charged with the vandalism of a train at the conclusion of that concert. Podnieks contrasts the exuberance and implied rebel spirit of the concert with shots of the accused standing uncomfortably before those who would judge them. There is no question how this trial will turn out. It's a forgone conclusion. They don't stand a chance before these authoritarian figures who deliver the "facts" without passion or emotion and with an unwavering conviction of their "right" and "righteousness." The accused don't even attempt to defend themselves, not as an admission of guilt, but with a hopeless resignation to their fate. The only one of them to even attempt to raise a defense is eventually sentenced to several years of hard labor. And so starts the exploration of whether it is easy to be young. Podnieks presents a variety of subjects in various settings providing us with a wide cross section of youths from various walks of life and divergent destinations. He creates a snapshot of time which not only captures the difficulties of growing up, but also of the Soviet Union as it was beginning to unravel under its own banality, hypocrisy and utter disregard for humanity. We meet an eager Krishna who seems to be rebelling against what he perceives as a corrupt society, but who does so by replacing one form of blind allegiance with another. Down with Lenin Up with Hari! We meet a young punk who is exceptionally articulate, intelligent and informed, but for all of that can't see beyond his own fatalistic nihilism. There's a young girl who failed in her suicide attempt being browbeaten by those who are supposed to cure her and a first time filmmaker who isn't sure of what he wants to say but knows that he needs to say something. All of them will seem familiar to those of us who can remember entering adulthood regardless of where and when we did so. But perhaps the most poignant moment in the film is the before and after interviews with young conscripts who were sent to Afghanistan. The contrasts are as shocking as those of the most cynical and broken combat veterans as seen in any documentary about war and its consequences. Watching a young veteran walking through a city filled with people on whose behalf he had believed to be fighting and in defense of a system and ideals that he no longer can share is as powerful of an image as I've seen on film. Podnieks greatest strength is in getting these individuals to reveal so much of their selves. We get the feeling as if we are sitting in on a late night conversation between friends where they let down their guard and reveal their true selves and feelings. Even more extraordinary is that Podnieks got them to do so in a time and a place where public introspection of this kind often had severe consequences. A place where thinking the wrong thing was considered to be as bad, if not more so, as doing the wrong thing. The film's greatest strength is in the way that it shows what it means to "grow up," and answering the title question with: It never is, nor should it ever be.


19 of 20 people found this review helpful.  Was this review helpful to you?
Review this title | See one user review »

Contribute to This Page

Watch the Latest Episode of "The IMDb Show"

Paul Scheer lets us in on a secret in The Disaster Artist and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.

Watch the show