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Who the Hell Is Juliette? (1997)
"¿Quién diablos es Juliette?" (original title)

7.0
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Ratings: 7.0/10 from 461 users  
Reviews: 13 user | 14 critic

Cinematographer Carlos Macovich met Yuliet Ortega, a young "jinetera" (prostitute) from Havana, when he shot a video in Cuba, starring model Fabiola Quiroz. When he realized that the two ... See full summary »

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Cast

Credited cast:
Yuliet Ortega ...
Herself
Fabiola Quiroz ...
Herself
Jorge Quiroz ...
Himself
Victor Ortega ...
Himself
Michele Ortega ...
Himself
...
Herself
Benny Ibarra ...
Himself
Rest of cast listed alphabetically:
...
Himself
Oneida Ramírez
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Storyline

Cinematographer Carlos Macovich met Yuliet Ortega, a young "jinetera" (prostitute) from Havana, when he shot a video in Cuba, starring model Fabiola Quiroz. When he realized that the two women had not seen their respective fathers for many years, he made this documentary, which is also a reflection on the process of filmmaking. Written by Edgar Soberón Torchia <cimas@sinfo.net>

Plot Summary | Add Synopsis

Plot Keywords:

prostitute | model | cuba | filmmaking | thong | See more »

Taglines:

Too many Juliettes... for so few Romeos See more »

Genres:

Documentary | Music

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Details

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Release Date:

27 March 1998 (USA)  »

Also Known As:

Who the Hell Is Juliette?  »

Filming Locations:

 »

Company Credits

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Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Yuliet Ortega sees her name written on the screen as "Juliette", the way director Carlos Marcovich thought it was written, she angrily writes on top of it with her name the way she spells it, so it reads on screen "¿Quién diablos es Yuliet?" - arguably the correct title. See more »

Connections

Features Midaq Alley (1995) See more »

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User Reviews

Cheeky director makes a film about cheeky girls.
3 February 2003 | by (Australia) – See all my reviews

An appropriate festival film that tackled the senses with its incorporated style of documentary, feature film and music clip. The story of a sixteen year old Cuban girl is told through some stunning photography, flashy editing and a MTV style of camera work, (really, Godard was doing this with BREATHLESS in 1959). The life of Juliette, (or is it Yuliette?), crosses paths with a model. They star in a video clip together and the story spreads from there as they both dwell on their lives and the whereabouts of their fathers. I realised midway through that I was grinning at the cheekiness the director, Carlos Marcovich, was up to with a story well told but possibly too long. And from where I was sitting there was a fair few people heading for the exit. They didn't seem to have the patience for the cheeky Juliette, or for that matter, the style of the direction.


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