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|Index||138 reviews in total|
In true John Waters form, "Pecker" offers a pure glimpse of human nature.
Being human entitles us to our own unique quirks and eccentricities that
make us individuals. When we 'seemingly' normal people are influenced by our
ever-changing society, that is when the humor begins.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
John Waters does what he does best, creating comedies that hang on
that line between normal and strange. In this time around, Waters directs PECKER, about how the seemingly normal photographs taken by an average small-town kid named Pecker (Eddie Furlong) become over- night successes by different art moguls. Of course, many misadventures abound as Pecker encounters many people with different opinions about his "works of art."
The performances are basically the main highlight of the film. Furlong does a good portrayal of the snapshot-taking teen, while Christina
Ricci also shines as Pecker's alienated girlfriend. Low-key teen actor Brendan Sexton III steals the film as Pecker's best friend Matt, a go-go-dancing klepto, just the right kind of character found in a John Waters' flick!
The best thing about this movie is that it is fun. It is full of
humorous characters and interesting situations, starting with the
blithe, innocent Pecker (played appealingly by Edward Furlong) who
likes to photograph almost everything he sees in every day life. Other
great characters include Pecker's friend Matt ("he's a thief, but he's
really a nice guy"), Pecker's sister Chrissy (who is addicted to
sugar), and Pecker's Catholic grandmother who discovers life in a
statuette of the Virgin Mary in her room.
The movie gently makes a point about how every day life has many riches to offer, and it succeeds in making this point without being too heavy-handed about it. There is always a risk, when making messages about the value and dignity of "common people", of sliding into a kind of reverse "holier than thou" - but "Pecker" avoids these traps, allowing the audience to get the point while allowing enough breathing room for viewers to compare this message to their own thoughts on the subject.
I recommend the movie mostly because it is a lot of fun.
As I am no fan of almost any post-"Desperate Living" John Waters films, I warmed to "Pecker". After he emerged from the underground, Waters produced trash-lite versions of his earlier works ("Cry Baby", "Polyester", Hairspray") that to die-hard fans looked and tasted like watered down liqueur. "Pecker", which doesn't attempt to regurgitate early successes, is a slight, quiet, humble commentary on the vagaries of celebrity and the pretentiousness of the art world. Waters clearly knows this subject well because he has also exhibited and sold (at ridiculous prices) some of the most amateurish pop art ever created that you couldn't imagine anyone being able to give away if it wasn't emblazoned with the Waters "name". Edward Furlong is fine as "Pecker" and Waters' non-histrionic style is at ease with the subject.
"Pecker" is a young, unknown photographer from Baltimore who becomes a big
star in the public, the media and the local art scene with his pictures
showing the dirty reality of all-day life just as dirty underwear or human
excrements. It's a typical topic of John Waters Baltimore-based independent
comedies to show the weird sides of the American way of life between
political correctness fashion and conservative backlashes by exploring the
backgrounds of the middle class society of his hometown.
Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!
Just saw this in New York, it will never come to St. Croix! I liked it a lot, made me laugh. This is the most accessible of any of John Waters' movies I've seen and I like that, doesn't hit you over the head with weirdness. Waters is so good at taking a normal situation and making it appear just slightly off kilter. There are some great characters here...Ed Furlong is wonderfully wholesome and believable as Pecker, Christina Ricci is terrific in a very intense way as a too normal no frills small city girl. This movie is just plain good fun, it's easy to laugh at everybody and not feel mean spirited. Oh yeah and good to see Patty Hearst having some fun.
I´m from Germany and I love the mvovies. I go 200 times a year. Tonight I saw "Pecker", it was a wonderful evening. Thank you, Mr. Waters. Everybody who has a chance to see the movie, go!!!
Well, with the right amount of censors, I'm sure anyone would like this.
While diehard John Waters fans will be disappointed
(There's no obese transvestites that eat dog feces or hilariously hideous
trailer park characters) it was still an uplifting film with good
performances and several laugh-out-loud scenes. An uplifting John Waters
film? Yes. He's also known for dark humor; but this film relied on
Edward Furlong plays the title character, a kid who takes pictures of everything he encounters in his sleazy Baltimore neighborhood. A NY art agent (Lili Taylor) observes his work and he finds he has the choice between either rising to fame (which he loses his friends and family) or keeping his original lifestyle as a poor suburban dweller.
Give this one a try: Expect nothing, and you won't be disappointed.
Pecker lives in Baltimore and works as a chef in a fast-food restaurant. He
constantly takes pictures of those around him. When he puts on a small show
in his workplace a New York agent buys the lot and offers him a show at her
NY gallery. The show turns him famous for his honest photos of his
`culturally challenged' family and friends. But fame has a price and soon
he must turn the tables on the art crowd who look down on his
I approached this with a certain amount of good feeling. From the very start we have wonderfully camp music and small town trashy characters we're in Waters-ville. The actually story is quite simple and doesn't quite hang together as a narrative. However it's all done with a nice charm that makes it fly by, only occasionally does the film drag and the plot weaknesses are revealed.
Waters used to have a niche market in camp and bad taste, however with so many people doing bad taste comedies nowadays he seems to have toned it all down a bit. However he still can do this in his sleep, although the story could have been stronger and he needed to direct with more focus and direction.
Furlong is really good in the lead you have to admire his role choices (Little Odessa, American History X, this and others) as he could have just tried to be a heart throb after T2. Similarly Ricci is pretty good in a role that isn't quite trashy but isn't mainstream either. The support cast are also good as they have more of the characters that we expect from Walters as well as some famous faces (Lilli Taylor, Martha Plimpton, Patty Hearst) Brendan Sexton III as Matt is really good but the award for funniest role goes to Hulsey for angry sugar junkie Little Chrissy.
Overall I found this enjoyable despite the story not really moving anywhere fast. Fans may find this to be Waters-lite but even then he can put out a good film.
Pecker is another John Waters tribute to the less fashionable side of
his native city of Baltimore. Unlike previous films Pecker is set in
modern Baltimore of 1998.
And it's centered around a young man named Pecker. Lest you think it describes him anatomically or behaviorally, what it really does describe is his way of eating as a child, sort of pecking at his food. Of course it wouldn't be John Waters without the double entendre.
Pecker as played by Edward Furlong was given a camera as a kid and it's become an obsession with him, to photograph life and find art in it. Art's everywhere, in his girlfriend's laundromat, in the sandwich shop where he works, in his grandmother's obsession with her talking Virgin Mary icon, even in the garbage where two rats are mating.
Soon his pictures attract attention from the art world. But when that happens Pecker's own world starts to crumble around him. How and will he get it back is the story of Pecker.
John Waters surrounds Furlong with a nice cast of supporting players with the usual Dickensian names for their characters. Best are Christina Ricci as Pecker's girl friend, Baltimore's laundromat Queen, and Brendan Sexton as his best friend and professional kleptomaniac.
Pecker is another of John Waters's lighthearted look at life and some of the strange things we find in it. I think only the most hidebound of rightwing people will not find something amusing in Pecker.
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