A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
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A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" because he pecks at his food like a bird. Written by
Joe Blevins <email@example.com>
Pecker's camera is an early model of the Canonet, a compact camera made over a period of more than a decade (primarily in the 1960s) by Canon for the consumer market. The camera takes so-so pictures, and today might be worth $20-$40, when it can be found. It is entirely plausible that Pecker might find such a camera in a thrift store, at a garage sale, or the like. See more »
When Pecker's mom exits the gallery in New York a cab goes by from the "Checker" cab company of Baltimore. See more »
[Making a toast]
And my little sister Chrissy, for teaching me that life is nothing if you're not obsessed.
See more »
As I am no fan of almost any post-"Desperate Living" John Waters films, I warmed to "Pecker". After he emerged from the underground, Waters produced trash-lite versions of his earlier works ("Cry Baby", "Polyester", Hairspray") that to die-hard fans looked and tasted like watered down liqueur. "Pecker", which doesn't attempt to regurgitate early successes, is a slight, quiet, humble commentary on the vagaries of celebrity and the pretentiousness of the art world. Waters clearly knows this subject well because he has also exhibited and sold (at ridiculous prices) some of the most amateurish pop art ever created that you couldn't imagine anyone being able to give away if it wasn't emblazoned with the Waters "name". Edward Furlong is fine as "Pecker" and Waters' non-histrionic style is at ease with the subject.
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