A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends.... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when a photographer's photos he's taken of his weird family become the latest rage in the art world. Written by
Joe Blevins <email@example.com>
Pecker's camera is an early model of the Canonet, a compact camera made over a period of more than a decade (primarily in the 1960s) by Canon for the consumer market. The camera takes so-so pictures, and today might be worth $20-$40, when it can be found. It is entirely plausible that Pecker might find such a camera in a thrift store, at a garage sale, or the like. See more »
When Pecker is talking to Shelly in the laundromat, she is folding a bath towel with a rose print. The camera angle changes to the back of Shelly's head; when it pans back to her front, she folds the same towel again. See more »
[Making a toast]
And my little sister Chrissy, for teaching me that life is nothing if you're not obsessed.
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In true John Waters form, "Pecker" offers a pure glimpse of human nature. Being human entitles us to our own unique quirks and eccentricities that make us individuals. When we 'seemingly' normal people are influenced by our ever-changing society, that is when the humor begins.
I think the true beauty of this movie is in the acting. Waters guides his cast into committed characterizations, adding layer upon layer of sub-text until they blossom before your eyes. Waters approaches his characters the way a painter approaches his easel and taking a mental snapshot, paints his perspective. Add all these factors in and you see why I say Pecker is a great movie!
Bravo, John. I always enjoy your work, thank you for sharing your art and perspective with the world.
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