IMDb > A Night to Dismember (1983)
A Night to Dismember
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A Night to Dismember (1983) More at IMDbPro »

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Up 9% in popularity this week. See why on IMDbPro.
Judy J. Kushner (story)
Judy J. Kushner (screenplay)
View company contact information for A Night to Dismember on IMDbPro.
Doris Wishman's Cult Classic ...
A woman from a "cursed" family is released from a mental facility, and soon dismembered corpses start turning up. | Add synopsis »
User Reviews:
A mind boggling awesome bad movie epic. See more (23 total) »


  (in credits order)
Samantha Fox ... Vicki Kent
Diane Cummins ... Mary
Saul Meth ... Adam
Miriam Meth ... Blanche
William Szarka ... Billy (as Bill Szarka)
Chris Smith ... Sam (credit only)
Dee Cummins ... Vicki (credit only)
Larry Hunter ... Larry (as Norman Main)
Mary Lomay ... Ann
Rita Rogers ... Aunt Bea
Nina Stengel ... Nina
Frankie Sabat ... Frankie
Alexandria ... Nancy
William Longo Jr. ... Timmy

Rob DeRosa ... Marty (as Robert De Rosa)
Heather Sabat ... Sandy
John Szarka ... John
rest of cast listed alphabetically:
Ursula Austin ... Wife Looking in Mirror (uncredited)
Louis Burdi ... Masked Billy (uncredited)
Danny Girlando ... Guy Offering Ride (uncredited)
Levi Richards ... Broderick Kent (uncredited)
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Directed by
Doris Wishman 
Writing credits
Judy J. Kushner (story) (as Judith J. Kushner)

Judy J. Kushner (screenplay) (as Judith J. Kushner)

Produced by
Larry Marinelli .... associate producer (as Lorenzo Marinelli)
Doris Wishman .... producer
Original Music by
Danny Girlando 
Cinematography by
C. Davis Smith (director of photography)
Film Editing by
Larry Marinelli  (as Lawrence Anthony)
Doris Wishman (uncredited)
Casting by
Doris Wishman  (as Dawn Whitman)
Makeup Department
Miriam Meth .... makeup artist
Production Management
James Proser .... production manager (as Jim Proser)
Sound Department
Steve Deutsch .... boom operator
Eli Haviv .... synchonization
Aaron Nathanson .... re-recording mixer
Steve Rogers .... sound
Special Effects by
Lester Lorrain .... special effects (as Les Lorrain)
Visual Effects by
John A. Bezich .... visual effects
Camera and Electrical Department
Robert Lindsay .... additional photography
Tony Spalla .... additional photography (as Anthony J. Spala)
Robert Zimmerman .... additional photography (as Bob Zimmerman)
Music Department
Danny Girlando .... music arranger
Other crew
Tina Botond .... assistant
Clint Elliot .... assistant
Noreen Evans .... assistant
Richard L. Kushner .... technical advisor
Paulette Licitra .... assistant
Lynn Manwaring .... coordinator
Lawrence Marinelli Jr. .... assistant
Denise Marino .... assistant
John Rochford .... promotional consultant
Terry Taylor .... promotional consultant

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Additional Details

Also Known As:
"Doris Wishman's A Night to Dismember" - USA (DVD box title)
See more »
69 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

According to an unverified claim by director Doris Wishman, much of the negative for the movie was destroyed by a disgruntled lab employee. Wishman then spent the next few years re-writing and re-editing the film, mixing new and existing footage and adding a voice-over narration to the soundtrack.See more »
Miscellaneous: Actress Alexandria is credited in the film's on-screen credits as playing "Nancy". In reality, she plays "Bonnie Kent". Actor Larry Hunter is credited as playing "Larry" but his actual role is "Uncle Sebastian".See more »
Movie Connections:
References The Immoral Three (1975)See more »


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4 out of 7 people found the following review useful.
A mind boggling awesome bad movie epic., 27 August 2009
Author: t-birkhead from United Kingdom

A couple nights back I settled on this one for my evening viewing, a bit of a random choice but it payed off. I was glad to go for it, because it truly is barking and something I would heartily recommend to fans of the kind of trash that puts the awe in awful. The plot sees unfortunate young Vicki Kent (Samantha Fox), released from an asylum after she offed a couple of kids, tormented by her siblings who want to make her go nuts again and return to the institution. Oh yes, and lots of people die. Now this is a bad, bad film, bad from shonky start to shoddy finish, but its beautiful too. Not beautiful and bad in a Selena Coombs/Brigit Gregory kinda way mind, more a naked drunk broad orally pleasuring a cripple with Parkinsons kinda way. This is truly backward, screwy and degenerate stuff, a production no doubt hurt bad from the loss of 40% of the original negative, leading intrepid director Doris Wishman to spend the next couple of years cobbling together replacement footage in between other projects. Barely coherent and filled with ineptitude, the film ascends the realms of mere car crash cinema in its adept assimilation of different varieties of badness into one multi layered whole. For a start, rather than having conventional acting and dialogue, this one is designed more like Coleman Francis' masterpiece "The Beast Of Yucca Flats", in that it has narration, music and just a few lines of chat, all post dubbed, rather than any semblance of actual acting. Performers are all devoid of passion, and the music, constructed it seems entirely out of stock tunes, swings wildly in terms of tone and appropriateness. The plotting is sorta bad melodrama meets deranged hack 'em up schlock with a weak finale, but it does at least make way for plenty of slaughter. This is at best reminiscent of Herschell Gordon Lewis, with very cheap dummy work, gooey red splatter by the bucket, soft hitting violence and directed and edited in a fashion that is nearly always funny but often punishingly inept. Then as a final bit of mentalism there's some kooky visual work that nods to bottomed out bargain basement 60's psychedelia, for a few groovy badness kicks. All swirled together in an intoxicating witches brew of bonkers, this isn't a film that should ever be watched by people who incline towards "quality" cinema. Also short though it is, some minor pacing issues prevent it from being a constant source of entertainment. But for seekers of the insane, the horrendous and the boggling, well, what are you waiting for?

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