Directed by | |||
| Laurent Boutonnat | |||
Produced by | |||
| Laurent Boutonnat | .... | producer | |
| Alain Grandgerard | .... | producer | |
Original Music by | |||
| Laurent Boutonnat | |||
Cinematography by | |||
| Gérard Simon | |||
Film Editing by | |||
| Agnès Mouchel | |||
Casting by | |||
| Lissa Pillu | |||
Production Design by | |||
| Emmanuel Sorin | |||
Costume Design by | |||
| Mylène Farmer | |||
| Carine Sarfati | |||
Makeup Department | |||
| Florence Colin | .... | makeup assistant | |
| Nicolas Degennes | .... | makeup department head | |
| Rosa Perez | .... | wig maker | |
| Luc Varoquier | .... | makeup assistant | |
Production Management | |||
| Marc Fuentes | .... | trainee unit manager | |
| Jean-Eric Grandgérard | .... | production manager | |
| Rémi Kessler | .... | unit manager | |
| Igor Monoury | .... | trainee unit manager | |
| Christophe Sartori | .... | trainee unit manager | |
Second Unit Director or Assistant Director | |||
| François Hanss | .... | first assistant director | |
| Jean-Louis Laval | .... | second assistant director | |
| Olivier Letarouilly | .... | trainee assistant director | |
| Caroline Schweich | .... | trainee assistant director | |
Art Department | |||
| William Abello | .... | first assistant art decorator | |
| Florence Chabrerie | .... | trainee decorator | |
| Frédérique Rouxel | .... | trainee decorator | |
Sound Department | |||
| Jean-Marc Lentretien | .... | sound mix technician | |
Special Effects by | |||
| Jean-Charles Drevelle | .... | special effects | |
| Daniel Lenoir | .... | special effects | |
Stunts | |||
| Georges Branche | .... | horse stunt | |
| Philippe Guégan | .... | stunt coordinator | |
| Cécile Pitel | .... | stunts (as Cécile Girard) | |
| Arlette Spetebroot | .... | stunts (as Arlette Spetelbroot) | |
| Patrick Steltzer | .... | horse stunt | |
| Patrick Steltzer | .... | stunts | |
Camera and Electrical Department | |||
| Eric Caro | .... | still photographer | |
| Philippe Depardieu | .... | trainee electrician | |
| Xavier Gravelot | .... | grip | |
| Gilles Guillard | .... | first camera operator | |
| Jean-Marc Pacaud | .... | key grip | |
| Jean-Claude Temporelli | .... | lead man | |
| Jacques Touillaud | .... | chief electrician | |
| Jérôme Touillaud | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Anne-Catherine Dufour | .... | assistant costume designer | |
Music Department | |||
| Laurent Boutonnat | .... | lyricist: theme song | |
| Jean-Claude Dequéant | .... | composer: theme song | |
Other crew | |||
| Joanny Carpentier | .... | production assistant | |
| Carine-Lise Gaudichon | .... | post production supervisor | |
| Michèle Rougeul | .... | production secretary | |
Thanks | |||
| Francis Bonduel | .... | thanks | |
| Luigi Calabrese | .... | thanks | |
| José Covo | .... | thanks | |
| Bernard Dormoy | .... | thanks | |
| Paul Forotwsky | .... | thanks | |
| Thierry Hopais | .... | thanks | |
| Guy Laine | .... | thanks | |
| Christiane Lalier | .... | thanks | |
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| Exiles | Samuel Fuller's Street of No Return | All the Mornings of the World | First Name: Carmen | Pour la peau d'un flic |
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| Full cast and crew | Company credits | IMDb Short section |
| IMDb France section |
First of all it is absolutely amazing to see a music video that is basically shot as a film on proper film material with a huge budget. Secondly: you get to see the delightful Mylene Farmer naked. That in itself is worth watching the film. The film is basically a music video to a fairly timeless dance-floor song which has very well written lyrics in 18th century France. The images are fairly powerful and the message is amoral. Visually the film is very interesting as opposed to later videos by Mylene Farmer where she essentially uses a very Baroque or rather Rokkoko imagery to give ordinary pop songs a depth which they haven't got. It's interesting, it's sexy, it's intelligent. I have to say though that I found the sequel with its S/M images fairly disturbing.