| Photos (See all 24 | slideshow) | Videos (see all 4) |
| Glenn Close | ... | Camille Dixon | |
| Julianne Moore | ... | Cora Duvall | |
| Liv Tyler | ... | Emma Duvall | |
| Chris O'Donnell | ... | Jason Brown | |
| Charles S. Dutton | ... | Willis Richland | |
| Patricia Neal | ... | Jewel Mae 'Cookie' Orcutt | |
| Ned Beatty | ... | Lester Boyle | |
| Courtney B. Vance | ... | Otis Tucker | |
| Donald Moffat | ... | Jack Palmer | |
| Lyle Lovett | ... | Manny Hood | |
| Danny Darst | ... | Billy Cox | |
| Matt Malloy | ... | Eddie 'The Expert' Pitts | |
| Randle Mell | ... | Patrick Freeman | |
| Niecy Nash | ... | Wanda Carter | |
| Rufus Thomas | ... | Theo Johnson | |
| Ruby Wilson | ... | Josie Martin | |
| Preston Strobel | ... | Ronnie Freeman | |
| Ann Whitfield | ... | Mrs. Henderson / Herodias | |
| Hank Worsham | ... | Tigellinus | |
| Kenny Pillow | ... | Soldier #1 | |
| Derek Guyer | ... | Soldier #2 | |
| Emily Sindelar | ... | Marlene | |
| Heath Lail | ... | Prop Boy | |
| Shari Schneider | ... | Mrs. Tippit | |
| John M. Sullivan II | ... | Mr. Tippit (as John Sullivan) | |
| Red West | ... | Mr. Henderson | |
| Ferguson Reid | ... | Deputy | |
| Christopher Coulson | ... | Deputy (as Chris Coulson) | |
| Cheryl Cole | ... | Picnic Lady | |
| Fred Sanders | ... | Guitarist | |
| Jimmy Ellis | ... | Drummer | |
| Solomon McDaniel | ... | Keyboardist | |
| Terris Tate | ... | Bass Guitarist |
Directed by | |||
| Robert Altman | |||
Writing credits(WGA) | ||
| Anne Rapp | (written by) | |
Produced by | |||
| Robert Altman | .... | producer | |
| Willi Bär | .... | executive producer (as Willi Baer) | |
| David Levy | .... | co-producer | |
| James McLindon | .... | co-producer | |
| Ernst Etchie Stroh | .... | producer (as Etchie Stroh) | |
Original Music by | |||
| David A. Stewart | |||
Cinematography by | |||
| Toyomichi Kurita | (director of photography) | ||
Film Editing by | |||
| Abraham Lim | |||
Casting by | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Richard L. Johnson | (as Richard Johnson) | ||
Set Decoration by | |||
| Susan Emshwiller | (as Susan J. Emshwiller) | ||
Makeup Department | |||
| Susan Buffington | .... | assistant hair stylist | |
| Martial Corneville | .... | key hair stylist | |
| Linda Melazzo | .... | makeup artist | |
| Manlio Rocchetti | .... | key makeup artist | |
| Aldo Signoretti | .... | wig designer | |
| Gloria Belz | .... | makeup artist (uncredited) | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
Art Department | |||
| Kevin Bakeksdale | .... | laborer | |
| Louis Bernard | .... | painter | |
| Sean Bernard | .... | paint foreman | |
| Chris Coulson | .... | lead man | |
| Steven T. Duke | .... | swing gang | |
| 'Turk' Edwards | .... | swing gang | |
| Terry Hopkins | .... | propmaker | |
| Dedrick Lesure | .... | laborer | |
| Anthony Maccario | .... | property master | |
| James Passanante | .... | construction coordinator | |
| Steve Powers | .... | propmaker | |
| Douglas Roberts | .... | propmaker | |
| Robert Shelby | .... | propmaker | |
| Phillip Thoman | .... | on-set dresser | |
| Kristin Webb | .... | art department coordinator | |
| Bruce White | .... | swing gang | |
Special Effects by | |||
| Thomas Kittle | .... | special effects coordinator | |
| Ken Gorrell | .... | special effects (uncredited) | |
Visual Effects by | |||
| Steven Fagerquist | .... | digital effects artist (uncredited) | |
Casting Department | |||
| Barbara Allen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Dona Granata | .... | costumes | |
| Mitzi Haralson | .... | set costumer | |
| Susan Kaufmann | .... | costume supervisor | |
| Michele Kohnhorst | .... | costume assistant | |
| Earlene Naylor | .... | seamstress | |
Editorial Department | |||
| Susan Fitzer | .... | assistant editor | |
| Melisa Kashiwahara | .... | apprentice editor | |
| Christine Lee | .... | assistant editor (as C.Y. Lee) | |
| Dan Muscarella | .... | color timer | |
| Tyson Sawyer | .... | post-production assistant | |
Music Department | |||
| Helena Lea | .... | music editor | |
| Stephen McLaughlin | .... | music producer: Gohl McLaughlin Prods. | |
| Chucho Merchan | .... | musician: double bass | |
| Patrick Seymour | .... | musician: harmonium | |
| David A. Stewart | .... | musician: guitar | |
| The Edge | .... | musician: guitar | |
Transportation Department | |||
| Debra Baker | .... | driver | |
| Russell Davis | .... | driver | |
| Roy A. Grace | .... | driver (as Roy Grace) | |
| Jerry Jackson | .... | driver | |
| Skip Long | .... | driver | |
| Steve Moffit | .... | driver (as Steve Moffitt) | |
| Tom Moore | .... | transportation captain | |
| Carole Nance | .... | driver | |
| Ken Nevin | .... | driver (as Ken Nevin Jr.) | |
| Ken Nevin | .... | transportation co-captain (as Ray Nevin) | |
| Billy Parker | .... | driver | |
| Bill Pitts | .... | transportation coordinator | |
Thanks | |||
| Wren Arthur | .... | special thanks: Sandcastle 5 Productions | |
| Joshua Astrachan | .... | special thanks: Sandcastle 5 Productions | |
| Brad Athey | .... | special thanks | |
| Frederick Bakey | .... | special thanks | |
| Jon Beatty | .... | special thanks | |
| Tom Boone | .... | special thanks: director, Holly Springs Utility Department | |
| Vicki Bowlin | .... | special thanks: Bell South | |
| Suzanne Calvert | .... | special thanks | |
| May Chan | .... | special thanks | |
| Hal Cohen | .... | special thanks | |
| John Paul Daniel | .... | special thanks | |
| Marilyn Deighton | .... | special thanks: costume department, Mississippi State University | |
| James Q. Dickerson | .... | special thanks: district engineer, Mississippi Department of Transportation | |
| Kenneth A. Dickerson | .... | special thanks: sheriff, Marshall County Sheriff's Office | |
| Kenneth Dixon | .... | special thanks | |
| Michael Drucker | .... | special thanks: associate council, Collegiate Licensing Company | |
| Ward Emling | .... | special thanks: director, Department of Economic and Community Development, Mississippi Film Office | |
| Bert Foregger | .... | special thanks: University of Mississippi | |
| Peter Graham | .... | special thanks | |
| Bea Green | .... | special thanks: First State Bank of Holly Springs | |
| Eileen Gregory | .... | special thanks | |
| Kenneth L. Holbrook | .... | special thanks: fire chief, Holly Springs Fire Department | |
| Heather Holst | .... | special thanks | |
| George Humphreys | .... | special thanks: superintendent, Holly Springs Utility Department | |
| Kate Jones | .... | special thanks | |
| Michael Kasher | .... | special thanks: Moonstone Entertainment | |
| Clint Mahle | .... | special thanks: University of Mississippi | |
| Greg Majerus | .... | special thanks: Moonstone Entertainment | |
| Laurie McBride | .... | special thanks | |
| Jean Miller | .... | special thanks: Moonstone Entertainment | |
| Mark Miller | .... | special thanks: Miller's Department Store | |
| Sherri Mills | .... | special thanks | |
| Ritchie Montgomery | .... | special thanks | |
| Marie S. Moore | .... | special thanks: Holly Springs Marshall County Film Commission | |
| Luz Moretti | .... | special thanks: Moonstone Entertainment | |
| Susan Muir | .... | special thanks | |
| Thomas Hal Phillips | .... | special thanks | |
| Gale Rice | .... | special thanks: Bell South | |
| Lauren Sanders | .... | special thanks: Moonstone Entertainment | |
| Leah Sanders | .... | special thanks: Moonstone Entertainment | |
| Diane Sellers | .... | special thanks | |
| Linn Sitler | .... | special thanks: director, Memphis & Shelby County Film, Tape and Music Office | |
| Eddie Lee Smith | .... | grateful acknowledgment: mayor of Holly Springs | |
| Johnnie C. Smith | .... | special thanks: police coordinator, Holly Springs Police Department (as Sgt. Johnnie C. Smith) | |
| Danielle Sotet | .... | special thanks: Sandcastle 5 Productions | |
| Art Stribley | .... | special thanks (as Arthur Stribley) | |
| Yael Stroh | .... | special thanks: Moonstone Entertainment | |
| Janis Tingle | .... | special thanks: licensing manager, Mississippi State University | |
| Michael Toji | .... | special thanks: Moonstone Entertainment | |
| Chris Turner | .... | special thanks: National Cellular Rentals | |
| Jack West | .... | special thanks | |
| Dana Williams | .... | special thanks: Moonstone Entertainment | |
| Kenneth Williams | .... | special thanks (as Dr. Kenneth Williams) | |
| R. Milton Winter | .... | special thanks: First Presbyterian Church of Holly Springs (as Reverend R. Milton Winter) | |
| Brian Wong | .... | special thanks: The Travel Circuit | |
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| Empire Falls | Intermission | Bon voyage | Paris 36 | The Assassination of Jesse James by the Coward Robert Ford |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
One might call Cookie's Fortune a 'minor' effort from Robert Altman, a filmmaker who once commented that each film "is all part of the same picture", or rather one long movie with bits and pieces making up a career whole. But it has enough going for it through its very competent cast and interesting script to keep it afloat from being the kind of small film little old ladies might watch on TV during the day. In that sense it isn't as 'heavy' as some of Altman's other work. It is also cool enough to treat the subject of a mystery around a suicide with enough humanity to make some scenes smile-worthy. Considering some of the darker elements in the script, Altman depicts this to the point where- get this- Cookie's Fortune is sometimes shown on the HBO family channel!
Is it really a kid's film? I'm not sure, but it isn't work for only one age group- its appeal from its cast of a collective of small towners is appealing to most in the audience. That the cast- Glenn Close, Liv Tyler, (especially) Charles S. Dutton, even Chris O'Donnell- gels and plays some of the dialog sincerely even when its meant to not be taken seriously at all, is a credit to the filmmaker. That it also might not be quite as memorable as some of the director's major films is and is not a fault. It is a fault because the subject matter is sort of stuck in a certain genre realm. It is not because the subject mater is also very much more intelligent than would be expected at times. I was also fond of certain scenes and interactions with the actors, the rhythm of it all, like early on with Dutton and the actress Patricia Neal who plays the old lady. I also really like the climax.
So it's a good work about the rumblings and eccentricities of a small town, the good in people as well as the lesser parts, and parts of greed and death seen through a light that is not aiming for anything 'cheap', so to speak.