|
| Joseph V. Marpel | .... | assistant art department coordinator / art department coordinator (14 episodes, 1996-1997) |
| Heather A. Buswell | .... | art department coordinator (13 episodes, 1996-1997) |
| Wayne Acton | .... | leadman / lead man (11 episodes, 1996-1997) |
| Paul 'Butch' Kitchen Jr. | .... | property master (11 episodes, 1997) |
| Desmond Griffiths | .... | art department coordinator (9 episodes, 1997) |
| Lisa Tong | .... | on-set dresser (9 episodes, 1997) |
| Harley E. Hebert | .... | property master (8 episodes, 1996-1997) |
| Susan M. Babey | .... | property master (8 episodes, 1997) |
| Jim 'Huzie' Hughes | .... | swing (7 episodes, 1997) |
| Lee Madsen | .... | leadman (7 episodes, 1997) |
| Joseph Klingl | .... | carpenter (5 episodes, 1996-1997) |
| Greg Archibeque | .... | swing (5 episodes, 1997) |
| Reed Bernstein | .... | on-set dresser (5 episodes, 1997) |
| Rob Evans | .... | lead man / leadman (5 episodes, 1997) |
| Jon Joseph Glover | .... | swing / swing gang (4 episodes, 1997) |
| Tanya B. Magidow | .... | on-set dresser (4 episodes, 1997) |
| Katie Mau | .... | on-set dresser (4 episodes, 1997) |
| Jodi Tripi | .... | art department coordinator (4 episodes, 1997) |
| Hassan Jamal | .... | on-set dresser / swing (3 episodes, 1996-1997) |
| Robert Reed | .... | swing / swing gang (3 episodes, 1996-1997) |
| Mary Woronov | .... | original paintings (3 episodes, 1996-1997) |
| Tracy Gleich | .... | assistant art department coordinator (3 episodes, 1997) |
| Michael Kareli | .... | swing (3 episodes, 1997) |
| William Carl Lewis | .... | set constructor / swing / ... (3 episodes, 1997) |
| Peter Sorensen | .... | swing (3 episodes, 1997) |
| George Anastassatos | .... | swing (2 episodes, 1997) |
| Yaniv Bashan | .... | lead man (2 episodes, 1997) |
| Michael Bonewitz | .... | swing (2 episodes, 1997) |
| Dorothy Drysdale | .... | on-set dresser / swing (2 episodes, 1997) |
| Leon Dunn | .... | carpenter (2 episodes, 1997) |
| Jenifer Galvez | .... | swing (2 episodes, 1997) |
| W.A. Graham | .... | assistant on-set dresser (2 episodes, 1997) |
| Tim Zeug | .... | carpenter / construction coordinator (2 episodes, 1997) |
| |
|
| Erica Froker | .... | second assistant camera (11 episodes, 1997) |
| Kosta Rigopoulos | .... | best boy grip / key grip (11 episodes, 1997) |
| Calese Russell | .... | grip / best boy grip (11 episodes, 1997) |
| Dan Hofstad | .... | best boy electric / gaffer (10 episodes, 1997) |
| Thomas Vozza | .... | still photographer (8 episodes, 1996-1997) |
| Suzanne England | .... | still photographer (8 episodes, 1997) |
| Fred Troeskin | .... | electrician (8 episodes, 1997) |
| Jamal J. Farley | .... | gaffer / best boy electric (7 episodes, 1996-1997) |
| Mark Marchetti | .... | gaffer / best boy electric / ... (7 episodes, 1996-1997) |
| Lee A. Dublin | .... | first assistant camera (7 episodes, 1997) |
| Roy C. Granada | .... | best boy electric (7 episodes, 1997) |
| Joe 'Babu' Jennings | .... | best boy grip (7 episodes, 1997) |
| Skip McCraw | .... | gaffer (7 episodes, 1997) |
| Stan 'Trog' Risner | .... | grip (7 episodes, 1997) |
| Brian Grant | .... | swing grip / grip (6 episodes, 1997) |
| Jarrod Hettler | .... | electrician (6 episodes, 1997) |
| Skye Chandler | .... | second assistant camera (5 episodes, 1996-1997) |
| Mark Cumming | .... | grip / best boy grip / ... (5 episodes, 1996-1997) |
| Steven L. Henry | .... | key grip (5 episodes, 1996-1997) |
| Robert Powell | .... | electrician / best boy electric (5 episodes, 1996-1997) |
| Joel Arnold | .... | electrician / best boy electric (5 episodes, 1997) |
| Amy Hoffecker | .... | second assistant camera (5 episodes, 1997) |
| Ken Longballa | .... | electrician (5 episodes, 1997) |
| Scott Stilley | .... | grip / best boy grip / ... (5 episodes, 1997) |
| Robert Christopher Webb | .... | electrician / best boy electric (5 episodes, 1997) |
| Laura Mae Bobick | .... | second assistant camera (4 episodes, 1997) |
| Michael Colbert | .... | best boy grip / electrician (4 episodes, 1997) |
| Shomari Davis | .... | swing electrician (4 episodes, 1997) |
| Gilbert Elam | .... | electrician / swing electrician (4 episodes, 1997) |
| Edward 'Gooch' Gutierrez | .... | key grip (4 episodes, 1997) |
| Wm. Terrell Hasker | .... | best boy grip (4 episodes, 1997) |
| Alex Jaworski | .... | electrician / best boy electric (4 episodes, 1997) |
| Robert Schwartz | .... | key grip (4 episodes, 1997) |
| Chuckie Travers | .... | key grip (4 episodes, 1997) |
| Michael Valentine | .... | electrician / best boy electric (4 episodes, 1997) |
| Ned Vegas | .... | grip / best boy grip (4 episodes, 1997) |
| Maja Zimmerman | .... | gaffer (4 episodes, 1997) |
| David Bonet | .... | electrician / grip (3 episodes, 1997) |
| Michael Bonewitz | .... | best boy electric / electrician / ... (3 episodes, 1997) |
| Deana Dawn | .... | first assistant camera (3 episodes, 1997) |
| Jim 'Huzie' Hughes | .... | electrician / grip / ... (3 episodes, 1997) |
| Michael Landsburg | .... | key grip (3 episodes, 1997) |
| Jeff Miller | .... | swing grip (3 episodes, 1997) |
| Ian S. Momberger | .... | grip / electrician (3 episodes, 1997) |
| Terry Newport | .... | grip (3 episodes, 1997) |
| Anthony Ragonese | .... | key grip (3 episodes, 1997) |
| Conner Vandeer | .... | grip (3 episodes, 1997) |
| Shereen Saleh | .... | first assistant camera (2 episodes, 1996-1997) |
| Alec Shepherd | .... | best boy grip / key grip (2 episodes, 1996-1997) |
| Joan Adlen | .... | still photographer (2 episodes, 1997) |
| Raimund Almanza | .... | assistant camera / second assistant camera (2 episodes, 1997) |
| Alberto Alonso | .... | gaffer: second unit (2 episodes, 1997) |
| Samuel Ameen | .... | additional cinematographer / additional photographer (2 episodes, 1997) |
| Patti Arpaia | .... | still photographer (2 episodes, 1997) |
| Roman W. Bennett | .... | electrician (2 episodes, 1997) |
| Masato Chikusa | .... | first assistant camera (2 episodes, 1997) |
| Sammi Davis | .... | still photographer (2 episodes, 1997) |
| Jim Ealy | .... | best boy electric / electrician (2 episodes, 1997) |
| Dejon Ellis Jr. | .... | best boy grip / grip (2 episodes, 1997) |
| Dawn Fleischman | .... | first assistant camera (2 episodes, 1997) |
| Christopher Franey | .... | best boy grip / grip (2 episodes, 1997) |
| Camille Freer | .... | first assistant camera (2 episodes, 1997) |
| Mark Haffenreffer | .... | electrician (2 episodes, 1997) |
| Alex Klabukov | .... | key grip / rigging gaffer (2 episodes, 1997) |
| Sheri Lane | .... | still photographer (2 episodes, 1997) |
| Anthony Q. Palmer | .... | best boy electric (2 episodes, 1997) |
| Scot Petitclerc | .... | first assistant camera (2 episodes, 1997) |
| Johnny Radzik | .... | best boy grip / grip (2 episodes, 1997) |
| Brad 'Toaster Oven' Reeves | .... | grip (2 episodes, 1997) |
| Mike Schwabenland | .... | best boy electric (2 episodes, 1997) |
| Barbara Seergy | .... | still photographer (2 episodes, 1997) |
| Harold Skinner | .... | gaffer (2 episodes, 1997) |
| Anton Stielow | .... | electrician (2 episodes, 1997) |
| Kurt Wolf | .... | key grip (2 episodes, 1997) |
| David Yellin | .... | grip (2 episodes, 1997) |
|
| Michael E.J. Miller | .... | camera operator (unknown episodes) |
| |
|
| Catalina Lara-Carlin | .... | first assistant accountant / production accountant / ... (23 episodes, 1996-1997) |
| Rebecca Knowlton | .... | production accountant (22 episodes, 1996-1997) |
| Laura Zuckerman | .... | assistant to producer / location manager / ... (21 episodes, 1996-1997) |
| Kelly S. Paddock | .... | assistant to producer / production assistant (20 episodes, 1996-1997) |
| Valerie E. Pike | .... | assistant production coordinator / office production assistant (20 episodes, 1996-1997) |
| David Larue | .... | caterer (18 episodes, 1996-1997) |
| Lynn Pekalsky | .... | assistant production coordinator / office production assistant (18 episodes, 1996-1997) |
| David Wolfe | .... | caterer (18 episodes, 1996-1997) |
| Theresa Parra | .... | craft service (18 episodes, 1997) |
| William Brent Bell | .... | production coordinator (16 episodes, 1996-1997) |
| R. Scott Poole | .... | location manager (16 episodes, 1997) |
| Jeff Miller | .... | office production assistant (15 episodes, 1996-1997) |
| Aaron Richmond | .... | office production assistant / production secretary (15 episodes, 1996-1997) |
| Wendy Saatjian | .... | production intern (15 episodes, 1996-1997) |
| Matthew Cassel | .... | location manager (12 episodes, 1996-1997) |
| Tina Giangiacomo | .... | production secretary (12 episodes, 1996-1997) |
| Anietie Antia-Obong | .... | key set production assistant / set production assistant / ... (12 episodes, 1997) |
| Chris Baugh | .... | location manager (11 episodes, 1996-1997) |
| Jimmy Holcomb | .... | office production assistant (10 episodes, 1996-1997) |
| Erin Gibson | .... | office production assistant (10 episodes, 1997) |
| Sangyon Chun | .... | set production assistant (8 episodes, 1997) |
| Jeff Houk | .... | craft service (8 episodes, 1997) |
| Garrett Kent | .... | office production assistant (8 episodes, 1997) |
| Gerry Pagulayan | .... | office production assistant (8 episodes, 1997) |
| Scott Peterson | .... | script supervisor / continuity (8 episodes, 1997) |
| Christina Tuiono | .... | second assistant accountant (8 episodes, 1997) |
| Kellie Cyrus | .... | continuity / script supervisor (7 episodes, 1996-1997) |
| Brent Aspland | .... | set production assistant (7 episodes, 1997) |
| Patrick R. Marsh | .... | location scout (7 episodes, 1997) |
| Katherine Swanson | .... | payroll accountant (7 episodes, 1997) |
| Michael Whitecar | .... | key set production assistant (7 episodes, 1997) |
| Pamela Altieri-Paterra | .... | key set production assistant (6 episodes, 1996-1997) |
| Matthew Devan | .... | location assistant / location manager (6 episodes, 1997) |
| Erin Elliott | .... | assistant to producer (6 episodes, 1997) |
| Cameron Ed. Murphy | .... | location manager (6 episodes, 1997) |
| Veronica Pankiewicz | .... | production intern (6 episodes, 1997) |
| Leah Ross | .... | production coordinator (6 episodes, 1997) |
| Carol Acosta | .... | craft service (5 episodes, 1996-1997) |
| Misha Gangner | .... | location assistant (5 episodes, 1996-1997) |
| Marisa Vargo | .... | office production assistant (5 episodes, 1996-1997) |
| Angie Chiquette | .... | production accountant (5 episodes, 1997) |
| Kristin E. Gearhart | .... | assistant accountant (5 episodes, 1997) |
| Shawn Johnson | .... | location assistant (5 episodes, 1997) |
| Lee McLaren | .... | on-set locations / location scout (5 episodes, 1997) |
| Moses Mugo | .... | office production assistant (5 episodes, 1997) |
| Lisa Nasuti | .... | script supervisor (5 episodes, 1997) |
| Dennis Whitcomb | .... | script researcher (5 episodes, 1997) |
| Robin Mulcahy Fisichella | .... | production coordinator (4 episodes, 1996-1997) |
| Meredith O'Brien | .... | set production assistant (4 episodes, 1996-1997) |
| Sarah J. Brown | .... | script supervisor (4 episodes, 1997) |
| Giacomo Coppola | .... | office production assistant (4 episodes, 1997) |
| Frank E. Errico | .... | production office intern / office production intern (4 episodes, 1997) |
| Janice Hsu | .... | office production assistant (4 episodes, 1997) |
| Michael Lee | .... | set production assistant (4 episodes, 1997) |
| Anne Schaefer | .... | production secretary (4 episodes, 1997) |
| April Wood | .... | office production assistant (4 episodes, 1997) |
| Tracy Cambron | .... | second assistant accountant (3 episodes, 1996-1997) |
| Althea L. Johnson | .... | set production assistant / key set production assistant (3 episodes, 1996-1997) |
| Therese Clinton | .... | craft service (3 episodes, 1997) |
| Drew McKeen | .... | location scout (3 episodes, 1997) |
| Jay Parker | .... | set intern (3 episodes, 1997) |
| David Schneggenburger | .... | location assistant (3 episodes, 1997) |
| Phillip Wagner | .... | set production assistant (3 episodes, 1997) |
| Mimi Baker | .... | continuity / script supervisor (2 episodes, 1997) |
| Ernest Belding | .... | set production assistant (2 episodes, 1997) |
| Mike Billington | .... | key set production assistant (2 episodes, 1997) |
| Lexxie Cariste | .... | continuity / script supervisor (2 episodes, 1997) |
| Kandice Cruise | .... | production secretary (2 episodes, 1997) |
| Casey Dean Eberhart | .... | production coordinator (2 episodes, 1997) |
| Kevin Foster | .... | location assistant (2 episodes, 1997) |
| Kenoe Kealoha | .... | craft service (2 episodes, 1997) |
| Sally Kirkland | .... | creative consultant (2 episodes, 1997) |
| Shannon L. Lacey | .... | key set production assistant / set production assistant (2 episodes, 1997) |
| Nancy Lowry | .... | craft service (2 episodes, 1997) |
| Patrick Rizzotti | .... | set intern (2 episodes, 1997) |
|
| Kimberly Eaton | .... | script supervisor (unknown episodes) |
| Jon Kuyper | .... | production executive (unknown episodes) |
| Patrick Marsh | .... | location manager (unknown episodes) |
| Licia Wolf | .... | script supervisor (unknown episodes) |
| |
Some of the more talented women knocking aroudn in show business apparently decided to see if they could produce some top of the line erotica and the result was Women: Stories of Passion. The stories are uneven, but almost always have the strength that they focus on the psychology of the characters and get their eroticism from the characters' erotic responses rather than from some abstract sex act or fetish, as many other Skinamax series and films do.
Two of my favorite episodes are "The Gigolo" and (can't recall the name exactly, think it had "Paradise" in it somewhere). In "The Gigolo" a top female studio executive likes to script bondage scenarios in which she's a damsel in distress. She has a gigolo who acts them out for her, and who eventually teaches her the pleasure of losing control for real, rather than in her carefully scripted fantasies. Nice story with some lively acting by the female lead. "Paradise" follows a young woman's fascination with what goes on in a bordello, a fascination which eventually leads exactly where you think it will. But instead of having the dark overtones of "Belle du Jour" it has a lively feel for the erotic fantasies that drive the woman, making it a pleasant watch.
It's an ambitious series, watching it with your eyes open will be rewarding.