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| John I. Carrillo | .... | production manager (26 episodes, 1997-2000) |
| Michael Tyau | .... | apprentice production manager (24 episodes, 1997-1999) |
| Mark Brammeier | .... | apprentice production manager (22 episodes, 1997-1999) |
| Stephen Swofford | .... | post-production supervisor (16 episodes, 1997-1999) |
| Michael Gracey | .... | apprentice production manager / post-production supervisor / ... (14 episodes, 1997-2000) |
| Christine Griswold | .... | post-production supervisor (8 episodes, 1997) |
| P.J. Aminpour | .... | post-production supervisor (2 episodes, 2000) |
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| David Knott | .... | main title storyboard / storyboard revisionist / ... (27 episodes, 1997-2000) |
| Brad Vandergrift | .... | storyboard supervisor / storyboard revisionist / ... (27 episodes, 1997-2000) |
| Tom Foxmarnick | .... | prop designer (22 episodes, 1997-1999) |
| Louis Tate | .... | storyboard revisionist (20 episodes, 1997-2000) |
| John Catapano | .... | art coordinator (13 episodes, 1997) |
| Craig Kemplin | .... | storyboard revisionist (12 episodes, 1997) |
| Francis Barrios | .... | storyboard / storyboard revisionist / ... (10 episodes, 1997-2000) |
| Kevin Bernier | .... | art coordinator (10 episodes, 1997-1999) |
| Celia Kendrick | .... | storyboard / storyboard artist (7 episodes, 1997-2000) |
| Vicki Banks | .... | storyboard revisionist (6 episodes, 1997) |
| Aaron Rozenfeld | .... | storyboard revisionist (6 episodes, 1997) |
| Susie Dietter | .... | storyboard / storyboard revisionist (4 episodes, 1997-1999) |
| Leonardo Pinero | .... | storyboard revisionist (4 episodes, 1997) |
| Paul Tibbitt | .... | storyboard revisionist (4 episodes, 1997) |
| Rebecca Shen | .... | storyboard revisionist (3 episodes, 1999) |
| Julie Forte | .... | storyboard / storyboard revisionist (2 episodes, 1997-1998) |
| Rich Chidlaw | .... | storyboard revisionist (2 episodes, 1997) |
| Jim Snider | .... | storyboard revisionist (2 episodes, 1997) |
| Gilbert Weems Jr. | .... | storyboard revisionist (2 episodes, 1997) |
| Joan Drake | .... | storyboard revisionist (2 episodes, 1998) |
| Carlos Spivey | .... | storyboard revisionist (2 episodes, 1998) |
| Robert Griffith | .... | storyboard revisionist (2 episodes, 1999) |
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| Elliot Anders | .... | dialogue editor (71 episodes, 1997-2000) |
| Robert Duran | .... | sound effects editor / sound effects supervisor (43 episodes, 1997-2000) |
| Robbi Smith | .... | dialogue editor (36 episodes, 1997-2000) |
| Michael Beiriger | .... | re-recording mixer (32 episodes, 1997-2000) |
| Ray Leonard | .... | re-recording mixer (32 episodes, 1997-2000) |
| Morten Folmer Nielsen | .... | adr editor / adr recorder (32 episodes, 2000) |
| Rick Sanchez | .... | foley artist (31 episodes, 1997-1999) |
| Tracey Willsie | .... | adr supervisor (28 episodes, 1997-1998) |
| Richard Partlow | .... | foley artist (27 episodes, 1997-2001) |
| Kris Daly | .... | foley recordist (26 episodes, 1997-2000) |
| Phyllis Ginter | .... | foley artist (26 episodes, 1997-2000) |
| Deb Adair | .... | production sound mixer (23 episodes, 1997) |
| Lenise Bent | .... | foley recordist (18 episodes, 1997) |
| Steve Werner | .... | post-production sound supervisor / post-production sound mixer (18 episodes, 1997) |
| Skip Craig | .... | track reader (13 episodes, 1997-1999) |
| Monett Holderer | .... | foley artist (10 episodes, 1997) |
| Allison Hynes | .... | dialogue editor (6 episodes, 1997) |
| Ken Poteat | .... | audio coordinator (6 episodes, 1998-1999) |
| Denise Whitfield | .... | track reader (2 episodes, 1998) |
| Victor Garcia | .... | dubbing supervisor (2 episodes, 2000) |
| Terry Reiff | .... | dialogue editor (2 episodes, 2000) |
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| Eric Lewis | .... | assistant dialogue recording engineer (unknown episodes) |
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| Plamen Christov | .... | key layout designer (27 episodes, 1997-2000) |
| David Shannon | .... | character designer (27 episodes, 1997-2000) |
| Jose Zelaya | .... | additional character designer (27 episodes, 1997-2000) |
| Britt Teegarden | .... | color key stylist (23 episodes, 1997-2000) |
| Eric Keyes | .... | additional character designer (20 episodes, 1997-1999) |
| Robert Schaefer | .... | key background stylist (16 episodes, 1997) |
| J.C. Park | .... | animation: executive director / executive director: Grimsaem Animation Co. (15 episodes, 1997) |
| Janet Cummings | .... | color key stylist (14 episodes, 1997) |
| Teri Shikasho | .... | key background stylist (14 episodes, 1997) |
| Brenda Piluso | .... | additional timing director / animation director (13 episodes, 1997-1999) |
| Howy Parkins | .... | additional timing director / animation director (11 episodes, 1997-1999) |
| Choong-young Lee | .... | director: Grimsaem Animation Co. (11 episodes, 1997) |
| Sung-woo Lee | .... | director: Grimsaem Animation Co. / director: Sunwoo Animation (10 episodes, 1997) |
| Joan Drake | .... | animation director / additional timing director (9 episodes, 1997-1999) |
| Nichole Graham | .... | additional timing director / animation director (9 episodes, 1997) |
| Andrea Coleman | .... | key background stylist (9 episodes, 1998-2000) |
| Michael Kaweski | .... | overseas animation supervisor (8 episodes, 1998-2000) |
| Andi Klein | .... | additional timing director / animation director (6 episodes, 1997) |
| Sy Thomas | .... | key background stylist (6 episodes, 1997) |
| Kevin Petrilak | .... | additional timing director / animation director (5 episodes, 1997-1999) |
| Choon Man Lee | .... | supervising animation director / supervising timing director (5 episodes, 1998-1999) |
| David A. Rodriguez | .... | color stylist (4 episodes, 1997) |
| Nancy Ulene | .... | color key stylist (4 episodes, 1997) |
| Kwang Jin Kim | .... | animation director (3 episodes, 1997) |
| Alan Smart | .... | additional timing director / animation director (3 episodes, 1997) |
| David Dimatteo | .... | animatic scanner (2 episodes, 1997) |
| Edgar Duncan | .... | key layout designer (2 episodes, 1997) |
| Jamie H. Huang | .... | additional timing director (2 episodes, 1997) |
| Jerilyn Mettlin | .... | additional timing director (2 episodes, 1997) |
| Young-Chul Park | .... | animation director (2 episodes, 1998-1999) |
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| Jeffrey Gatrall | .... | timing director (unknown episodes, 1999) |
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| James Harrison | .... | pre-production track editor (24 episodes, 1997-1999) |
| Tony Mizgalski | .... | supervising film editor (24 episodes, 1997-1999) |
| Tom Pniewski | .... | scanner (22 episodes, 1997-2000) |
| Catherine MacKenzie | .... | first assistant editor: film (20 episodes, 1997-2000) |
| Carmen Woods | .... | editor: leica reel / scanner (20 episodes, 1997-2000) |
| P.J. Aminpour | .... | post-production coordinator (18 episodes, 1997) |
| Jay R. Lawton | .... | assistant film editor (18 episodes, 1997) |
| Chris Longo | .... | post-production coordinator (18 episodes, 1997) |
| Brian Cole | .... | editor: leica reel (14 episodes, 1997) |
| Craig Sawczuk | .... | post-production coordinator (6 episodes, 1998-1999) |
| George Carlston | .... | dailies colorist (5 episodes, 1997-1998) |
| David Dimatteo | .... | scanner (4 episodes, 1997) |
| Karen Hathaway | .... | first assistant film editor (4 episodes, 1998-1999) |
| Joseph R. Thygesen | .... | first assistant film editor (4 episodes, 1998-1999) |
| Jennifer Harrison | .... | assistant film editor (2 episodes, 1997) |
| Susan Odjakjian | .... | assistant film editor (2 episodes, 1997) |
| Christopher Gresham | .... | scanner (2 episodes, 1998-1999) |
| Mark Bollinger | .... | post-production coordinator (2 episodes, 2000) |
| Richard L. McCullough | .... | supervising film editor (2 episodes, 2000) |
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| Holly Huckins | .... | story editor (112 episodes, 1997-2000) |
| Sharianne Greer | .... | production secretary (98 episodes, 1997-2000) |
| Dan Smith | .... | recruiter (26 episodes, 1997-1998) |
| John Arnold | .... | educational consultant (24 episodes, 1997-1999) |
| Michael Giammarese | .... | production controller / production accountant (24 episodes, 1997-1999) |
| Paul Germain | .... | voice director (23 episodes, 1997-2000) |
| Bob Revell | .... | continuity coordinator (21 episodes, 1997-1999) |
| Allyson Bosch | .... | talent coordinator / voice director (20 episodes, 1997-2000) |
| Denise Whitfield | .... | track reader (17 episodes, 1997-1999) |
| Rachel Lipman | .... | consultant / additional dialogue (16 episodes, 1997) |
| Susan Gold | .... | script coordinator (15 episodes, 1997) |
| Christine Craig | .... | track reader (14 episodes, 1997-2000) |
| Lesa Kite | .... | story editor (14 episodes, 1997) |
| Dawn Castiglia | .... | script coordinator (12 episodes, 1997-1999) |
| Peter Gaffney | .... | story editor / additional dialogue (12 episodes, 1997) |
| Beverly Ann Ware | .... | continuity coordinator (12 episodes, 1997) |
| Michael Kramer | .... | story editor (10 episodes, 1997-1999) |
| Michael Ferris | .... | additional dialogue (9 episodes, 1997) |
| Mark Drop | .... | story editor (7 episodes, 1998-1999) |
| Jonathan Greenberg | .... | additional dialogue (6 episodes, 1997-1999) |
| Steve Viksten | .... | additional dialogue (6 episodes, 1997) |
| Phil Walsh | .... | story editor (5 episodes, 1998-1999) |
| Joe Ansolabehere | .... | voice director (4 episodes, 1997) |
| Etan Cohen | .... | additional dialogue (3 episodes, 1999) |
| Plamen Christov | .... | visual development (2 episodes, 1999) |
| Eric Keyes | .... | visual development (2 episodes, 1999) |
| Jose Zelaya | .... | visual development (2 episodes, 1999) |
| Kevin Bernier | .... | production associate (2 episodes, 2000) |
| Mark Brammeier | .... | production coordinator (2 episodes, 2000) |
| Dawn Conners | .... | script coordinator (2 episodes, 2000) |
| Eric Garcia | .... | production secretary (2 episodes, 2000) |
| Madel Manhit | .... | continuity coordinator (2 episodes, 2000) |
| Ford Riley | .... | story editor (2 episodes, 2000) |
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Recess is one of those cartoons we can be thankful for. It gives both kids and adults alike a good impression of what being a kid is all about. Although the writers mistakenly make Recess too beautiful at times, the show is still rather enjoyable. It's probably evident it resembles both Hey Arnold! and Rugrats because of the overall creative skills. Recess might not go down as one of the best cartoons ever, but it's good to know there's still some talented cartoonists these days.