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Storyline
Joe McDoakes, unemployed thespian, makes all the casting calls,reads all of the trade papers, sees agents and tries out for casting directors and producers, and finally lands a role; the guy behind the 8-ball that is on the title frame of all of the Joe McDoakes shorts. Written by
Les Adams <longhorn1939@suddenlink.net>
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Quotes
[
opening lines]
Narrator:
Ah, yes, Broadway. The original hardened artery. Long known as the double-crossroads of the world, Broadway is also the Acropolis of the actor. In other words, the home of the ham.
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Soundtracks
"Poet and Peasant Overture"
(uncredited)
Music by
Franz von Suppé
Played when Joe is on the telephone
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One thing that we know for sure. THE JOE McDOAKES comedies were not meant to be seen one after another. There is little chance of any Revival Movie House or any Movie Cable Network featuring a Joe McDoakes Retrospective, nor any "Evening With Joe McDoakes".
Mr. Richard L. Bare (Writer/Director) and Mr. George O'Hanlon (Writer/Actor-) certainly must have done something right, for the series continued for about 13 years and was highly successful in a period when The Short Subject Field was rapidly disappearing from the Theatrical Film World.
In addition to some typical antics featuring Joe getting the 'Acting Bug' and receiving correspondence school lessons, this episode takes us out of the McDoakes' Home and down to the Movie Studio. In this case, of course, it is Warner Brothers' own studio playing itself in front of the camera. (That's a Joke, Son!) The one thing that makes this entry into the series is that very thing alluded to previously. That is the filming at the studio off of the sound stages. It includes cameos by numerous Warner Bros. contract players tops off this production, giving it that little extra.
We are treated to the appearance of Martha Vickers, Alexis Smith,Janis Page, Wayne Morris and one Actor and Future U.S. President, "Ronnie" Reagan.
But probably the best point of this McDoakes episode is provided by Mr. Jack Carson. Jack does a little bit of interplay with George O'Hanlon that is truly funny and just so unique to the sort of schtick only Jack Carson would do.