Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the ... See full summary »
A Las Vegas cab driver finds a million dollars of stolen money in his cab after his fare is murdered. Soon after, a ruthless hitman is in persuit; he will stop at nothing to recover the ... See full summary »
Mark L. Lester
A jazz saxophonist loses his capability to play when he is injured in a shooting at a café where he was playing. He sinks into depression when everyone charges in to take care of him, including his ex-wife. However, he discovers a stone with a telephone number attached. Returning the stone, he meets a young aspiring actress who in one of those film coincidences is listening to his music. Soon the two begin an affair which is fouled by his over-obsessiveness with her which costs them both a job at a restaurant. Written by
John Sacksteder <firstname.lastname@example.org>
Quentin Tarantino travelled with Mira Sorvino for the Dublin part of the shoot. See more »
When Izzy is at Celia's apartment for the first time and closes the curtains to make it dark, there is a lot of light coming in even with the curtains closed. When they turn the lights off, the room is very dark. See more »
You still don't know who I am, do you? After all these years, you still don't have a clue.
See more »
Lulu On The Bridge is an odd one, and that's a compliment. It subtly strains at the constrictions of genre until you realize just how unique it has gotten right under your nose. I've always thought of it as the Abel Ferrara fiom that he never made. Harvey Keitel delivers a home run of a lead performance as Izzy Maurer, a renowned jazz musician who loses his ability to play after he is shot by a lunatic gunman (Kevin Corrigan) while he is performing his music in a cafe. He sinks into a deep depression following the incident, and then something curious happens. One day he finds a mysterious stone, with a phone number attached to it and some seemingly supernatural qualities which alter the psyche, mood and perception of anyone in its vicinity. The phone number leads him to Celia Burns (the ever excellent and under estimated Mira Sorvino), an aspiring actress who's fallen just south of the success line, and has a taste for Izzy's music. The two seem destined to meet and as you might guess, begin a passionate love affair that begins to get a bit obsessive, with strong hints directed towards the stone that seems to govern will and volition. Their romance is hot, heavy and volatile, threatened when a mysterious man named Dr. Can Horn (a classy but dangerous Willem Dafoe) separately kidnaps them in attempt to retrieve the stone. The script deliberately shades over its true intentions until the very last minute, stopping to pick many dialogue and thematic flowers along the way, as well as leave a few red herrings behind. Gina Gershon is great as Izzy's ex wife, and the monumantal supporting cast also includes Richard Edson, the great Victor Argo, Harold Perrineau, Mandy Patinkin, Vanessa Redgrave and a brief Lou Reed who is pricelessly credited as 'Not Lou Reed'. If you snag a DVD you can also see deleted scenes work from Stockard Channing, Jared Harris, Josef Sommer and Giancarlo Esposito. The film attempts music, mystery, doomed love, urban mysticism, thriller and drama elements. I'm happy to report that it succeeds at all of them, a gem not unlike the mcguffin stone within the plot, and a haunting little modern fairy tale. Check it out.
2 of 2 people found this review helpful.
Was this review helpful to you?