Diana, a young Italian-American photographer, returns to the city in which she grew up in order to settle her mother's estate. She had not gotten along well with her mother in recent years.... See full summary »
Helen De Michiel
Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the ... See full summary »
With World War 2 looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.
Angel celebrates the birth of his daughter by taking his first hit of crack cocaine. With the hesitant support of his wife, Monika, he joins a friend of his to deal drugs for a short time--... See full summary »
Axel Heyst lives on a secluded island near the Dutch East Indies port of Surabaya. The year is 1913. While on personal business to the port, he visits the hotel owned by racist German ... See full summary »
Harvey Keitel plays Penfield Gruber, a once great scientist, reduced to managing a sleazy hotel. Gruber monitors the daily comings and goings of his tenants, mainly for his own interest, ... See full summary »
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
A jazz saxophonist loses his capability to play when he is injured in a shooting at a café where he was playing. He sinks into depression when everyone charges in to take care of him, including his ex-wife. However, he discovers a stone with a telephone number attached. Returning the stone, he meets a young aspiring actress who in one of those film coincidences is listening to his music. Soon the two begin an affair which is fouled by his over-obsessiveness with her which costs them both a job at a restaurant. Written by
John Sacksteder <firstname.lastname@example.org>
At one point Dr. Van Horn (Willem Defoe) writes on a scrap of paper: "Celia - s 'il y a". This pun is based on a similarity between a girl's name and a phrase in French meaning something like "if she exists" or "if she is there". It is a direct reference to Samuel Beckett's novel "Murphy" (1938): Celia, lover of an eponymous character, has an uncle, Mr. Willoughby Kelly, who comes up with this piece of bilingual wordplay. Paul Auster has consistently acknowledged Beckett's influence on his own oeuvre. See more »
When Izzy is at Celia's apartment for the first time and closes the curtains to make it dark, there is a lot of light coming in even with the curtains closed. When they turn the lights off, the room is very dark. See more »
You still don't know who I am, do you? After all these years, you still don't have a clue.
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I see that opinions for Lulu are either 'I loved it' or 'I hated it.' There's a good reason. This is a very different film, with spiritual and other-worldly overtones -- it's definitely spooky. I could not have imagined where the story finally ended up, but it requires a lot of imagination to understand it (think, "Where does the mind go when it loses consciousness? And, what is the real meaning of 'time'?"). If you don't like it, that's fine -- maybe you just don't get it. Nothing wrong with that -- it's pretty deep. But for me, it's a form of pure entertainment that I cannot find anywhere else. I loved it. I bought a copy on DVD. I tell my friends about it. The ending is a definite surprise, but there are lots of other surprises throughout. Why not find out for yourself?
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