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Escort Girl (1941)

 -  Crime | Drama
4.2
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Ratings: 4.2/10 from 140 users  
Reviews: 11 user | 3 critic

A pair of nightclub owners run a string of escort bureaus where men pay for the "companionship" of young women. The district attorney sends an undercover agent to infiltrate the bureaus.

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(as Eddie Kaye)

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Title: Escort Girl (1941)

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Cast

Cast overview:
...
Margaret Marquis ...
June Ashley
Robert Kellard ...
Drake Hamilton (as Bob Kellard)
Wheeler Oakman ...
Guy Kingsford ...
Breeze Nolan
Isabel La Mal ...
Snuggles (as Isabel Lamal)
Arthur Housman ...
Al, the Drunk (as Arthur Houseman)
Rick Vallin ...
Jack (as Ric Vallon)
Mary Daily ...
Blondie
Kathryn Keys ...
Rita (as Kathryn Keyes)
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Storyline

Ruth Ashley (Betty Compson) and oily Gregory Stone (Wheeler Oakman) operate the Hollywood Escort Bureau. Ruth was a former escort girl but has worked up way up through the ranks and is now a partner in the business. Ruth's earnings have provided the funds to send her beautiful daughter, June (Margaret Marquis), to the most exclusive schools. June is not aware they her ever-loving mother is engaged in the nefarious business of supplying call-girls to lonely men. June comes home and announces she is engaged to marry Drake Hamilton (Robert Kellard), who is a special investigator for the district attorney. Drake is a good investigator and soon learns that his mother-in-law to be is running an escort bureau. He makes her promise to give up the business and promises not to tell June. But Gregory fears Drake will put an end to his operation. Drake, working undercover, calls the bureau for a date to be sent over so he can get the goods on the bureau. But scheming Gregory, giving her another ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

WOMEN! You've heard of Escort Bureaus. You've been told how lonely men are...away from home! See for Yourselves! - WARNING! Don't Come Uless You Really Want To Know What Goes On Behind ESCORT BUREAU DOORS! If You Can Stand the Truth---SEE IT! (original poster) See more »

Genres:

Crime | Drama

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Featured in Sleazemania III: The Good, the Bad and the Sleazy (1986) See more »

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User Reviews

 
classic seedy expose of "Escort Girl" racket--Wheeler Oakman and Betty Compson in top form!
3 January 2005 | by (south Texas USA) – See all my reviews

While this film is not as sleazy as SLAVES IN BONDAGE or GAMBLING WITH SOULS, two earlier films that featured star Wheeler Oakman as a pimp, ESCORT GIRL is slickly made and well-acted by a wonderful cast, and while it doesn't "show anything", it does have a seedy, dirty feel to it, even though it's not unlike a studio-bound, low-budget Grand National crime drama. Oakman, great as the heavy in so many westerns, gets a meaty role as the co-owner of a sleazy escort service, co-run with Oscar nominee and major star of the silent era Betty Compson. Compson's daughter, who has been attending fancy boarding schools in other states, does not know what business her Mom is REALLY in, and suddenly appears out of nowhere. When Compson and Oakman learn that the daughter's boyfriend (Robert Kellard, featured in some classic serials, and playing the title character in the 1947 Columbia serial TEX GRANGER) works for the District Attorney's office, things start to get complicated. It's a joy to watch two pros like Compson and Oakman work--Compson's monologues about motherhood and the dirtiness of the escort business are delivered as if they were great literature. Also, this film LOOKS great. The VHS transfer looks as if it were shot yesterday. There's an incredible plot complication about two-thirds of the way through the movie that I won't mention, but is amazing, and the drunken "confession" after it is classic. In addition, the great screen drunk Arthur Housman stumbles through one scene, and Rick Vallin is priceless as a gigolo who is stuck with an elderly but rich lady as his date, night after night. It's a running gag throughout the film, and Vallin plays it to the hilt. I've probably watched this film a dozen times over the years. It's not as sleazy as other exploitation films, nor is it weird like a Dwain Esper film--it's VERY competently made. It just has a strange appeal to me. Perhaps it will have a similar effect on you? Fans of Wheeler Oakman or Betty Compson will not want to miss it.


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