Lurcio can't help feeling that the household are trying to get rid of him, news of a pretty visitor leads to ideas of trickery, and a bit of something in the wine results in a lot of something in the...
Roman slave Lurkio inadvertently becomes the possessor of a scroll naming the proposed assassins of the Emperor Nero. Administering to the participants of his master's orgy guests seems ... See full summary »
Wolfie Smith is an unemployed dreamer from Tooting London, a self proclaimed Urban Guerilla who aspires to be like his hero Che Guevara. Leading a small group called the Tooting Popular ... See full summary »
Classic 1960s British comedy series about a middle aged man and his elderly father who run an unsuccessful 'rag and bone' business (collecting and selling junk). Harold (the son) wants to ... See full summary »
Harry H. Corbett,
Ken Boon and Harry Crawford are two middle-aged ex-firemen who start out in business together, initially in Birmingham and later in Nottingham. During the seven series (1986-1992), Ken ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
In the never ending, high tech war against crime, Detective Constables Bob Louis and David Briggs are the Scud missiles of the police arsenal of intuition, hunches and inspired guesses... ... See full summary »
Alcoholic and divorced father of a young daughter, DS Jim Bergerac is a true maverick who prefers doing things his own way, and consequently doesn't always carry out his investigations the way his boss would like.
The satire may be more juvenile than Juvenal, but "Up, Pompeii" remains a classic bit of English gutter subversion.
Technically: a peculiar cross between "A Funny thing happened on the Way to the Forum" & "It's That Man Again", "Up, Pompeii" is a music hall-styled satire built around the character Lurkio (Frankie Howerd). From the opening prologue - a story from classical mythology which hardly ever gets started, much less completed - to the final "Salute!", FH is hardly ever off-camera, acting, overacting &/or commenting on the plot, script, camerawork or sets... hardly anyone gets much of a lookin.
About 90% of the jokes are ancient enough to have first been told in Pompeii (the rest are somewhat older); but are played with the carefully-scripted/apparently-improvised style which was FH's trademark. Warning: if the series didn't treat its menfolk even worse, one could easily describe it as misogynistic (it probably is anyway).
If Howerd's peculiar genius (a word often overused; but probably useful in this case) doesn't appeal, avoid like the plague... otherwise: catch it whenever you can....
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