An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further ... See full summary »
A Banker, Husband, and Father, Mr. Smith must leave it behind him. He's made a mistake and he's trying to pay for it but he doesn't know if there is enough money in the world. Or so he ... See full summary »
A mockumentary documenting the attempts of Dr. Howard Tarkanian, an unorthodox psychiatrist, to treat a group of patients with severe phobias. The group includes a claustrophobic woman and ... See full summary »
Zachari Michael Reynolds,
Jeff Steward, a psychologist, takes good care of his patients mostly living in the same apartment. One day a piece of the bathroom ceiling collapses so he can watch the woman living in the ... See full summary »
The spellbinding, visual poem Cocoon takes the viewer through the internal battle of a woman's soulful search for inner beauty. Cocoon explores the dark pressures of society, depression, ... See full summary »
Raw Visit is a female driven film about revenge. Two brothers are guilty of a tragic incident involving a woman named Helen, who will do anything to see them suffer, even if it means to take her own life. What will she do?
Award-winning director Amos Kollek takes an intimate look at his strained relationship with his father, the mythical mayor of Jerusalem. Intertwined is the story of Robin, a NY prostitute he meets on his quest to fund his next film.
An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man (Matthew Powers) whom she met in a restaurant and started an affair is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact. Written by
John Sacksteder <email@example.com>
Anna Levine/Anna Thomson seems to have inherited the mantle of Gena Rowlands in those awful Cassavetes films of the 70's, A Woman Under the Influence and Gloria. This is woman-as-victim in a soup of hysterical emotion and over-acting. My toes used to curl in embarrassment as I watched the film spool by, hoping I'd get a respite from Rowland's suffering at the end.
Anna Levine was good as Delilah, the hooker with a slashed face in The Unforgiven, and was fun to watch as Vera, the transsexual in Water Drops on Burning Rocks (my favorite of Ozon's films) but this time she's awful in a terrible movie. Levine wears coats and scarves that seem oddly out of date, as though she was Doris Day waiting for Mr Right. She has big lips that droop but aren't expressive at all, and with the dumb dialog by Kollek, it's all very tiresome. Tahnee Welch plays Lola, the criminal hooker, with a sort of brisk efficiency which moves the story along. Tracee Ellis Ross does a great job as Linda, the aspiring social worker who leaves for California--I kept hoping she'd walk off with the picture, but no, we are stuck with Nembutal Sue.
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