An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further ... See full summary »
Award-winning director Amos Kollek takes an intimate look at his strained relationship with his father, the mythical mayor of Jerusalem. Intertwined is the story of Robin, a NY prostitute he meets on his quest to fund his next film.
A mockumentary documenting the attempts of Dr. Howard Tarkanian, an unorthodox psychiatrist, to treat a group of patients with severe phobias. The group includes a claustrophobic woman and ... See full summary »
Zachari Michael Reynolds,
A young New York woman, devastated to find out that her husband has been cheating on her, decides to hop a plane to Paris to get away. However, she falls asleep on the plane, misses her ... See full summary »
Drama about a pretty young woman who is raped in a most unusual way. There are unexpected turns and surprises in the plot and some characters turn out to be quite different than you'd ... See full summary »
Jeff Steward, a psychologist, takes good care of his patients mostly living in the same apartment. One day a piece of the bathroom ceiling collapses so he can watch the woman living in the ... See full summary »
Val is 23 years old and full of dreams. She travels to New York to become an actress. She is lonely in a strange country, in a strange city, with little money and no friends. In her path, ... See full summary »
An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man (Matthew Powers) whom she met in a restaurant and started an affair is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact. Written by
John Sacksteder <firstname.lastname@example.org>
This film was made with sincere intentions, but I feel that characters in similar predicaments have been portrayed more eloquently and more realistically in other films. Sue is obviously influenced by the films of John Cassavettes, but fails to achieve the same poignancy.
The film is a hodgepodge of scenes where the title character, a severely depressed woman, finds herself having quirky interactions with the people she encounters. Sometimes she initiates these interactions, sometimes others are drawn to her and sometimes they just seem contrived to keep things going. The pacing of her decline seems a bit off and just when something develops for the better, the story takes another dip to ensure its procession towards tragedy. We are never clued in on the origin of this woman's condition or given other details of her background, as though it's sufficient to witness her daily trials and shake our heads at how unfortunate things are. I would have liked more profundity in some of her relationships in place of the forgettable scenes with the ditzy so-called writer (from Minnesota, but with a NY accent) and the cliché street-tough girl.
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