| Photos (See all 48 | slideshow) | Videos (see all 3) |
| Julia Roberts | ... | Anna Scott | |
| Hugh Grant | ... | William Thacker | |
| Richard McCabe | ... | Tony | |
| Rhys Ifans | ... | Spike | |
| James Dreyfus | ... | Martin | |
| Dylan Moran | ... | Rufus the Thief | |
| Roger Frost | ... | Annoying Customer | |
| Henry Goodman | ... | Ritz Concierge | |
| Julian Rhind-Tutt | ... | 'Time Out' Journalist | |
| Lorelei King | ... | Anna's Publicist | |
| John Shrapnel | ... | PR Chief | |
| Clarke Peters | ... | 'Helix' Lead Actor | |
| Arturo Venegas | ... | Foreign Actor | |
| Yolanda Vazquez | ... | Interpreter | |
| Mischa Barton | ... | 12-Year-Old Actress | |
| Tim McInnerny | ... | Max | |
| Gina McKee | ... | Bella | |
| Emma Chambers | ... | Honey | |
| Hugh Bonneville | ... | Bernie | |
| Dorian Lough | ... | Loud Man in Restaurant | |
| Sanjeev Bhaskar | ... | Loud Man in Restaurant | |
| Paul Chahidi | ... | Loud Man in Restaurant | |
| Matthew Whittle | ... | Loud Man in Restaurant | |
| Melissa Wilson | ... | Tessa | |
| Emma Bernard | ... | Keziah | |
| Emily Mortimer | ... | Perfect Girl | |
| Tony Armatrading | ... | Security Man | |
| September Buckley | ... | Third Assistant Director | |
| Phillip Manikum | ... | Harry the Sound Man (as Philip Manikum) | |
| Samuel West | ... | Anna's Co-Star (as Sam West) | |
| Dennis Matsuki | ... | Japanese Businessman | |
| Patrick Barlow | ... | Savoy Concierge | |
| Andy de la Tour | ... | Journalist | |
| Maureen Hibbert | ... | Journalist | |
| Rupert Procter | ... | Journalist (as Rupert Proctor) | |
| David Sternberg | ... | Journalist | |
| Ann Beach | ... | William's Mother | |
| rest of cast listed alphabetically: | |||
| Sally Phillips | ... | Caroline (scenes deleted) | |
| Alec Baldwin | ... | Jeff King (uncredited) | |
| Ian Boo Khoo | ... | Journalist (uncredited) | |
| Simon Callow | ... | Himself in Film within Film (uncredited) | |
| Joe Cornish | ... | Fan Receiving Anna's Autograph (uncredited) | |
| Sean Cronin | ... | Walk On (uncredited) | |
| Omid Djalili | ... | Cashier at Coffee Shop (uncredited) | |
| Ray Donn | ... | Journalist (uncredited) | |
| Michael Higgs | ... | Man at Market (uncredited) | |
| João Costa Menezes | ... | Journalist (uncredited) | |
| Matthew Modine | ... | Movie-Within-Movie Actor (uncredited) | |
| Taylor Murphy | ... | Journalist (uncredited) | |
| Vivienne Soan | ... | Bystander (uncredited) | |
| Richard Woolfenden | ... | Press Photographer (uncredited) | |
Directed by | |||
| Roger Michell | |||
Writing credits | ||
| Richard Curtis | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Richard Curtis | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Duncan Kenworthy | .... | producer | |
| Mary Richards | .... | line producer | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Michael Coulter | (director of photography) | ||
Film Editing by | |||
| Nick Moore | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Andrew Ackland-Snow | |||
| David Allday | |||
| John King | (supervising art director) | ||
Set Decoration by | |||
| Stephenie McMillan | |||
Costume Design by | |||
| Shuna Harwood | |||
Makeup Department | |||
| Richard Dean | .... | makeup designer: Julia Roberts | |
| David Fields | .... | hair stylist: Hugh Grant | |
| Terry Jarvis | .... | wig maker and supplier | |
| Mai Layton | .... | hair trainee | |
| Mai Layton | .... | makeup trainee | |
| Lyndell Quiyou | .... | hair designer: Julia Roberts | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
| Elizabeth Yianni-Georgiou | .... | hair stylist (as Lizzie Yianni Georgiou) | |
| Elizabeth Yianni-Georgiou | .... | makeup artist (as Lizzie Yianni Georgiou) | |
Production Management | |||
| Jane Frazer | .... | executive in charge of production | |
| Deborah Harding | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bernard Bellew | .... | second assistant director | |
| Charlie Hayward | .... | ft2 trainee third assistant director | |
| Ben Howarth | .... | co-second assistant director | |
| Christopher Newman | .... | first assistant director (as Chris Newman) | |
| Sue Wood | .... | assistant director (crowd scenes) | |
Art Department | |||
| Dominic Ackland-Snow | .... | carpenter | |
| Mark Bailey | .... | stagehand | |
| Geoff Ball | .... | supervising carpenter | |
| Dave Baynham | .... | plasterer (as David Baynham) | |
| Ashley Bell | .... | plasterer's laborer | |
| Ernie Bell | .... | painter | |
| Otis A. Bell | .... | chargehand plasterer's assistant (as Otis Bell) | |
| Brian Bishop | .... | scenic artist | |
| Doug Bishop | .... | assistant scenic artist | |
| Tony Boxall | .... | plasterer | |
| Paul Budd | .... | chargehand painter's laborer | |
| Alastair Bullock | .... | junior draughtsman (as Al Bullock) | |
| John Burn | .... | carpenter | |
| Ray Campbell | .... | stand-by painter | |
| Malcolm Carlo | .... | stagehand | |
| Neil Clark | .... | supervising plasterer | |
| Stan Cook | .... | prop storeman | |
| Brian Cooper | .... | plasterer's laborer | |
| Steven Corke | .... | carpenter | |
| George Coussins | .... | supervising carpenter | |
| Allan Croucher | .... | plasterer | |
| Richard Denyer | .... | carpenter | |
| Peter Dorme | .... | draughtsman | |
| Keith Dyett | .... | supervising carpenter | |
| Stephen Eels | .... | stand-by carpenter | |
| Alan Gilmore | .... | draughtsman | |
| Christine Greaves | .... | food stylist | |
| Kavin Hall | .... | head of department painter | |
| Richard Hall | .... | trainee painter | |
| Robert Harper | .... | painter (as Bob Harper) | |
| Paul J. Hayes | .... | carpenter (as Paul Hayes) | |
| Bernie Hearn | .... | chargehand dressing propman | |
| Chris Hedges | .... | stand-by stagehand (as Christopher Hedges) | |
| Martin Hedinger | .... | painter | |
| Robert Hill | .... | chargehand painter | |
| Bill Howarth | .... | painter | |
| Gary Ixer | .... | stand-by propman | |
| Paul Jones | .... | supervising carpenter | |
| Richard Lyon | .... | construction buyer | |
| Miraphora Mina | .... | assistant set decorator | |
| Peter Mounsey | .... | painter | |
| Fred Myatt | .... | carpenter (as Freddie Myatt) | |
| Terry Newvell | .... | chargehand stagehand | |
| Ronald Nicholls | .... | wood machinist | |
| Ray Norris | .... | carpenter | |
| Gordon O'Reilly | .... | plasterer's laborer | |
| Ian Pape | .... | chargehand rigger | |
| Ken Pattenden | .... | head of department carpenter | |
| Brian Pegg | .... | plasterer | |
| Keith Pitt | .... | carpenter | |
| Brian Read | .... | production buyer | |
| Michael Redding | .... | construction coordinator | |
| Ian Rolfe | .... | stand-by rigger | |
| Fred Round | .... | carpenter (as Frederick Round) | |
| Richard Rowlands | .... | chargehand wood machinist | |
| Nick Russo | .... | carpenter (as Nicola Russo) | |
| Andy Sandbach | .... | plasterer | |
| Roy Seers | .... | plasterer | |
| Len Serpant | .... | stagehand | |
| Keith Shannon | .... | plasterer | |
| Lee Shelley | .... | painter | |
| Norman Simpson | .... | carpenter | |
| David Skinner | .... | painter | |
| Bryan Smith | .... | carpenter | |
| Deborah Stokely | .... | production buyer | |
| Don Taylor | .... | master plasterer | |
| Daniel Thompson | .... | carpenter | |
| Alan Tilley | .... | carpenter | |
| David Trice | .... | carpenter | |
| Anthony Turner | .... | plasterer | |
| Alexandra Walker | .... | art department assistant | |
| Bob Walker | .... | graphic artist (as Robert Walker) | |
| Peter Wallace | .... | supervising rigger | |
| Peter Wallis | .... | dressing propman | |
| Peter Western | .... | supervising painter | |
| Clive Wheeler | .... | stagehand | |
| Alan White | .... | translights: Stilled Movie | |
| Barry Wilkinson | .... | property master | |
| Ben Wilkinson | .... | stand-by propman | |
| Jamie Wilkinson | .... | dressing propman | |
| Simon Wilkinson | .... | chargehand stand-by props | |
| David Williamson | .... | carpenter | |
| Kenny Wilson | .... | supervising stagehand (as Ken Wilson) | |
| Sydney Wilson | .... | dressing propman | |
| Bill Pearson | .... | set dresser (uncredited) | |
| Sara-Jane Valentine | .... | art department coordinator (uncredited) | |
| Michele Waldfogel | .... | art department assistant (uncredited) | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| John Lewis Aschenbrenner | .... | sound assistant (as John Lewis) | |
| Paula Boram | .... | foley artist | |
| Ed Colyer | .... | adr mixer | |
| Ed Colyer | .... | foley mixer | |
| Ian Fuller | .... | sound supervisor | |
| Pauline Griffiths | .... | foley artist | |
| Michael Harris | .... | playback operator (as Mike Harris) | |
| Dominic Lester | .... | re-recording mixer | |
| Derek Lomas | .... | effects editor | |
| Ian Macbeth | .... | assistant sound editor | |
| Charlie McFadden | .... | sound maintenance | |
| Nigel Mills | .... | foley editor | |
| Robin O'Donoghue | .... | re-recording mixer | |
| Grahame Peters | .... | foley editor | |
| David Stephenson | .... | sound recordist | |
| Richard Street | .... | assistant re-recording mixer | |
| David Tyler | .... | assistant adr mixer | |
| David Tyler | .... | assistant foley mixer | |
Special Effects by | |||
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
Visual Effects by | |||
| Peter Dansie | .... | optical supervisor | |
| Paddy Eason | .... | digital visual effects designer: Framestore-CFC | |
| Dan Glass | .... | digital visual effects designer: Framestore-CFC | |
| Sharon Lark | .... | digital visual effects producer: Framestore-CFC | |
| Alex Payman | .... | paint artist: Framestore-CFC | |
| Pedro Sabrosa | .... | digital visual effects designer: Framestore-CFC | |
| Fiona Walkinshaw | .... | digital visual effects producer: Framestore-CFC | |
| Timothy Webber | .... | visual effects supervisor (as Tim Webber) | |
| Pete Hanson | .... | studio manager: Framestore-CFC (uncredited) | |
| Matt Kasmir | .... | digital artist (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: Framestore-CFC (uncredited) | |
| Steve Tizzard | .... | scanning and recording operator (uncredited) | |
Stunts | |||
| Nick Gillard | .... | stunt coordinator | |
| Joss Gower | .... | stunt driver (uncredited) | |
| Annelie Whitfield | .... | stunts (uncredited) | |
Casting Department | |||
| Jennifer Duffy | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Ray Knight | .... | crowd casting: 2020 Casting Ltd. | |
| Ronna Kress | .... | casting consultant: USA | |
| David Rubin | .... | casting consultant: USA | |
| Sue Wood | .... | extras casting | |
| Debra Zane | .... | casting consultant: USA | |
Costume and Wardrobe Department | |||
| Barbara Brady | .... | additional wardrobe assistant | |
| Anthony Brookman | .... | additional wardrobe assistant | |
| John Denison | .... | wardrobe assistant | |
| Nigel Egerton | .... | additional wardrobe assistant | |
| Kay Manasseh | .... | costume design assistant | |
| Lester Mills | .... | additional wardrobe assistant | |
| Jane Petrie | .... | wardrobe mistress | |
| John Scott | .... | wardrobe supervisor | |
| Claire Smith | .... | wardrobe assistant | |
| Fran Vega-Buck | .... | set costumer: Julia Roberts (as Francisca Vega-Buck) | |
| Natalie Ward | .... | additional wardrobe assistant | |
| Allison Wyldeck | .... | additional wardrobe assistant (as Alison Wyldeck) | |
Editorial Department | |||
| Stephen Boucher | .... | assistant editor: lightworks | |
| Lea Morement | .... | editor trainee | |
| Clive Noakes | .... | color grader | |
| Andrew Perrier | .... | second assistant editor | |
| Liz Roe | .... | assistant editor: lightworks | |
| Gabrielle Smith | .... | first assistant editor | |
| Ben Yeates | .... | assistant editor: lightworks | |
| Simon Astbury | .... | telecine colorist (uncredited) | |
| Steve Harrow | .... | post-production consultant (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | conductor: The London Symphony Orchestra (as Geoffrey Alexander) | |
| Geoff Alexander | .... | orchestrator (as Geoffrey Alexander) | |
| Nick Angel | .... | soundtrack coordinator | |
| David Arch | .... | musician: piano (as Dave Arch) | |
| Peter Clarke | .... | music editor | |
| Clem Clempson | .... | music arranger: electric guitars | |
| Clem Clempson | .... | musician: electric guitar | |
| Gareth Cousins | .... | music mixer | |
| Gareth Cousins | .... | music re-mixer: original songs | |
| Gareth Cousins | .... | music recordist | |
| Janice Graham | .... | orchestra leader: The London Symphony Orchestra | |
| Trevor Jones | .... | musician: synthesizers | |
| Trevor Jones | .... | orchestrator | |
| Julian Kershaw | .... | orchestrator | |
| Marc Marot | .... | soundtrack coordinator | |
| Craig Ogden | .... | musician: acoustic guitar | |
| Simon Rhodes | .... | music mixer | |
| Simon Rhodes | .... | music recordist | |
| Victoria Seale | .... | music coordinator: CMMP | |
| Dawn Soler | .... | executive in charge of music: PolyGram Filmed Entertainment (as Dawn Solér) | |
| Liz Gallacher | .... | music consultant: Richard Curtis (uncredited) | |
| Michael Higham | .... | music editor: temp (uncredited) | |
| Kirsten Lane | .... | music licensing coordinator (uncredited) | |
Transportation Department | |||
| Gerry Batson | .... | driver: facility truck | |
| Mike Beaven | .... | unit driver (as Mike Beavan) | |
| Mick Boddy | .... | driver: facility truck | |
| Howard Doubtfire | .... | driver: facility truck | |
| Mike Harris | .... | driver: facility truck | |
| Scott Henley | .... | driver: facility truck | |
| Charles Hughes | .... | driver: facility truck (as Chas Hughes) | |
| Dave Jones | .... | driver: facility truck | |
| Tommy Lee | .... | unit driver | |
| Mike Moran | .... | driver: facility truck | |
| Enyo Mortty | .... | unit driver | |
| Peter Newson | .... | driver: facility truck | |
| John Ott | .... | driver: facility truck | |
| Neal Pierson | .... | driver: facility truck | |
| Steve Pyke | .... | driver: facility truck (as Steve Pike) | |
| Terry Reece | .... | unit driver | |
| Albert Smith | .... | driver: facility truck | |
| John Smith | .... | unit driver | |
| Dennis Swan | .... | driver: facility truck | |
| Rob Todd | .... | driver: facility truck | |
| Billy Turner | .... | driver: facility truck (as Bill Turner) | |
Other crew | |||
| Chris Allies | .... | title designer | |
| Tony Ambrose | .... | unit security | |
| Brian Bailey | .... | post-production accountant: Working Title Films | |
| Libbie Barr | .... | script supervisor | |
| Ishmahil Blagrove | .... | unit security | |
| Frank Bloom | .... | legal service | |
| Jon R. Brown | .... | production runner (as Jon Brown) | |
| Jane Burgess | .... | additional production assistant | |
| Paul Caldicott | .... | caterer | |
| Francesca Castellano | .... | assistant: Duncan Kenworthy | |
| Nicolas Chaudeurge | .... | trainee: National Film and Television School | |
| Belinda Curtis | .... | assistant: Richard Curtis | |
| Wendy Dade | .... | assistant: Duncan Kenworthy | |
| Karen Dola | .... | footage licensing | |
| Juliette Dow | .... | assistant: Tim Bevan | |
| John Fensom | .... | additional production assistant | |
| David Field | .... | stand-in | |
| Joan Field | .... | stand-in | |
| Steve Fisher | .... | unit security | |
| Simon Fraser | .... | production coordinator | |
| Emma Freud | .... | script editor | |
| Maree 'Digger' Glen | .... | caterer | |
| Amelia Granger | .... | marketing coordinator: Working Title Films | |
| Ray Gray | .... | unit security (as Ray Grey) | |
| Debbie Hanney | .... | stand-in | |
| Michael Harm | .... | location unit manager: Working Title Films | |
| Phil Hill | .... | additional production assistant | |
| Nathan Holmes | .... | additional production assistant | |
| Rachel Holroyd | .... | vice president of business affairs: Working Title Films | |
| Viviane Horne | .... | stand-in | |
| Emma Horton | .... | floor runner | |
| Toby Hosking | .... | additional production assistant | |
| Sophie Hutchins | .... | caterer | |
| Lynette Jackson | .... | product placement consultant: IEM | |
| Paul Jackson | .... | health and safety officer | |
| Joseph Jayawardena | .... | location assistant: Working Title Films | |
| Jeremy Johns | .... | location unit manager: Working Title Films | |
| Teresa Johnson | .... | construction nurse | |
| Debbie Kaye | .... | horses and carriages | |
| Nina Khoshaba | .... | company coordinator: Working Title Films | |
| Mitch King | .... | unit security | |
| Paul Kite | .... | stand-in | |
| Young-Mi Lee | .... | trainee: National Film and Television School | |
| Steve Lemaitre | .... | unit security | |
| Dan Leon | .... | additional production assistant | |
| Sarah McDougall | .... | assistant: Richard Curtis | |
| Karen McLuskey | .... | production assistant | |
| Angela Morrison | .... | senior vice president of business affairs: Working Title Films | |
| Jason Moyce | .... | unit security | |
| Cian O'Leary | .... | additional production assistant | |
| Anthony Q. Palmer | .... | crew: EPK (as Anthony Palmer) | |
| Rajeshree Patel | .... | assistant accountant: Working Title Films | |
| Malcolm Perkins | .... | unit security | |
| Sue Quinn | .... | location manager | |
| Steve Ricard | .... | stand-in | |
| Fiona Richards | .... | additional production assistant | |
| Sally Ann Ritchie | .... | assistant: Richard Curtis | |
| Claire Robertson | .... | accounts trainee: Working Title Films | |
| Sarah Robinson | .... | additional production assistant | |
| Kellie Robson | .... | product placement consultant: IEM | |
| Patric Scott | .... | unit publicist | |
| Nick Simmonds | .... | additional production assistant | |
| Jean Simmons | .... | accounts assistant: Working Title Films | |
| Andrea Slater | .... | additional production assistant | |
| Paul M. Sommers | .... | crew: EPK (as Paul Sommers) | |
| John Sorapure | .... | crew: EPK | |
| Geraldine Stephenson | .... | choreographer | |
| Darren Stock | .... | unit security | |
| Roy Stock | .... | unit security | |
| Phil Stoole | .... | additional production assistant | |
| Ricky Stupple | .... | unit security | |
| Dathi Sveinbjarnarson | .... | additional production assistant | |
| Lee Tailor | .... | additional production assistant (as Lee Taylor) | |
| Michele Tandy | .... | financial controller | |
| Lara Thompson | .... | assistant: Eric Fellner | |
| Julian Tomlin | .... | director of finance: Working Title Films | |
| Tracey Tucker | .... | additional production assistant | |
| Jeannie Udall | .... | unit nurse (as Jeanie Udall) | |
| Suzanne Weinert | .... | assistant: Julia Roberts | |
| Betty Williams | .... | production accountant: Working Title Films | |
| Dale Williams | .... | unit security | |
| David Williams | .... | crew: EPK (as Dave Williams) | |
| Tiane Wilson | .... | assistant: Roger Michell | |
| Rebecca Wiseman | .... | caterer | |
| Sara Woodhatch | .... | assistant: Hugh Grant | |
| Çigdem Worthington | .... | legal assistant: Working Title Films | |
| Pu San Wong | .... | trainee script supervisor: FT2 (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Notting Hill is a district of west London that was built as a fashionable Victorian suburb, became very run down during the mid twentieth century and is now once again fashionable, but which retains a distinctly cosmopolitan atmosphere, with London's biggest street market and many small specialist shops. (My wife and I sometimes go there to shop for bargains). The hero of the film, William Thacker, is the owner of one of these shops, a travel bookshop. The film concerns the romance which develops between William and a young woman named Anna Scott whom he meets when she comes into his shop.
As another reviewer has pointed out, 'Notting Hill' is based around a theme, love between people of unequal social standing, which has provided literature with some of its greatest works, both comic and serious, dating back at least to the tale of King Cophetua and the beggar-maid. Although many of these stories tell of a poor but honest lad who aspires to the hand of a princess or titled lady, Anna is not part of the Royal Family or the British aristocracy. She rather belongs to an even more exclusive elite, the Hollywood starocracy. She is a hugely popular film star who earns at least $15,000,000 per film, and pops into William's shop during a brief stay in London to publicise her latest movie.
Although Anna is played by a real-life Hollywood superstar, Julia Roberts, the film is very typically British. William is similar to an number of other Hugh Grant characters, being a shy, diffident middle-class Englishman, probably public-school and university educated. (Despite this background, he is not particularly wealthy following a divorce from his first wife and is forced to share his lodgings with an eccentric Welsh flatmate, Spike). The humour of the film, particularly the dinner-party banter between William and his friends, is mostly of the typically ironic, self-deprecating variety popular in Britain, especially in middle-class circles. Rhys Ifans's Spike, by contrast, typifies another strand of British humour, the eccentric zaniness found in the likes of 'Monty Python'. Spike's strong provincial accent suggests a more working-class background; this possibly accounts for the teasing that he has to put up with from the other characters, although he takes it all in good part.
William may be diffident, self-deprecating and unsuccessful, but he is probably the stronger of the two main characters. Anna is beautiful and successful, but underneath it all she is insecure, worried about losing her fame and fortune and about her inability to form lasting relationships with men. Early on in the film she has another boyfriend, Jeff, but it is clear that he is only the latest in a long string of unsatisfactory romances which have left her emotionally (and in some cases physically) bruised. The scene where Anna says to William 'I'm just a girl, standing in front of a boy, asking him to love her' is the one where we see her at her most vulnerable. Although both characters are in their late twenties or thirties, it is noteworthy that Anna refers to 'girl and boy' rather than 'woman and man'. Anna's vulnerability also comes through in her reaction in the scene where hordes of paparazzi appear on William's doorstep; William tries to play down the incident, and Spike finds it hugely amusing, but Anna is horrified. (The film was made shortly after the death of Princess Diana; this scene possibly reflects British disgust with the antics of the paparazzi, who were regarded as being partly to blame for the Princess's death). Like others, I found myself wondering how much Anna's personality reflects Julia Roberts's own; she too has had a number of unhappy relationships.
Important roles are also played by Tim McInnerny and Gina McKee as William's best friend Max and his disabled wife Bella; the love of this ordinary couple for each other provides a more realistic, down-to-earth counterpart to the fairy-tale romance of William and Anna, helping to anchor the film more firmly in reality. The main charm, however, lies in the relationship of the two main characters, as Anna comes to realise that the seemingly ordinary William has a kindness and decency which count for more than the monstrous egos of Jeff and his like. Like 'Four Weddings and a Funeral', which was also written by Richard Curtis and starred Hugh Grant, 'Notting Hill' is one of the warmest and most human British films of the nineties. 7/10